1723 Collection (page 5)

Pierre-Franazois Basan after Jean-Baptiste Lemoyne II (French, 1723 - 1797), Louis le Bien Aime, engraving on laid paper

Etienne Desrochers after Jean Ranc (French, 1668 - 1741), Francois Verdier, 1723, engraving on laid paper

Peter Pelham after Robert Walker (English, 1684 - 1751), Oliver Cromwell, 1723, mezzotint on laid paper

Michael Burghers after Johann Liss (Dutch, c. 1640 - c. 1723), Death of Phaeton, pen and brown ink with gray wash on laid paper

Sir Godfrey Kneller (English, 1646 - 1723), Anthony Henley, before 1694, black chalk heightened with white chalk on brown laid paper

Attributed to Pierre-Antoine Baudouin (French, 1723 - 1769), The Tale of the Cooper s
Attributed to Pierre-Antoine Baudouin (French, 1723 - 1769), The Tale of the Coopers Wife, 1767, black, white, and red chalks with stumping on laid paper

Attributed to Daniel Hendrickson (American, 1723 - 1788), Catharine Hendrickson, c. 1770, oil on canvas

Pierre-Antoine Baudouin (French, 1723 - 1769), The Coquette, 1760s, black chalk with gray and brown wash

Nicolas Lancret, Two Elegant Women in Polish Dress, French, 1690 - 1743, c. 1723, red, black, and white chalk on light brown paper

The Principle Religions of the World, illustration from Religious Ceremonies and Customs
XJF373265 The Principle Religions of the World, illustration from Religious Ceremonies and Customs, 1727 (engraving) by Picart

The House in which Sir Joshua Reynolds was Born, at Plympton, Devon, Uk, 1869

Four ornaments, Claes Jansz van der Hout, 1723

Annunciation to the Virgin, Jacob de Wit, 1723

Village on the Bank of a River, Joseph van Bredael, 1723

Nicols Heinsius I, Poet and Professor at Leiden, Envoy of Queen Christina of Sweden, Jan Maurits Quinkhard, 1723 - 1771

Still Life with Flowers, Jan van Huysum, 1723

Landscape with Diana and Calliope, Abraham Genoels, 1670 - 1723

Landscape with Diana Hunting, Abraham Genoels, 1670 - 1723

Portrait of a Man, Cornelis Troost, 1723

River landscape with sunset, Adolf van der Laan, 1723

Allegorical figures in a tomb, Jacob Folkema, 1723

Jean-Michel Moreau le Jeune (French, 1741-1814) after Pierre Antoine Baudouin (French, 1723 - 1769). The Marriage Bed (La Couche de la Mariee), 1768. Etching and engraving on laid paper

Pierre-Imbert Drevet (French, 1697-1739) after Hyacinthe Rigaud (French, 1659 - 1743). Portrait of the Bishop Jacques-Benigne Bossuet (1627-1704), 1723. Engraving on laid paper

Ogawa zengorAc, ichikawa danjA'rAc, yamashita kinsaku, The actors Ogawa ZengorAc, Ichikawa DanjA'rAc, Yamashita Kinsaku

Vase (cuvette a tombeau, premiere grandeur); Painted by crescent mark painter, possibly Louis-Denis Armand l aine, French, 1723 - 1789, active 1745 - 1788, Vincennes Porcelain Manufactory, French

Four Armchairs and One Settee; Jacques-Jean-Baptiste Tilliard, French, 1723 - 1798, master 1752; Paris, France, Europe; about 1770 - 1775; Carved and gilded walnut

Pair of Armchairs (fauteuils a la reine); Jean Avisse, French, 1723 - after 1796, master 1745; Paris, France, Europe; about 1750 - 1755; Gilded beechwood; modern silk upholstery; Various

Lidded Jar; Joseph Olerys Manufactory (Moustiers), French, active about 1650 - present; Moustiers, France, Europe; about 1723 - 1725; Tin-glazed earthenware (faience); Object: H: 26 x Diam

Pair of Candelabra; Robert-Joseph Auguste, French, 1723 - 1805, master by royal order 1757; Paris, France, Europe; 1779 - 1782; Silver; Various, see extensions

Winter Landscape with Figures; Jan Berents, Dutch, about 1679 - after 1733; Netherlands, Europe; about 1723; Gouache on vellum, heightened with gold

