1787 Collection (page 10)

Self-Portrait, Aert Schouman, 1787

View of the Houtmarkt in Amsterdam, The Netherlands, Hendrik Keun, 1760 - 1787

Portrait of Cornelis van der Hoop Gijsbertz. Francois Joseph Pfeiffer I 1787, print maker: Francois Joseph Pfeiffer I, 1787

Portrait of Joan van der Capellen tot den Pol, Abraham Jacobsz. Hulk, 1787
Henri de Toulouse-Lautrec (French, 1864 - 1901), W.H.B. Sands (W.H.B. Sands, editeur a Edimbourg), 1898, drypoint

Portrait of Eliza Lynslager, print maker: Abraham Jacobsz. Hulk, 1787

Portrait of Diederik Johan van Hogendorp van Hofwegen, Johan Christoffel Schultz, Jacobus Kok Pieterszoon, 1787

Portrait of Steve Lucas Nick, Pieter Gaal, 1787

Four odes to the politician Joan Derk van der Capellen tot den Pol, Jan de Kruyff 1753-1821, Daniel van Alphen, Pieter van Schelle, 1787

Portrait of Bernard Bosch, Jacobus Wijsman Abraham Jacobsz. Hulk, 1787

Drawing by Hendrik van der Noot and Petrus van Eupen, 1790, Anonymous, 1787-1790

Allegory on the establishing of the Oprechte Vaderlandsche Societeiten in 1787, Anonymous, Maria Geertruida de Cambon-van der Werken, Johannes Francois Jacobs de Age, 1787

Louis Jacques Mande Daguerre (French, 1787 - 1851). Ruines de l Abbaye de Jumiege, 19th century. Lithograph

John Dickinson (engraving)
KW1073694 John Dickinson (engraving) by English School, (19th century); Private Collection; (add.info.: John Dickinson, 1732-1808)

B. Franklin of Philadelphia L. L. D. F. R. S. / M. Chamberlin pinxt. ; E. Fisher fecit
B. Franklin of Philadelphia L.L.D. F.R.S. / M. Chamberlin pinxt.; E. Fisher fecit.; Fisher, Edward, 1730-approximately 1785, engraver; Chamberlin, Mason, -1787

Viewing the Exhibiti)N of the Royal Academy, 1787, London, Uk
Viewing the Exhibiti)N of the Royal Academy, 1787, London, UK

Fukagawa geijya, Geisha from Fukagawa. 1787. 1 print : woodcut, color; 14. 8 x 9
Fukagawa geijya, Geisha from Fukagawa. 1787. 1 print : woodcut, color; 14.8 x 9.3 cm. Print shows two women walking outside a building, one carrying a paper lantern

YAckyA, Archery. Hosoda, Eishi, 1756-1829, artist, [between 1787 and 1790], 1 print : woodcut, color; 37.6 x 24.1 cm. Print shows three women amusing themselves shooting arrows

Sumida kahan no bijin, Beauty on the bank of the Sumida River. Hosoda, Eishi, 1756-1829, artist, [between 1787 and 1789], 1 print : woodcut, color; 59.5 x 10.5 cm

Hashi no ue no bijin to kodomo, Beauty and child on a bridge. Hosoda, Eishi, 1756-1829, artist, [between 1787 and 1789], 1 print : woodcut, color; 67.2 x 11.8 cm

MiyamAcde, Shrine visit. Hosoda, Eishi, 1756-1829, artist, [between 1787 and 1789], 1 print : woodcut, color; 67.1 x 11 cm

Nakasu no geisha, Entertainer from Nakazu. Hosoda, Eishi, 1756-1829, artist, [between 1787 and 1789], 1 print : woodcut, color; 68.2 x 12 cm

Yatsushi kAcshohei, Transformed Chinese sage Huang Shangping (KAc Shohei). 1787. 1 print : woodcut, color; 10.5 x 11.9 cm

The Lictors Bringing Brutus the Bodies of His Sons; Jacques-Louis David, French, 1748 - 1825; 1787; Pen and black ink and gray wash; 32.7 x 42.1 cm (12 7/8 x 16 9/16 in.)

A View of Place Louis XV; Attributed to Alexandre-Jean Noel, French, 1752 - 1834; about 1775 - 1787; Oil on canvas; Unframed: 49.8 x 74.9 cm (19 5/8 x 29 1/2 in.)

Portrait of Marie-Louise Joubert, nee Poulletier de Perigny; Francois-Xavier Fabre, French, 1766 - 1837; 1787; Oil on canvas; Unframed: 78.1 x 61 cm (30 3/4 x 24 in.)

Portrait of John Talbot, later 1st Earl Talbot; Pompeo Batoni, Italian (Lucchese), 1708 - 1787; Italy, Europe; 1773; Oil on canvas; Unframed: 274.3 x 182.2 cm (108 x 71 3/4 in.)

