1806 1885 Collection (page 7)

Egypt Nubia Volume II Grand Entrance Temple Luxor
Egypt and Nubia, Volume II: Grand Entrance to the Temple of Luxor, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864)

Egypt Nubia Volume II Pyramids Geezeh 1848 Louis Haghe
Egypt and Nubia, Volume II: Pyramids of Geezeh, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British, 1796-1864)

Egypt Nubia Volume II Entrance Tombs Kings Thebes
Egypt and Nubia, Volume II: Entrance to the Tombs of the Kings of Thebes, Bab-El-Malouk, 1848. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London

Egypt Nubia Volume II Fragments Great Colossi
Egypt and Nubia, Volume II: Fragments of the Great Colossi at the Memnonium, Thebes, 1847. Louis Haghe (British, 1806-1885), F.G.Moon, 20 Threadneedle Street, London, after David Roberts (British)

Confessional Church St. Paul Antwerp 1838 Louis Haghe
Confessional, Church of St. Paul, Antwerp, 1838. Louis Haghe (British, 1806-1885). Color lithograph with hand coloring

Ancien Bourse Antwerp Louis Haghe British 1806-1885
Ancien Bourse, Antwerp. Louis Haghe (British, 1806-1885). Color lithograph with hand coloring

Tomb De Merodes Family Gheel Louis Haghe British
Tomb of De Merodes Family, Gheel. Louis Haghe (British, 1806-1885). Color lithograph with hand coloring

Egypt Nubia Volume II - No 18 Medinet Abou Thebes
Egypt and Nubia: Volume II - No. 18, Medinet Abou, Thebes, 1832. Louis Haghe (British, 1806-1885). Color lithograph

Mrs Page Merry Wives Windsor April 5 1826 Lithograph
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Louis Haghe (1806-1885) was a British artist known for his picturesque and romantic travels in various parts of the world. His portfolio of sketches includes stunning depictions of historical landmarks and architectural wonders. One such example is the Tomb of De Merodes Family in Gheel, a solemn resting place captured with great detail and reverence. Another masterpiece from his collection is the Belfry Tower of Amiens, showcasing the beauty and grandeur of old France. Haghe's talent extended to religious sites as well, as seen in his portrayal of the Confessional at the Church of St. Paul in Antwerp. The intricate details he incorporated into this piece bring out its spiritual significance. His works also encompassed volumes dedicated to Belgium, Germany, Egypt, Nubia, and Arabia. In these volumes, Haghe transported viewers to far-off lands through his artistry. In Volume I: Nonnberg Convent, Salzburg (1840), he captures the peacefulness and serenity that emanates from this sacred place. Meanwhile, Volume III takes us on a journey through Petra's ancient ruins in Jordan while offering a glimpse into Cairo's vibrant culture with pieces like Mosque Sultan Hassan (1838) and Modern Mansion showing Arabesque Architecture (1849). Egypt holds a special place within Haghe's portfolio; it served as an inspiration for many captivating artworks. Ruins of Karnak (1838) showcases the majesty that once existed within these crumbling walls while Great Hall at Karnak depicts its former glory. However, not all aspects were glamorous or serene; Haghe also shed light on harsh realities such as slavery depicted vividly in In the Slave Market at Cairo (1849). These thought-provoking pieces remind us that art can be both beautiful and poignant simultaneously. Throughout his career spanning nearly eight decades until 1885 when he passed away aged 79 years old Louis Haghe left an indelible mark on the art world.