16th To Early 17th Century Collection

Design Church Central Octagonal Plan 1570-1620
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Study Anatomy Youth Drawing Ecorche Standing Man
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Two Fauns Carrying Child ca 1500-1600 Engraving
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Design Frieze Grotesque Vase Festoon Ram Putto
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Pallas Athena standing globe holding spear left hand
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Madonna Child Worshippers 1500-1640 Red chalk
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Copy Giambologna Neptune Fountain Piazza San Petronio
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Trajan Fighting Dacians Trajan horseback right riding towards
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Three cupids front facade pilasters holding trident
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sacrifice ram held naked man right hooded priest
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Virgin reading infant Christ woman seated profile facing left
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The 16th to early 17th century was a period of artistic and architectural innovation, characterized by various captivating designs and stunning artworks. In church design, the central octagonal plan emerged as a popular choice between 1570 and 1620, showcasing intricate detailing and harmonious proportions. Artists of this era delved into the study of anatomy, with a particular focus on youth drawing ecorche standing man. This meticulous exploration allowed for more realistic depictions in their artwork. Engravings also gained prominence during this time, exemplified by the enchanting image of two fauns carrying a child dating back to ca 1500-1600. Designs featuring friezes adorned with grotesque vases, festoons, rams, and putti were highly sought after during this period. These decorative elements added an air of grandeur to palaces and public spaces alike. Pallas Athena stood tall in many artworks from this era; her globe-holding spear symbolized wisdom and power. Religious themes remained prevalent throughout these centuries as well. The Madonna Child worshippers depicted in red chalk drawings captured the devotion felt towards the divine motherhood. Copying Giambologna's Neptune Fountain at Piazza San Petronio became an exercise in skill for aspiring artists. Historical events were often portrayed through art during this time too. One such example is Trajan fighting Dacians on horseback; his determined stance conveyed bravery amidst battle scenes. Cupids holding tridents graced front facades as pilasters - their presence adding charm to buildings across Europe. Ritualistic practices were also represented artistically: sacrifices involving rams held by naked men under the watchful eye of hooded priests showcased religious customs prevalent at that time. The Virgin reading while infant Christ lay nearby was another common motif seen frequently within paintings from this era. Lastly, Martha leading Mary Magdalene up a flight of stairs depicted a significant moment in biblical history.