Rolltop Desk; Desk by Bernard Molitor, French, 1730 - after 1811, master 1787, reunts after designs by Francois Remond, French, 1747 - 1812, master 1774, some mounts cast by Gambier, French

Chair (fauteuil de toilette); Georges Jacob, French, 1739 - 1814, master 1765, and Pierre-Claude Triquet, French, active second half of 18th century, and Jean-Baptiste-Simon Rode, French

Vase (Cuvette Mahon); Painted decoration by Jean-Louis Morin, French, 1732 - 1787, active at Vincennes and Sevres from 1754, After an engraving by Jacques-Philippe Le Bas, French, 1707 - 1783

Cup and Saucer (gobelet litron et soucoupe, deuxieme grandeur); Painted by Etienne-Jean Chabry fils, French, active 1765 - 1787, Gilded by Michel-Barnabe Chauvaux, aine, French, active 1753 - 1788

Pair of Potpourri Vases (potspourris Pompadour, troisieme grandeur); Model designed by Jean-Claude Duplessis pere, French, about 1695 - 1774, active Sevres, France 1745/1748 - 1774

Still Life With Plaster Casts; Baron Armand-Pierre Seguier, French, 1803 - 1876, possibly in assocation with Louis-Jacques-Mande Daguerre, French

Edinburgh from the Braids Signed, lower left: Patk [??], Patrick Nasmyth
Edinburgh from the Braids Signed, lower left: " Patk [??]", Patrick Nasmyth, 1787-1831, British

An Unknown Man in a Library, Arthur Devis, 1712-1787, British

An Unknown Man with His Daughter, Arthur Devis, 1712-1787, British

William Farington of Shawe Hall, Lancashire Robert Vernon Atherton and his Dog, Arthur Devis, 1712-1787, British

The John Bacon Family, Arthur Devis, 1712-1787, British

Male Nude, Kneeling, from the Back, Attributed to William Etty, 1787-1849, British

Conversation Piece Signed and dated in ochre-color paint, lower left: M: Chamberlin
Conversation Piece Signed and dated in ochre-color paint, lower left: " M: Chamberlin. pinxt: 1761.", Mason Chamberlin, 1722-1787, British

Dan Cunningham, Mason Chamberlin, 1722-1787, British

Portrait of a Woman, traditionally identified as Margaret Stuart, Lady Hippisley An Unknown Woman, Called Lady Hippisley, signed and dated 1785 Signed and dated in ocher-color paint

Portrait of a Family, Traditionally Known as the Swaine Family of Fencroft, Cambridgeshire Family Group Beside a River (called The Swaine Family ) A Family of Anglers

Self-Portrait Inscribed VENEZIA in red, Monsieur Etty and 31 Lombard Street/London on the letter that the sitter has open before him Signed and dated verso

Children in an Interior Portrait of a Group of Children, Arthur Devis, 1712-1787, British

James Caulfeild, 4th Viscount Charlemont (Later 1st Earl of Charlemont) James, 1st Earl of Charlemont, Pompeo Batoni, 1708-1787, Italian

Gentleman with a Cannon Signed and dated in brown paint, lower left: ADevis
Gentleman with a Cannon Signed and dated in brown paint, lower left: " ADevis pinx | 1741", Arthur Devis, 1712-1787, British

A Traveller and a Shepherd in a Landscape Signed lower right: E. Bristow"
A Traveller and a Shepherd in a Landscape Signed lower right: " E. Bristow", not dated, Edmund Bristow, 1787-1876, British

The Rat Trap, Edmund Bristow, 1787-1876, British

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"1787: A Year of Transformation and Innovation" In 1787, a pivotal year in history, the foundations for a new nation were laid. The Constitution of the United States was born, its words etched onto page one as a testament to democracy and freedom. Under the watchful eye of George Washington, delegates gathered at the Constitutional Convention in Philadelphia to debate and shape this groundbreaking document. Amidst these discussions, across the Atlantic in England's Blenheim Palace, inspiration bloomed. Johann Wolfgang von Goethe gazed out from his window, contemplating ideas that would transcend borders and time. Meanwhile, Tischbein captured this moment on canvas - an artist capturing an era. But it wasn't just politics and art that defined 1787; it was also a year of scientific marvels. The first gas balloon took flight into unknown skies while Mozart's opera Don Giovanni enraptured audiences with its timeless melodies. As we reflect on this transformative year, let us not forget West Wycombe Park in Bucks or Geranium Reichardi - symbols of nature's beauty intertwined with human achievements. The echoes still resonate today as we continue to uphold the principles set forth by our founding fathers. Let us cherish their vision for a more perfect union as we navigate through our own challenges and strive towards progress together.