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1755 Collection (page 9)

"1755: A Year of Royalty, Science, and Tragedy" Step into the world of 1755, where history unfolds before your eyes

Background image1755 Collection: Illustration from The Story of my escape from the prison of the Republic of

Illustration from The Story of my escape from the prison of the Republic of
XJF473784 Illustration from The Story of my escape from the prison of the Republic of Venice called I Piombi by Giacomo Casanova, published 1788 (engraving) by Berka

Background image1755 Collection: Nicolas de Larmessin IV after Nicolas Lancret (French, 1684 - 1753 or 1755), Le matin

Nicolas de Larmessin IV after Nicolas Lancret (French, 1684 - 1753 or 1755), Le matin, 1741, engraving and etching

Background image1755 Collection: Nicolas de Larmessin IV after Jean-Baptiste Van Loo (French, 1684 - 1753 or 1755)

Nicolas de Larmessin IV after Jean-Baptiste Van Loo (French, 1684 - 1753 or 1755), Marie Therese of Spain, Dauphine of France, engraving and etching

Background image1755 Collection: Jean-Louis Delignon and Antoine-Jean Duclos after Jean-Honora Fragonard (French

Jean-Louis Delignon and Antoine-Jean Duclos after Jean-Honora Fragonard (French
Jean-Louis Delignon and Antoine-Jean Duclos after Jean-Honora© Fragonard (French, 1755 - c. 1804), La matrone d Ephese, 1793, etching

Background image1755 Collection: Bernard Lepicie after Jean Sima on Chardin (French, 1698 - 1755), Jeune fille au volant

Bernard Lepicie after Jean Sima on Chardin (French, 1698 - 1755), Jeune fille au volant
Bernard Lepicie after Jean Sima© on Chardin (French, 1698 - 1755), Jeune fille au volant (Jeune fille a la raguette), 1742, engraving [progress proof]

Background image1755 Collection: Nicolas de Larmessin IV after Hyacinthe Rigaud (French, 1684 - 1753 or 1755), Louis XV, c

Nicolas de Larmessin IV after Hyacinthe Rigaud (French, 1684 - 1753 or 1755), Louis XV, c. 1720, engraving on laid paper

Background image1755 Collection: Nicolas-Gabriel Dupuis after Charles-Nicolas Cochin II (French, 1698 - 1771), Gaspard

Nicolas-Gabriel Dupuis after Charles-Nicolas Cochin II (French, 1698 - 1771), Gaspard Duchange, 1755, engraving and etching on laid paper

Background image1755 Collection: Philibert-Louis Debucourt (French, 1755 - 1832), La Main, 1788, color aquatint

Philibert-Louis Debucourt (French, 1755 - 1832), La Main, 1788, color aquatint and etching

Background image1755 Collection: Jean-Louis Delignon after Nicolas Lavreince (French, 1755 - c

Jean-Louis Delignon after Nicolas Lavreince (French, 1755 - c. 1804), Les offres seduisantes, 1782, etching and engraving

Background image1755 Collection: Pierre Gonord after Charles-Nicolas Cochin II, French (active c. 1755-active c. 1761)

Pierre Gonord after Charles-Nicolas Cochin II, French (active c. 1755-active c. 1761)
Pierre Gonord after Charles-Nicolas Cochin II (French, active c. 1755 - active c. 1761), Jean Denis L Empereur, 1761, crayon-manner engraving on laid paper

Background image1755 Collection: James McArdell after Sir Peter Paul Rubens (British, c. 1729 - 1765), The Gerbier Family

James McArdell after Sir Peter Paul Rubens (British, c. 1729 - 1765), The Gerbier Family, 1755, mezzotint on laid paper

Background image1755 Collection: Conrad Metz (German, 1755 - 1827), A Scene from the Life of Trajan, 1817, pen

Conrad Metz (German, 1755 - 1827), A Scene from the Life of Trajan, 1817, pen and brown ink with brown wash over black chalk, heightened with white on laid paper

Background image1755 Collection: Jean-Baptiste Lallemand (French, 1716 - c. 1803), Figures Seated Around a Fountain, c

Jean-Baptiste Lallemand (French, 1716 - c. 1803), Figures Seated Around a Fountain, c. 1755, black chalk on laid paper

