1814–1882 Collection

Back View Male Nude 19th century Graphite 11 13 / 16 x 7 5 / 16
Artokoloro

Tobias Brings Bride Sarah House Father Tobit
Artokoloro

Kneeling Draped Male Figure Facing Left March 25
Artokoloro

Back View Draped Male Figure Holding Staff March 24
Artokoloro

Composition Study Figures Distributing Bread
Artokoloro

Composition Study Three Figures Standing Rock
Artokoloro

Kneeling Nude Male Figure Facing Left March 25
Artokoloro

Back View Male Figure Wearing Cloak 1859 Graphite
Artokoloro

Study figure Sarah now-lost painting Tobias Brings
Artokoloro

Studies Draped Female Figure Kneeling Back East Transept
Artokoloro

Scene Story Tobit ca 1834-82 Oil paint paper
Artokoloro

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"1814–1882: Exploring the Artistic Journey through Captivating Figures and Stories" Step into the captivating world of 19th-century art as we delve into a diverse range of masterpieces from 1814 to 1882. From mesmerizing graphite sketches to oil paintings, this era showcases the immense talent and creativity that flourished during this time. One such artwork is "Back View Male Nude, " a stunning graphite piece measuring 11 13/16 x 7 5/16. This exquisite portrayal captures the beauty and vulnerability of the human form, inviting viewers to appreciate its intricate details. Moving on, we encounter Tobias bringing his bride Sarah home under the watchful eye of her father Tobit. This heartwarming scene depicts love and family bonds in an endearing manner, leaving us captivated by their story. In another striking composition study, we witness a group of figures distributing bread—a symbol of sustenance and unity. The artist's meticulous attention to detail brings these characters to life, allowing us to feel their presence within the frame. The exploration continues with studies featuring draped male figures facing left or holding staffs—each evoking a sense of mystery and intrigue. These enigmatic portrayals leave room for interpretation, inviting viewers to unravel their hidden narratives. Additionally, there are glimpses into lost works such as "Study figure Sarah" alongside Tobias Brings—an artwork that sparks curiosity about its original context and significance. Not forgetting female representation in artistry, we encounter studies featuring draped female figures kneeling in East Transept—a testament to both gracefulness and strength captured on paper. Lastly, immerse yourself in scenes from Tobit's story depicted through oil paint on paper caressed by brushstrokes between1834-82. Each stroke tells a tale filled with emotions that resonate even today—reminding us how timeless art truly is.