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1730 Collection (page 8)

In the year 1730, a myriad of events and creations unfolded, painting a vivid picture of the era

Background image1730 Collection: Self-Portrait, Cornelis Troost, 1715 - 1730

Self-Portrait, Cornelis Troost, 1715 - 1730

Background image1730 Collection: Portrait of a Painter, perhaps the Artist Himself, attributed to Aert Schouman, 1730

Portrait of a Painter, perhaps the Artist Himself, attributed to Aert Schouman, 1730

Background image1730 Collection: Patrona Halil, Jean Baptiste Vanmour, c. 1730 - c. 1737

Patrona Halil, Jean Baptiste Vanmour, c. 1730 - c. 1737

Background image1730 Collection: The Meal in Honour of Ambassador Cornelis Calkoen, Jean Baptiste Vanmour, c. 1727 - c

The Meal in Honour of Ambassador Cornelis Calkoen, Jean Baptiste Vanmour, c. 1727 - c. 1730

Background image1730 Collection: Self-Portrait, Cornelis Pronk, 1710 - 1730

Self-Portrait, Cornelis Pronk, 1710 - 1730

Background image1730 Collection: Pheasants, Aert Schouman, 1730 - 1760

Pheasants, Aert Schouman, 1730 - 1760

Background image1730 Collection: Landscape with Figures, attributed to Giuseppe Zais, 1730 - 1770

Landscape with Figures, attributed to Giuseppe Zais, 1730 - 1770

Background image1730 Collection: A Man with a Drawing of Flowers, so-called Portrait of Jacob Feitama Jr, Merchant

A Man with a Drawing of Flowers, so-called Portrait of Jacob Feitama Jr, Merchant in Amsterdam The Netherlands, Anonymous, c. 1730

Background image1730 Collection: Fete galante in a Landscape, Jean Baptiste Francois Pater, c. 1730 - c. 1735

Fete galante in a Landscape, Jean Baptiste Francois Pater, c. 1730 - c. 1735

Background image1730 Collection: A Chaous, a Courier to the Sultan, workshop of Jean Baptiste Vanmour, 1700 - 1737

A Chaous, a Courier to the Sultan, workshop of Jean Baptiste Vanmour, 1700 - 1737

Background image1730 Collection: A Soldier of the Janissaries, workshop of Jean Baptiste Vanmour, 1700 - 1737

A Soldier of the Janissaries, workshop of Jean Baptiste Vanmour, 1700 - 1737

Background image1730 Collection: The Capoudgi Bachi, Grand-master of the Seraglio, workshop of Jean Baptiste Vanmour

The Capoudgi Bachi, Grand-master of the Seraglio, workshop of Jean Baptiste Vanmour, 1700 - 1737

Background image1730 Collection: Mehmet, the vizir kahyasi, Jean Baptiste Vanmour, c. 1727 - c. 1730

Mehmet, the vizir kahyasi, Jean Baptiste Vanmour, c. 1727 - c. 1730

Background image1730 Collection: The Reis Effendi, Head of the Chancery, Jean Baptiste Vanmour, c. 1727 - c. 1730

The Reis Effendi, Head of the Chancery, Jean Baptiste Vanmour, c. 1727 - c. 1730

Background image1730 Collection: The Capon Aghassi, Chief of the White Eunuchs of the Sultan, workshop of Jean Baptiste

The Capon Aghassi, Chief of the White Eunuchs of the Sultan, workshop of Jean Baptiste Vanmour, 1700 - 1737

Background image1730 Collection: The Kislar Aghassi, Chief of the Black Eunuchs of the Sultan, workshop of Jean Baptiste

The Kislar Aghassi, Chief of the Black Eunuchs of the Sultan, workshop of Jean Baptiste Vanmour, 1700 - 1737

Background image1730 Collection: Grand Vizier, workshop of Jean Baptiste Vanmour, 1700 - 1737

Grand Vizier, workshop of Jean Baptiste Vanmour, 1700 - 1737

Background image1730 Collection: Grand Vizier Nevsehirli Damat Ibrahim Pasa, Jean Baptiste Vanmour, c. 1727 - c. 1730

Grand Vizier Nevsehirli Damat Ibrahim Pasa, Jean Baptiste Vanmour, c. 1727 - c. 1730

Background image1730 Collection: Portrait of Sultan Ahmed III, workshop of Jean Baptiste Vanmour, 1700 - 1737

Portrait of Sultan Ahmed III, workshop of Jean Baptiste Vanmour, 1700 - 1737

Background image1730 Collection: The Sultana-Mother, workshop of Jean Baptiste Vanmour, 1700 - 1737