Background image1755 Collection: Charles Eisen (French, 1720 - 1778), The Holy Family in the Carpenters Shop, c

Charles Eisen (French, 1720 - 1778), The Holy Family in the Carpenters Shop, c. 1755, pen and gray ink with gray wash, watercolor, white gouache, and touches of brown ink on laid paper

Background image1755 Collection: John Flaxman (British, 1755 - 1826), Lion, graphite

John Flaxman (British, 1755 - 1826), Lion, graphite

Background image1755 Collection: John Flaxman (British, 1755 - 1826), The Giants, graphite on brown tracing paper

John Flaxman (British, 1755 - 1826), The Giants, graphite on brown tracing paper

Background image1755 Collection: John Flaxman (British, 1755 - 1826), Designs for Monuments [recto and verso], graphite

John Flaxman (British, 1755 - 1826), Designs for Monuments [recto and verso], graphite; compositionally unrelated ink and wash, recto and verso

Background image1755 Collection: John Flaxman (British, 1755 - 1826), Mrs. Tulk, graphite on laid paper

John Flaxman (British, 1755 - 1826), Mrs. Tulk, graphite on laid paper

Background image1755 Collection: Thomas Stothard (British, 1755 - 1834), Peter and His Children Visited by Three Flying Figures

Thomas Stothard (British, 1755 - 1834), Peter and His Children Visited by Three Flying Figures, c. 1783, pen and gray ink with gray wash over graphite on wove paper

Background image1755 Collection: Gilbert Stuart, Counsellor John Dunn, American, 1755 - 1828, c. 1798, oil on canvas

Gilbert Stuart, Counsellor John Dunn, American, 1755 - 1828, c. 1798, oil on canvas

Background image1755 Collection: Giovanni Battista Lusieri, Italian (c. 1755-1821), The Bay of Naples with Mounts Vesuvius

Giovanni Battista Lusieri, Italian (c. 1755-1821), The Bay of Naples with Mounts Vesuvius
Giovanni Battista Lusieri (Italian, c. 1755 - 1821), The Bay of Naples with Mounts Vesuvius and Somma, 1782-1794, watercolor with pen and black ink over graphite on laid paper mounted to paperboard

Background image1755 Collection: Jean-Baptiste Oudry, The Partridge Saves Her Young, French, 1686 - 1755, 1732, brush

Jean-Baptiste Oudry, The Partridge Saves Her Young, French, 1686 - 1755, 1732, brush and black ink, white gouache, and gray wash

Background image1755 Collection: Jean-Baptiste Oudry, The Partridge and the Cocks, French, 1686 - 1755, 1732, brush

Jean-Baptiste Oudry, The Partridge and the Cocks, French, 1686 - 1755, 1732, brush and black ink, gray wash, and white gouache on blue laid paper; royal blue wash border

Background image1755 Collection: Jean-Baptiste Oudry, The Scene with the Tall Baguenodiašre, French, 1686 - 1755

Jean-Baptiste Oudry, The Scene with the Tall Baguenodiašre, French, 1686 - 1755, 1726-1727, black chalk heightened with white chalk on blue laid paper, partially faded to brown

Background image1755 Collection: Jean-Louis Lemoyne, A Companion of Diana, French, 1666 - 1755, 1724, marble

Jean-Louis Lemoyne, A Companion of Diana, French, 1666 - 1755, 1724, marble

Background image1755 Collection: Jean-Baptiste Oudry, On trouve le corps mort de l hote que l on avait cache

Jean-Baptiste Oudry, On trouve le corps mort de l hote que l on avait cache, French, 1686 - 1755, 1727, black chalk heightened with white chalk on blue laid paper

Background image1755 Collection: Attributed to Gilbert Stuart, Mrs. Benjamin Fisher, American, 1755 - 1828, black

Attributed to Gilbert Stuart, Mrs. Benjamin Fisher, American, 1755 - 1828, black, white, and red chalk on gray wove paper

Background image1755 Collection: Attributed to Gilbert Stuart, Benjamin Fisher, American, 1755 - 1828, black, white

Attributed to Gilbert Stuart, Benjamin Fisher, American, 1755 - 1828, black, white, and red chalk on gray wove paper

Background image1755 Collection: Head-and-shoulders portrait of Nicolas Conte, 1755 1805, who experimented with the

