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1656 Collection (page 7)

"Exploring the Rich Tapestry of 1656: From Plague Doctors to Exiled Royalty" Step into the year 1656

Background image1656 Collection: Three cows, Jan van den Hecke (I), 1656

Three cows, Jan van den Hecke (I), 1656

Background image1656 Collection: Bust of an old bearded man, Michael Sweerts, 1656

Bust of an old bearded man, Michael Sweerts, 1656

Background image1656 Collection: Bust of a farmer with hat, Michael Sweerts, 1656

Bust of a farmer with hat, Michael Sweerts, 1656

Background image1656 Collection: Bust of a boy, Michael Sweerts, 1656

Bust of a boy, Michael Sweerts, 1656

Background image1656 Collection: Portrait of Marin Cureau de la Chambre, Robert Nanteuil, 1656

Portrait of Marin Cureau de la Chambre, Robert Nanteuil, 1656

Background image1656 Collection: View of Castle Strijen Oosterhout, Abraham Dircksz Santvoort, 1656

View of Castle Strijen Oosterhout, Abraham Dircksz Santvoort, 1656

Background image1656 Collection: Dog kennel, Jan van den Hecke I 1656, Jan van den Hecke I, 1656

Dog kennel, Jan van den Hecke I 1656, Jan van den Hecke I, 1656

Background image1656 Collection: Shah Jahan and Dara Shikoh

Shah Jahan and Dara Shikoh; Rembrandt Harmensz. van Rijn, Dutch, 1606 - 1669; about 1654 - 1656; Pen and brown ink and brown wash

Background image1656 Collection: The Liberation of Saint Peter

The Liberation of Saint Peter; Laurent de La Hyre, French, 1606 - 1656; about 1647; Black chalk and brown wash; 23.8 x 19.7 cm (9 3/8 x 7 3/4 in.)

Background image1656 Collection: Musical Group on a Balcony

Musical Group on a Balcony; Gerrit van Honthorst, Dutch, 1590 - 1656; 1622; Oil on panel; Unframed: 308.9 x 114 cm (121 5/8 x 44 7/8 in.)

Background image1656 Collection: Diana and Her Nymphs in a Landscape

Diana and Her Nymphs in a Landscape; Laurent de La Hyre, French, 1606 - 1656; 1644; Oil on canvas; Unframed: 101 x 134.6 cm (39 3/4 x 53 in.), Framed: 116.8 x 151.8 x 8.3 cm (46 x 59 3/4 x 3 1/4 in.)

Background image1656 Collection: Portrait of a Boy in Fancy Dress

Portrait of a Boy in Fancy Dress; Nicolas de Largillierre, French, 1656 - 1746; about 1710 - 1714; Oil on canvas; Unframed: 114.9 x 146.1 cm (45 1/4 x 57 1/2 in.)

Background image1656 Collection: View of the Castle of Wijk at Duurstede

View of the Castle of Wijk at Duurstede; Jan van Goyen, Dutch, 1596 - 1656; 1649; Oil on panel; Unframed: 52.4 x 73.8 cm (20 5/8 x 29 1/16 in.)

Background image1656 Collection: The Shade of Samuel Invoked by Saul

The Shade of Samuel Invoked by Saul; Bernardo Cavallino, Italian, 1616 - 1656; about 1650 - 1656; Oil on copper; Unframed: 61 x 86.4 cm (24 x 34 in.)

Background image1656 Collection: Glaucus and Scylla

Glaucus and Scylla; Laurent de La Hyre, French, 1606 - 1656; about 1640 - 1644; Oil on canvas; Unframed: 146.1 x 118.1 cm (57 1/2 x 46 1/2 in.)

Background image1656 Collection: Venus and Adonis

Venus and Adonis; Massimiliano Soldani-Benzi, Italian, 1656 - 1740; Florence, Italy, Tuscany, Europe; about 1715 - 1716; Bronze; Object: H: 46.4 x W: 49 x D: 34.2 cm (1 ft. 6 1/4 in. x 1 ft)

Background image1656 Collection: Pair of Stags

Pair of Stags; Johann Ludwig Biller the Elder, German, 1656 - 1732; Germany, Europe; about 1680 - 1700; Silver gilt; Various, see extensions

Background image1656 Collection: Tripod table

Tripod table; Attributed to Pierre Golle, French, about 1620 - 1684, master before 1656; Paris, France, Europe; about 1680; Oak veneered with brass, pewter, tortoise shell, walnut, and ebony

Background image1656 Collection: Night Clock

Night Clock; Case and hardstone mosaics by Giovanni Battista Foggini, Italian, 1652 - 1725, Woodwork by Leonard van der Vinne, Flemish, active second half of 17th century - 1713

Background image1656 Collection: Andromeda and the Sea Monster

Andromeda and the Sea Monster; Massimiliano Soldani-Benzi, Italian, 1656 - 1740; Italy, Europe; designed before 1717; cast about 1725; Bronze on grey-green marble bases with bronze mounts; Object: H

Background image1656 Collection: Andromeda and the Sea-Monster, Leda and the Swan

Andromeda and the Sea-Monster, Leda and the Swan; Massimiliano Soldani-Benzi, Italian, 1656 - 1740; Italy, Europe; designed before 1717; cast about 1725; Bronze on grey-green marble bases with bronze

Background image1656 Collection: An Unknown Man, Michael Dahl, 1656-1743, Swedish