The Sultana-Mother, workshop of Jean Baptiste Vanmour, 1700 - 1737

Background image1730 Collection: Sultan Mahmud I, Jean Baptiste Vanmour, c. 1730 - c. 1737

Sultan Mahmud I, Jean Baptiste Vanmour, c. 1730 - c. 1737

Background image1730 Collection: Sultan Ahmed III, Jean Baptiste Vanmour, c. 1727 - c. 1730

Sultan Ahmed III, Jean Baptiste Vanmour, c. 1727 - c. 1730

Background image1730 Collection: Portrait of Jan Hendrik van Heemskerck, Count of the Holy Roman Empire, Lord of Achttienhoven

Portrait of Jan Hendrik van Heemskerck, Count of the Holy Roman Empire, Lord of Achttienhoven, Den Bosch and Eyndschoten, Captain of the Citizenry of Amsterdam (Johan Hendrik Graaf Van Heemskerk)

Background image1730 Collection: Dish, Anonymous, 1700 - 1730

Dish, Anonymous, 1700 - 1730

Background image1730 Collection: Landscape with a horse and a sleeping woman, Dirk Koedijck, 1730

Landscape with a horse and a sleeping woman, Dirk Koedijck, 1730

Background image1730 Collection: Man with a beer jug, print maker: Dirk Koedijck, Isaac van Ostade, 1730

Man with a beer jug, print maker: Dirk Koedijck, Isaac van Ostade, 1730

Background image1730 Collection: Pierre-Alexandre Aveline (French, 1702-1760) after Francois Boucher (French, 1703-1770)

Pierre-Alexandre Aveline (French, 1702-1760) after Francois Boucher (French, 1703-1770). Venus and Amor, ca. 1730-1740. Etching and engraving on laid paper. Plate: 310 mm x 238 mm (12.2 in)

Background image1730 Collection: Setsubun mamemaki, Mamemaki: expelling demons with beans. [between 1730 and 1790]

Setsubun mamemaki, Mamemaki: expelling demons with beans. [between 1730 and 1790], 1 print : woodcut; 22.7 x 27.3 cm. Print shows family members eating beans in a room and a man, with a box of beans

Background image1730 Collection: Hanauri, Flower vendor. Nishimura, Shigenaga, 1697-1756, artist, [between 1725 and 1730]

Hanauri, Flower vendor. Nishimura, Shigenaga, 1697-1756, artist, [between 1725 and 1730], 1 print : woodcut, color; 29.2 x 14.6 cm

Background image1730 Collection: Laying out Baltimore. Town, January 12, 1730

Laying out Baltimore. Town, January 12, 1730
LAYING OUT BALTIMORE. TOWN, JANUARY 12, 1730.a'DRAWN BY F. B. MAYER, 1880, 19th century engraving, USA, America

Background image1730 Collection: Study of a Seated Woman

Study of a Seated Woman; Jean-Baptiste Pater, French, 1695 - 1736; about 1730; Red chalk on tan paper; 15.2 x 16.7 cm (6 x 6 9/16 in.)

Background image1730 Collection: Fishing Boats in a Storm

Fishing Boats in a Storm; Marco Ricci, Italian, 1676 - 1730; about 1715; Gouache on leather; 31.4 x 45.2 cm (12 3/8 x 17 13/16 in.)

Background image1730 Collection: Landscape with Travellers, Two Riding in a Carriage Driven by a

Landscape with Travellers, Two Riding in a Carriage Driven by a Postilion and a Third on Horseback behind; Marco Ricci, Italian, 1676 - 1730; about 1720; Pen and brown ink with brown wash

Background image1730 Collection: Portrait of James Christie (1730 - 1803)

Portrait of James Christie (1730 - 1803); Thomas Gainsborough, English, 1727 - 1788; 1778; Oil on canvas; Unframed: 126 x 101.9 cm (49 5/8 x 40 1/8 in.)

Background image1730 Collection: Landscape with Classical Ruins and Figures

Landscape with Classical Ruins and Figures; Marco Ricci, Italian, 1676 - 1730, and Sebastiano Ricci, Italian, 1659 - 1734; about 1725 - 1730; Oil on canvas; Unframed

Background image1730 Collection: Immaculate Conception

Immaculate Conception; Placido Costanzi, Italian (Roman), 1702 - 1759; Rome, Italy, Lazio, Europe; about 1730; Oil on canvas; Unframed: 67 x 84.5 cm (26 3/8 x 33 1/4 in.)

Background image1730 Collection: The Triumph of Venus

The Triumph of Venus; Alessandro Magnasco, Italian (Genoese), 1667 - 1749; about 1720 - 1730; Oil on canvas; Unframed: 118.1 x 148.6 cm (46 1/2 x 58 1/2 in.)