Head-and-shoulders portrait of Nicolas Conte, 1755 1805, who experimented with the use of hydrogen for balloons

Background image1755 Collection: THE WELLINGTON SHIELD. 1820, Thomas Stothard, 1755 - 1834, engravings

THE WELLINGTON SHIELD. 1820, Thomas Stothard, 1755 - 1834, engravings. The silver shield itself was made by Benjamin Smith. The shield commemorate the victories of the Duke of Wellington

Background image1755 Collection: THE PASSAGE OF THE DOURO. The Wellington shield 1820, Thomas Stothard, 1755 - 1834

THE PASSAGE OF THE DOURO. The Wellington shield 1820, Thomas Stothard, 1755 - 1834, engravings. The silver shield itself was made by Benjamin Smith

Background image1755 Collection: FOURTH COMPARTMENT OF THE WELLINGTON SHIELD. The Wellington shield 1820, Thomas Stothard

FOURTH COMPARTMENT OF THE WELLINGTON SHIELD. The Wellington shield 1820, Thomas Stothard, 1755 - 1834, engravings. The silver shield itself was made by Benjamin Smith

Background image1755 Collection: The Fifth Compartment of the Wellington Shield

The Fifth Compartment of the Wellington Shield
THE FIFTH COMPARTMENT OF THE WELLINGTON SHIELD. The Wellington shield 1820, Thomas Stothard, 1755 - 1834, engravings. The silver shield itself was made by Benjamin Smith

Background image1755 Collection: THE WELLINGTON SHIELD. The Wellington shield 1820, Thomas Stothard, 1755 - 1834

THE WELLINGTON SHIELD. The Wellington shield 1820, Thomas Stothard, 1755 - 1834, engravings. The silver shield itself was made by Benjamin Smith

Background image1755 Collection: SECOND COMPARTMENT OF THE WELLINGTON SHIELD. The Wellington shield 1820, Thomas Stothard

SECOND COMPARTMENT OF THE WELLINGTON SHIELD. The Wellington shield 1820, Thomas Stothard, 1755 - 1834, engravings. The silver shield itself was made by Benjamin Smith

Background image1755 Collection: The Sixth Compartment of the Wellington Shield

The Sixth Compartment of the Wellington Shield
THE SIXTH COMPARTMENT OF THE WELLINGTON SHIELD. The Wellington shield 1820, Thomas Stothard, 1755 - 1834, engravings. The silver shield itself was made by Benjamin Smith

Background image1755 Collection: The Seventh Compartment of the Wellington Shield

The Seventh Compartment of the Wellington Shield
THE SEVENTH COMPARTMENT OF THE WELLINGTON SHIELD. The Wellington shield 1820, Thomas Stothard, 1755 - 1834, engravings. The silver shield itself was made by Benjamin Smith



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"1755: A Year of Royalty, Science, and Tragedy" Step into the world of 1755, where history unfolds before your eyes. In this captivating year, Marie Antoinette Meytens graces the courts with her elegance and charm as she begins her journey towards becoming Queen of France. Meanwhile, Samuel Hahnemann, a brilliant German physician, lays the foundation for homeopathy - a medical practice that would revolutionize healthcare in years to come. His grave stands as a testament to his enduring legacy. On another continent, a French engraved map showcases the majestic Great Lakes region in all its glory. This intricate piece of art transports us back to an era when exploration was at its peak. Amidst these grand events, love blossoms between Louis XVI and Marie Antoinette as they don their wedding costumes. Their union marks a pivotal moment in European history. But not all is joyous during this time. The tragic deportation of French Acadians leaves behind heartache and displacement. Their story serves as a reminder of the human cost often associated with political decisions. Intriguingly enough, while some are caught up in matters of state or science, others find themselves captivated by more leisurely pursuits such as watching cockfights or exploring snowflake research - both emblematic of the diverse interests that shaped society during this period. Delve further into 1755 and discover hidden gems like Marie Antoinette's boudoir or Lisbon before it succumbed to one of history's most devastating earthquakes. Each glimpse offers unique insights into an extraordinary year filled with triumphs and tragedies alike. So step back in time with EVNT2A-00011 - immerse yourself in the richness where royalty reigns supreme alongside scientific breakthroughs; where maps tell tales untold; where love intertwines amidst chaos; where lives are forever changed by forces beyond their control.