Self-Portrait, Sir Godfrey Kneller, 1646-1723, German

Henry Portman Seymour Inscribed in ocher paint, lower left: Henry Portman |
Henry Portman Seymour Inscribed in ocher paint, lower left: " Henry Portman | Seymour" Signed and dated in black paint, lower left: " G

The Death of Lucretia The Oath of Brutus, Gavin Hamilton, 1723-1798, British

British Gentlemen in Rome Connoisseurs in Rome British Mi Lords in Rome, Katharine Read, 1723-1778, British

English Ships Running before a Gale, Charles Brooking, 1723-1759, British

English Ships Under Sail in a Very Light Breeze Signed in brown paint, lower left: " C Brooking", Charles Brooking, 1723-1759, British

Ship wrecked on a rocky coast Signed in black paint, lower left: C. Brooking"
Ship wrecked on a rocky coast Signed in black paint, lower left: " C. Brooking", Charles Brooking, 1723-1759, British

Cutter Close Hauled in a Fresh Breeze, with Other Shipping, Charles Brooking, 1723-1759, British

A Smack Under Sail in a Light Breeze in a River, Charles Brooking, 1723-1759, British

Ship on Fire at Night Signed in black paint, lower left: C. Brooking"
Ship on Fire at Night Signed in black paint, lower left: " C. Brooking", Charles Brooking, 1723-1759, British

The Capture of the Marquis d Antin and the Louis Erasme"
The Capture of the " Marquis d Antin" and the " Louis Erasme", Charles Brooking, 1723-1759, British

Shipping in the English Channel English Shipping in a Breeze in the Channel, Evening, c.1755 Men O War off a Coast Man o War off a Coast" Signed in black paint, lower left: " C

An English Flagship Under Easy Sail in a Moderate Breeze, Charles Brooking, 1723-1759, British

A Cutter in a Strong Breeze Signed, lower left: C. B. Charles Brooking
A Cutter in a Strong Breeze Signed, lower left: " C. B.", Charles Brooking, 1723-1759, British

The Coast near Scheveningen with Fishing Pinks on the Shore Signed in black paint, lower right: " C Brooking", Charles Brooking, 1723-1759, British

Sarah Campbell Miss Sarah Campbell, later Mrs. Woodhouse, Sir Joshua Reynolds, 1723-1792, British

A Lugger and a Smack in Light Airs Signed, lower left: C
A Lugger and a Smack in Light Airs Signed, lower left: " C. B.", Charles Brooking, 1723-1759, British

Self-Portrait Self-portrait, looking over his right shoulder, Sir Joshua Reynolds, 1723-1792, British

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"1723: A Year of Art, Music, and Enlightenment" Step into the year 1723 and immerse yourself in a world of creativity, knowledge, and innovation. This captivating era witnessed remarkable achievements across various fields that continue to inspire us today. In the realm of music, the resounding notes of the double-bass viol filled concert halls as talented musicians showcased their skills. An exquisite copper engraving from that very year by Arnold van Westerhout immortalizes this majestic instrument's beauty for generations to come. Meanwhile, at Blackheath's Pages House, intellectuals gathered to exchange ideas and engage in intellectual discourse. Among them was Sir William Blackstone, whose profound legal insights would shape future legal systems around the world. The spirit of enlightenment also found its voice through influential thinkers like Adam Smith. His groundbreaking theories on economics revolutionized our understanding of wealth distribution and market dynamics. Artistic expression thrived during this period as well. Jean Ranc captured Charles III as a child in an enchanting portrait that showcases both his innocence and potential for greatness. But it wasn't just portraits; imagination took flight with Arnold van Westerhout's copper engraving depicting an imaginary voice amplifier inspired by Athanasius Kircher's ideas. This whimsical creation reminds us how human ingenuity knows no bounds. Speaking of boundless possibilities, Hannah Snell/Maddocks defied societal norms by disguising herself as a man to serve in the British Army—an act that challenged gender roles long before its time. Nature too played a role in shaping history during 1723. The Avebury Landscape stood tall—a testament to ancient civilizations' ability to harmonize with their surroundings while leaving behind awe-inspiring monuments for future generations to marvel at. Scientific advancements were not left behind either; Leeuwenhoek & Microbe unveiled hidden worlds through pioneering discoveries using microscopes—opening up new frontiers within biology and medicine.