1738 1820 Collection

George III of the United Kingdom (1738-1829). Engraving. Col
George III (1738-1820). King of Great Britain and Ireland later King of the United Kingdom and of Hanover. Engraving. Colored

William Herschels Forty Foot Telescope (engraving) (b / w photo)
XJF133386 William Herschels Forty Foot Telescope (engraving) (b/w photo) by English School, (19th century); Private Collection; English, out of copyright

The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching)
NCO189703 The Introduction, published by Hannah Humphrey, 1791 (hand-coloured etching) by Gillray, James (1757-1815); 24.6x34.9 cm; Courtesy of the Warden and Scholars of New College

Frying Sprats, or Royal Supper, and Toasting Muffins, or Royal Breakfast
NCO189787 Frying Sprats, or Royal Supper, and Toasting Muffins, or Royal Breakfast, published by Hannah Humphrey in 1791 (hand-coloured etching) by Gillray

His Majesty and Officers of State Receiving the Turkish Ambassador and Suit
NP125590 His Majesty and Officers of State Receiving the Turkish Ambassador and Suit, engraved by Daniel Orme (1767-p.1832), pub

The three eldest daughters of George III: Princesses Charlotte
STC152580 The three eldest daughters of George III: Princesses Charlotte, Augusta and Elizabeth in 1784 probably by Gainsborough Dupont (c.1755-97) (oil on canvas) by Gainsborough

His Majesty Reviewing Troops on Blackheath, 1787, etched by R
NAM250504 His Majesty Reviewing Troops on Blackheath, 1787, etched by R. Pollard, printed 1797 (etched aquatint) by Mason, W.H

The Reconciliation, published by Hannah Humphrey, 1804 (coloured etching)
NCO189717 The Reconciliation, published by Hannah Humphrey, 1804 (coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Vices Overlook d in the New Proclamation, published by Hannah Humphrey
NCO189718 Vices Overlook d in the New Proclamation, published by Hannah Humphrey, 1792 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Specimens of Polyautography: The Angel at the Tomb of Christ, 1801. Creator: Benjamin West
Specimens of Polyautography: The Angel at the Tomb of Christ, 1801

British Manufactory; A Sketch, 1791. Creator: Benjamin West (American, 1738-1820)
British Manufactory; A Sketch, 1791

Christ at Emmaus. Creator: Benjamin West (American, 1738-1820), attributed to
Christ at Emmaus

Elizabeth Shewell West and Her Son, Raphael, c. 1770. Creator: Benjamin West (American, 1738-1820)
Elizabeth Shewell West and Her Son, Raphael, c. 1770. West was the first American artist to study in Italy, where he spent three years before permanently settling in London

George III, 1783. Creator: Benjamin West (American, 1738-1820)
George III, 1783. King George III commissioned more than 80 paintings from West, including this portrait that celebrates his military leadership by presenting him in a suit of armor

King Georg III Georg III 1738-1820 King England
King Georg III, Georg III, 1738-1820, King of England, painting, Watercolor and gouache on ivory, Height, 5.5 cm (2.1 inches), Width, 7.3 cm (2.8 inches)

Workshop Nathaniel Dance-Holland King Georg III
Workshop of Nathaniel Dance-Holland, King Georg III, Georg III, 1738-1820, King of England, painting, Oil on canvas, Height, 256 cm (100.7 inches), Width, 161 cm (63.3), inches)

George III 1738-1820 King England Portrait Bust
George III (1738-1820), King of England, Portrait of George III (1738-1820), King of England. Bust, in profile to the left. In a frame with the saying Long Live The King

Portrait George III 1738-1820 King England Bust
Portrait of George III (1738-1820), King of England, King of England. Bust to the right. To an original by Benjamin West. Part of the collection of portrait miniatures

George III 1783 Benjamin West American 1738-1820
George III, 1783. Benjamin West (American, 1738-1820). Oil on canvas; framed: 152 x 127 x 9.5 cm (59 13/16 x 50 x 3 3/4 in.); unframed: 126.5 x 101 cm (49 13/16 x 39 3/4 in.)

