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1735 Collection (page 7)

"Exploring the Vibrant World of 1735: A Journey Through Art, Botany, and History" Step into the captivating world of 1735, where artistry, botany

Background image1735 Collection: Face Christ St Veronica Veil 1735 Engraving copy

Face Christ St Veronica Veil 1735 Engraving copy
Artokoloro

Background image1735 Collection: Leaf Aedes Walpolianae mounted two drawings Salon Chimney

Leaf Aedes Walpolianae mounted two drawings Salon Chimney
Artokoloro

Background image1735 Collection: Houghton Hall Norfolk Ground Floor Basement Plan

Houghton Hall Norfolk Ground Floor Basement Plan
Artokoloro

Background image1735 Collection: AM170720 084581

AM170720 084581
8, AM170720 084581

Background image1735 Collection: Drawings Prints, Print, Scene, Farce, called, Quaker, Subject, Artist, William Parsons

Drawings Prints, Print, Scene, Farce, called, Quaker, Subject, Artist, William Parsons
Drawings and Prints, Print, Scene in a Farce called The Quaker, Subject, Artist, Subject, William Parsons, Thomas Rowlandson, John Bannister, British, 1735-1795 London, British

Background image1735 Collection: AM170720 084609

AM170720 084609
8, AM170720 084609

Background image1735 Collection: AM170720 083533

AM170720 083533
8, AM170720 083533

Background image1735 Collection: AM170720 084604

AM170720 084604
8, AM170720 084604

Background image1735 Collection: AM170720 084585

AM170720 084585
8, AM170720 084585

Background image1735 Collection: Hall Ceiling Houghton Hall Norfolk 1735 Ink wash

Hall Ceiling Houghton Hall Norfolk 1735 Ink wash
Artokoloro

Background image1735 Collection: Side Staircase Houghton Hall Norfolk Elevation

Side Staircase Houghton Hall Norfolk Elevation
Artokoloro

Background image1735 Collection: Leaf Aedes Walpolianae mounted two drawings Hall Chimney-Piece

Leaf Aedes Walpolianae mounted two drawings Hall Chimney-Piece
Artokoloro

Background image1735 Collection: West Front Houghton Hall Norfolk Elevation 1735

West Front Houghton Hall Norfolk Elevation 1735
Artokoloro

Background image1735 Collection: Salon Chimney Houghton Hall Norfolk Elevation

Salon Chimney Houghton Hall Norfolk Elevation
Artokoloro

Background image1735 Collection: Summer 1735 Etching engraving sheet 10 3 / 16 x 9 5 / 8

Summer 1735 Etching engraving sheet 10 3 / 16 x 9 5 / 8
Artokoloro

Background image1735 Collection: AM170720 083531

AM170720 083531
8, AM170720 083531

Background image1735 Collection: AM170720 083789

AM170720 083789
8, AM170720 083789

Background image1735 Collection: West Front Houghton Hall Norfolk Perspective

West Front Houghton Hall Norfolk Perspective
Artokoloro

Background image1735 Collection: Staircase Houghton Hall Norfolk 1735 Black ink

Staircase Houghton Hall Norfolk 1735 Black ink
Artokoloro

Background image1735 Collection: AM170720 083524

AM170720 083524
8, AM170720 083524

Background image1735 Collection: AM170720 084610

AM170720 084610
8, AM170720 084610

Background image1735 Collection: AM170720 084589

AM170720 084589
8, AM170720 084589

Background image1735 Collection: Chimney Parlour Houghton Hall Norfolk 1735 Black ink

Chimney Parlour Houghton Hall Norfolk 1735 Black ink
Artokoloro

Background image1735 Collection: Transverse Section Houghton Hall Norfolk 1735

Transverse Section Houghton Hall Norfolk 1735
Artokoloro

Background image1735 Collection: Chinese Masquerade La Mascarade chinoise 1735

Chinese Masquerade La Mascarade chinoise 1735
Artokoloro

Background image1735 Collection: AM170720 084584

AM170720 084584
8, AM170720 084584

Background image1735 Collection: Ceiling Gallery Houghton Hall Norfolk 1735 Black ink

Ceiling Gallery Houghton Hall Norfolk 1735 Black ink
Artokoloro

Background image1735 Collection: Section East Front Houghton Hall Norfolk 1735

Section East Front Houghton Hall Norfolk 1735
Artokoloro

Background image1735 Collection: AM170720 084613

AM170720 084613
8, AM170720 084613

Background image1735 Collection: AM170720 084608

AM170720 084608
8, AM170720 084608

Background image1735 Collection: Venus Surrounded Putti ca 1735 Etching aquatint

Venus Surrounded Putti ca 1735 Etching aquatint
Artokoloro

Background image1735 Collection: AM170720 084611

AM170720 084611
8, AM170720 084611

Background image1735 Collection: AM170720 084588

AM170720 084588
8, AM170720 084588

Background image1735 Collection: Leaf Aedes Walpolianae mounted two drawings Side

Leaf Aedes Walpolianae mounted two drawings Side
Artokoloro

Background image1735 Collection: Actor Ichikawa Danjuro II Samuri Edo period 1615-1868