Background image1730 Collection: Bacchanale

Bacchanale; Alessandro Magnasco, Italian (Genoese), 1667 - 1749; about 1720 - 1730; Oil on canvas; Unframed: 118.1 x 148.6 cm (46 1/2 x 58 1/2 in.)

Background image1730 Collection: After

After; William Hogarth, English, 1697 - 1764; 1730 - 1731; Oil on canvas; Unframed: 38.7 x 33.7 cm (15 1/4 x 13 1/4 in.), Framed: 50.2 x 44.8 x 4.1 cm (19 3/4 x 17 5/8 x 1 5/8 in.)

Background image1730 Collection: Before

Before; William Hogarth, English, 1697 - 1764; 1730 - 1731; Oil on canvas; Unframed: 38.7 x 33.7 cm (15 1/4 x 13 1/4 in.), Framed: 50.2 x 44.8 x 4.1 cm (19 3/4 x 17 5/8 x 1 5/8 in.)

Background image1730 Collection: The Bucintoro Departing from the Bacino di San Marco

The Bucintoro Departing from the Bacino di San Marco; Luca Carlevarijs, Italian, 1663 - 1730; 1710; Oil on canvas; Unframed: 134.8 x 259.4 cm (53 1/16 x 102 1/8 in.)

Background image1730 Collection: Regatta on the Grand Canal in Honor of Frederick IV, King of Den

Regatta on the Grand Canal in Honor of Frederick IV, King of Denmark; Luca Carlevarijs, Italian, 1663 - 1730; 1711; Oil on canvas; Unframed: 135.3 x 259.7 cm (53 1/4 x 102 1/4 in.)

Background image1730 Collection: Plaque Representing the Virgin of the Immaculate Conception

Plaque Representing the Virgin of the Immaculate Conception; Francesco Natale Juvara, Italian, 1673 - 1759; Messina, Italy, Sicily, Europe; 1730 - 1740; Silver

Background image1730 Collection: Ideal Female Heads

Ideal Female Heads; Augustin Pajou, French, 1730 - 1809; n.d.; Terracotta; Various, see extensions

Background image1730 Collection: Architectural scene and frame

Architectural scene and frame; Wilhelm Fistulator, German, died 1669, active 1602, Frame maker Unknown; Germany, South Germany

Background image1730 Collection: Music Stand (Pupitre)

Music Stand (Pupitre); Attributed to Martin Carlin, French, born Germany, about 1730 - 1785, master 1766; Paris, France, Europe; about 1770 - 1775; Oak veneered with tulipwood

Background image1730 Collection: Secretaire a abattant

Secretaire a abattant; By Martin Carlin, French, born Germany, about 1730 - 1785, master 1766, Circular plaque painted by Jean-Jacques Pierre le jeune, French, about 1745 - about 1800, active Sevres

Background image1730 Collection: Table

Table; Martin Carlin, French, born Germany, about 1730 - 1785, master 1766, Circular plaque painted by Jacques-Francois Micaud, French, 1732/1735 - 1811, active 1757 - 1811, Sevres Manufactory



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In the year 1730, a myriad of events and creations unfolded, painting a vivid picture of the era. Cockfighting, an ancient sport steeped in tradition and excitement, captivated audiences with its fierce battles. Meanwhile, the renowned artist William Hogarth continued to leave his mark on London's artistic scene with his thought-provoking works. London's Masonic Lodges buzzed with activity as secret societies flourished during this time. These enigmatic gatherings fostered camaraderie among members while guarding their esoteric knowledge from prying eyes. Curiosity about the celestial realm led to groundbreaking discoveries like the early map of the Moon in 1635. This intricate depiction unveiled our closest cosmic neighbor in unprecedented detail, sparking wonder and fueling humanity's fascination with space. April bloomed vibrantly through Twelve Months of Flowers in 1730—a color engraving that captured nature's delicate beauty. Laurent Bordelon skillfully brought forth this visual delight for all to enjoy and appreciate. Across the Atlantic Ocean, Newport, Rhode Island thrived amidst colonial America's bustling landscape. A lithograph from 1864 transported us back to this vibrant coastal town as it stood proudly in 1730—its rich history etched into every brick and cobblestone. Meanwhile, Mexico City pulsated with life as it embraced its role as a cultural hub in Mexico during this period. The cityscape bustled with activity—a testament to its significance within Latin American society at that time. Abraham Newland left an indelible mark on British currency by serving as Chief Cashier at The Bank of England—an influential figure shaping financial transactions throughout 1730s Britain. The Bradford Map or Lyne Survey showcased New York City's evolving landscape through a meticulous line engraving created just one year later—an invaluable historical artifact preserving urban development for generations to come.