Elizabeth Shewell West Son Raphael 1770 Benjamin West
Elizabeth Shewell West and Her Son, Raphael, c. 1770. Benjamin West (American, 1738-1820). Oil on canvas; framed: 88 x 87.5 x 9 cm (34 5/8 x 34 7/16 x 3 9/16 in.); unframed

Head of a Screaming Man, 1792. Creator: Benjamin West (American, 1738-1820)
Head of a Screaming Man, 1792. After studying in Italy, Benjamin West achieved outstanding success in England, where he served as the second president of the Royal Academy of Arts in London

Woman and Man Playing Cards, 1792. Creator: Benjamin West (American, 1738-1820)
Woman and Man Playing Cards, 1792

Head Screaming Man 1792 Benjamin West American
Head of a Screaming Man, 1792. Benjamin West (American, 1738-1820). Black crayon; sheet: 32.3 x 40.7 cm (12 11/16 x 16 in.)

Woman Man Playing Cards 1792 Benjamin West American
Woman and Man Playing Cards, 1792. Benjamin West (American, 1738-1820). Black crayon; sheet: 32.3 x 40.7 cm (12 11/16 x 16 in.)

George III, 1738-1820, King of England, attributed to Johann Heinrich von Hurter, 1760 - 1799, Portrait miniature

Portrait of Sophie Charlotte (1744-1818)
BAL170635 Portrait of Sophie Charlotte (1744-1818) by Dance-Holland, Nathaniel (1734-1811); 238x146 cm; State Hermitage Museum, St

The General Assembly of the Kirk of Scotland, engraved by R. Scott, 1787 (engraving)
XJF105436 The General Assembly of the Kirk of Scotland, engraved by R. Scott, 1787 (engraving) (b&w photo) by Allan, David (1744-96) (after); Private Collection; Scottish, out of copyright

Death on the pale horse, West, Benjamin, 1738-1820, Death, Horses, Campaigns & battles, 1900

William Penn (1644-1718) English Quaker colonist, treating with native North Americans on the site of Philadelphia, November, 1682. Indian sitting on left is holding a pipe of peace

George III (1738-1820) King of Great Britain and Ireland from 1760. Full-length portrait in military uniform by William Beechey (1775-1839)

George III ((1738-1820) King of Great Britain from 1760. Portrait of 1767 from the studio of Alan Ramsay

Benjamin West (1738-1820) American-born British painter who settled in London in 1763. As a portrait painter he changed the tradition of representing sitters in classical costume

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"Exploring the Reign of George III: A Glimpse into 1738-1820" Step back in time and delve into the fascinating era of King George III, whose reign spanned from 1738 to 1820. This engraving captures the regal presence of George III, a prominent figure in British history. Another intriguing artifact is William Herschel's Forty Foot Telescope, depicted in this captivating black and white photo. This groundbreaking invention revolutionized astronomy during the late 18th century. The Introduction, published by Hannah Humphrey in 1791, showcases a hand-colored etching that offers a glimpse into the artistic world of that period. The vibrant hues bring life to this remarkable piece. Indulge your senses with "Frying Sprats or Royal Supper" and "Toasting Muffins or Royal Breakfast, " two delectable scenes portraying culinary delights fit for royalty. These images provide insight into the lavish dining experiences enjoyed by King George III. Witness historical diplomacy unfold as His Majesty and Officers of State receive the Turkish Ambassador and his entourage. This momentous occasion highlights international relations during this significant period. The three eldest daughters of George III - Princesses Charlotte - radiate elegance and grace in their portrait captured here. Their beauty reflects both their royal lineage and societal expectations placed upon them. Experience military grandeur as His Majesty reviews troops on Blackheath in 1787, immortalized through an etching created by R. , showcasing Britain's military might during this time. "The Reconciliation, " published by Hannah Humphrey in 1804, presents a colored etching depicting an important political event or personal reconciliation within society at large—a testament to art's ability to capture pivotal moments throughout history. Intriguingly titled "Vices Overlooked in the New Proclamation, " another work published by Hannah Humphrey sheds light on social commentary prevalent during these times.