1747–1825 Collection

Head shoulders Woman ca 1794 Black chalk 3 7 / 8 x 2 13 / 16
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Head Jean Feraud 1759-1795 Deputy Convention
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Replacements Parisian Guard Playing Cards ca
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Portraits Jean-Baptiste-Joseph Gobel 1727-1794
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Caricature Georges-Auguste Couthon Aristide 1756-1794
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Georges-Auguste Couthon National Convention 1793
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Profile two soldiers wearing fur caps ca 1794
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Head soldier profile sword handle ca 1794 Pen
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Adam Eve Expelled Paradise 18th-19th century
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Male Head Hood ca 1794 Pen brown ink black chalk
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Replacements Parisian Guard Playing Cards 1795
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Severed head said Maximilien-Francois-Marie-Isidore de Robespierre
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"1747–1825: A Glimpse into the Revolutionary Era" Step back in time to the tumultuous period of 1747-1825, where history unfolded and revolutionaries shaped the course of nations. Through a series of captivating artworks and artifacts, we catch glimpses of this transformative era. In "Head shoulders Woman ca 1794, " a delicate black chalk drawing measuring 3 7/8 x 2 13/16 inches, an anonymous artist captures the essence of a woman from that time. Her expression speaks volumes about the challenges faced by women during this period. Another striking portrait is "Head Jean Feraud 1759-1795 Deputy Convention. " This depiction immortalizes Jean Feraud, a key figure in France's National Convention who fought for revolutionary ideals until his untimely demise. The Parisian Guard Playing Cards ca are fascinating replacements that shed light on leisure activities amidst political chaos. These cards offer us a glimpse into how people sought solace and entertainment during turbulent times. Portraits like "Jean-Baptiste-Joseph Gobel 1727-1794" allow us to connect with influential figures who played significant roles in shaping society. Gobel's image reminds us of his controversial role as Bishop during the French Revolution. Caricatures were also prevalent during this era, such as "Georges-Auguste Couthon Aristide. " This satirical artwork humorously portrays Couthon, known for his involvement in politics and close association with Robespierre. Speaking of Robespierre, we encounter another intriguing artifact – a severed head believed to be Maximilien-Francois-Marie-Isidore de Robespierre himself. This chilling relic serves as a haunting reminder of the consequences faced by those involved in radical movements. Military themes dominate several pieces from this era.