An Unknown Man, Michael Dahl, 1656-1743, Swedish

Background image1656 Collection: An Unknown Man, Probably the 9th Earl of Derby Signed, lower left: W. Wissing fecit

An Unknown Man, Probably the 9th Earl of Derby Signed, lower left: W. Wissing fecit
An Unknown Man, Probably the 9th Earl of Derby Signed, lower left: " W. Wissing fecit. C24", Willem Wissing, ca. 1656-1687, Dutch

Background image1656 Collection: Portrait of a Boy A Boy with a Spear and a Hound, Willem Wissing, ca. 1656-1687, Dutch

Portrait of a Boy A Boy with a Spear and a Hound, Willem Wissing, ca. 1656-1687, Dutch

Background image1656 Collection: Mary of Modena Signed, center left: W. Wissing: fecit, Willem Wissing, ca

Mary of Modena Signed, center left: W. Wissing: fecit, Willem Wissing, ca
Mary of Modena Signed, center left: " W. Wissing: fecit", Willem Wissing, ca. 1656-1687, Dutch

Background image1656 Collection: Elizabeth Jones, Countess of Kildare Elizabeth, Countess of Kildare, as a Shepherdess

Elizabeth Jones, Countess of Kildare Elizabeth, Countess of Kildare, as a Shepherdess Inscribed, bottom right: " The Countess of | Killdare", Willem Wissing, ca. 1656-1687, Dutch

Background image1656 Collection: Nicolas de Largillierre, Portrait of a Young Man and His Tutor, French, 1656-1746

Nicolas de Largillierre, Portrait of a Young Man and His Tutor, French, 1656-1746, 1685, oil on canvas

Background image1656 Collection: Reinier Nooms, called Zeeman (Dutch, 1624-1664), Harbor Scene with Mountainous Background

Reinier Nooms, called Zeeman (Dutch, 1624-1664), Harbor Scene with Mountainous Background, probably c. 1656, etching

Background image1656 Collection: Rembrandt van Rijn (Dutch, 1606-1669), Jan Lutma, 1656, etching and drypoint

Rembrandt van Rijn (Dutch, 1606-1669), Jan Lutma, 1656, etching and drypoint

Background image1656 Collection: Allart van Everdingen (Dutch, 1621-1675), The Knoll, probably c. 1645-1656, etching

Allart van Everdingen (Dutch, 1621-1675), The Knoll, probably c. 1645-1656, etching

Background image1656 Collection: Allart van Everdingen (Dutch, 1621-1675), Chapel, probably c

Allart van Everdingen (Dutch, 1621-1675), Chapel, probably c. 1645-1656, etching with engraving

Background image1656 Collection: Allart van Everdingen (Dutch, 1621-1675), Man on a Small Wooden Bridge, probably c

Allart van Everdingen (Dutch, 1621-1675), Man on a Small Wooden Bridge, probably c. 1645-1656, etching

Background image1656 Collection: Alfonso Parigi II (Italian, 1606-1656), Jereo Before the King of the Huns for the

Alfonso Parigi II (Italian, 1606-1656), Jereo Before the King of the Huns for the Liberation of Saint Ursula, etching

Background image1656 Collection: NEW YORK: MAP, 1656. Dutch map of New Amsterdam, 1656, copied in 1852

NEW YORK: MAP, 1656. Dutch map of New Amsterdam, 1656, copied in 1852

Background image1656 Collection: SHAH JAHAN (1592-1666). Mogul emperor of India (1628-1658). Shah Jahan with one of his sons

SHAH JAHAN (1592-1666). Mogul emperor of India (1628-1658). Shah Jahan with one of his sons. Pen and brush drawing, 1656, by Rembrandt



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"Exploring the Rich Tapestry of 1656: From Plague Doctors to Exiled Royalty" Step into the year 1656, where history intertwines with art and notable figures leave their mark. In this captivating journey, we encounter Kateri Tekakwitha, a Native American saint who defied societal norms. Her story inspires generations even today. As we delve deeper, an intriguing figure emerges – the enigmatic Plague Doctor. Clad in a distinctive bird-like mask and cloak, he navigates through disease-ridden streets offering hope amidst despair. The canvas comes alive with vibrant strokes depicting 17th-century artwork. Dutch painter Adriaen Hanneman captures the essence of exiled British royal court members in his renowned portraits. His masterpieces transport us back to a time when elegance and opulence reigned supreme. Meanwhile, Highwayman Cottington roams the countryside on horseback, embodying both fear and fascination as he preys upon unsuspecting travelers. A daring character whose exploits continue to captivate our imaginations. In aristocratic circles, James 6th Earl Abercorn commands attention with his regal presence while Sir Robert Harley's political prowess shapes England's destiny during these tumultuous times. Joseph Hall stands tall as Bishop; his sermons resonate across congregations seeking solace from religious strife that grips society at its core. And then there is James Ussher - a brilliant scholar whose meticulous research leaves an indelible mark on biblical chronology for centuries to come. Amidst all this historical richness lies two boars - symbols of strength and resilience that remind us of nature's enduring spirit even in uncertain times like these. Across continents, North American AT-6D Harvard III EZ407 soars through azure skies symbolizing progress in aviation technology – a testament to human innovation pushing boundaries beyond imagination. Finally, Birmingham reveals itself through Dugdales Warwickshire, offering a glimpse into the past.