Actor Ichikawa Danjuro II Samuri Edo period 1615-1868
Artokoloro

Background image1735 Collection: Scene Drama Edo period 1615-1868 1735 1736

Scene Drama Edo period 1615-1868 1735 1736
Artokoloro

Background image1735 Collection: Actor Woman Standing Mirror Stand Edo period

Actor Woman Standing Mirror Stand Edo period
Artokoloro

Background image1735 Collection: Actor Samurai Youth Edo period 1615-1868 ca

Actor Samurai Youth Edo period 1615-1868 ca
Artokoloro

Background image1735 Collection: Sheet Sketches ca 1735 Etching image 5 1 / 2 x 8 3 / 16

Sheet Sketches ca 1735 Etching image 5 1 / 2 x 8 3 / 16
Artokoloro

Background image1735 Collection: Sheet Sketches ca 1735 Etching image 5 9 / 16 x 8 1 / 4

Sheet Sketches ca 1735 Etching image 5 9 / 16 x 8 1 / 4
Artokoloro

Background image1735 Collection: Benoat-Louis Pra vost after Charles-Nicolas Cochin II, French (c. 1735-1804), Louis XV

Benoat-Louis Pra vost after Charles-Nicolas Cochin II, French (c. 1735-1804), Louis XV
Benoat-Louis Pra© vost after Charles-Nicolas Cochin II, French (c. 1735-1804), Louis XV, 1765, engraving on laid paper

Background image1735 Collection: Jakob Frey, Swiss (1681-1752), A Sculpture of Saint Benedict in a Niche, 1735, red

Jakob Frey, Swiss (1681-1752), A Sculpture of Saint Benedict in a Niche, 1735, red chalk heightened with white on laid paper

Background image1735 Collection: Edme Bouchardon, Rocaille Fountain with Venus, Amorini, and Swans, French, 1698-1762, c

Edme Bouchardon, Rocaille Fountain with Venus, Amorini, and Swans, French, 1698-1762, c. 1735, red chalk on 2 joined sheets of laid paper

Background image1735 Collection: Nicolas Lancret, French (1690-1743), Picnic after the Hunt, probably c. 1735-1740

Nicolas Lancret, French (1690-1743), Picnic after the Hunt, probably c. 1735-1740, oil on canvas

Background image1735 Collection: Caspar Wolf (Swiss, 1735 - 1783), Architectural Fantasy of Antique Ruins with a Watermill

Caspar Wolf (Swiss, 1735 - 1783), Architectural Fantasy of Antique Ruins with a Watermill, 1760s, gouache on laid paper

Background image1735 Collection: Benoat-Louis Pra vost after Jean-Baptiste Oudry (French, c. 1735 - 1804), Le roi

Benoat-Louis Pra vost after Jean-Baptiste Oudry (French, c. 1735 - 1804), Le roi
Benoat-Louis Pra© vost after Jean-Baptiste Oudry (French, c. 1735 - 1804), Le roi, le milan, et le chasseur (The King, the Kite, and the Hunter), published 1759, hand-colored etching

Background image1735 Collection: Franazois Boucher after Abraham Bloemaert (French, 1703 - 1770), Reclining Shepherd Boys

Franazois Boucher after Abraham Bloemaert (French, 1703 - 1770), Reclining Shepherd Boys, published 1735, etching on laid paper

Background image1735 Collection: Joseph Ducreux (French, 1735 - 1802), Head of a Gentleman [recto], 1770-1780, red

Joseph Ducreux (French, 1735 - 1802), Head of a Gentleman [recto], 1770-1780, red, black, and white chalks with stumping on brown paper



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"Exploring the Vibrant World of 1735: A Journey Through Art, Botany, and History" Step into the captivating world of 1735, where artistry, botany, and history intertwine to create a tapestry of intrigue. In this year, Elizabeth Blackwell's remarkable book "A Curious Herbal" was published in London. The delicate line engravings within its pages transport us to an era when chili peppers were depicted with meticulous detail - their fiery essence captured on paper. But it doesn't stop there; Blackwell also immortalized the cardamom plant in her engravings. Its seedpod stands tall as a testament to nature's wonders and the artist's skillful hand. As we delve deeper into this time period, we encounter Hogarth's iconic series "The Rake's Progress. " Plate by plate, he unravels the moral decline of his protagonist through vivid imagery that still resonates today. Amidst these artistic endeavors lies another milestone – Harrison’s First Chronometer. This groundbreaking invention revolutionized navigation at sea and forever changed our understanding of timekeeping accuracy. Meanwhile, Allington Castle near Maidstone beckons us with its grandeur and rich history that dates back centuries. Intriguingly enough, John Adams makes an appearance in Chappel’s portrait from 1735 - a glimpse into the life of one who would later become America’s second president. Eltham Palace emerges as well; its regal architecture evoking visions of lavish gatherings and royal affairs. As we journey further through time via Hogarth’s plates four and eight from "The Rake's Progress, " we witness both folly and consequence unfold before our eyes. These cautionary tales serve as reminders that choices have repercussions even across centuries. Let us not forget Plate Five – a pivotal moment in Hogarth’s narrative where consequences come crashing down upon his wayward protagonist amidst a backdrop of opulence and despair.