1591 Collection (page 8)

Cain Killing Abel ca 1591 Engraving 33. 3 x 41. 5 cm
Artokoloro

Drawings Prints, Print, Saint Jerome Reading, Artist, Jusepe de Ribera, called Lo Spagnoletto
Drawings and Prints, Print, Saint Jerome Reading, Artist, Jusepe de Ribera (called Lo Spagnoletto), Spanish, Jativa 1591-1652 Naples, Ribera, Jusepe de (called Lo Spagnoletto), Spanish, 1591, 1652

Drawings Prints, Print, Saint, Bruno, meditating, skull, Artist, Publisher, Jusepe de Ribera
Drawings and Prints, Print, Saint Bruno meditating on a skull, Artist, Publisher, Artist, After, Jusepe de Ribera (called Lo Spagnoletto), Lodovico Inig, Francesco Rosaspina, Spanish

Drawings Prints, Print, Saint Jerome Wilderness, seated, writing meditating crucifix
Drawings and Prints, Print, Saint Jerome in the Wilderness, seated, writing and meditating on a crucifix, Artist, After, Jusepe de Ribera (called Lo Spagnoletto), Pierre Hutin, Spanish

Drawings Prints, Print, Four, Putti, Making, Drinking, Wine, Publisher, Artist, Francois Langlois
Drawings and Prints, Print, Four Putti Making and Drinking Wine, Publisher, Artist, After, Francois Langlois, Guercino (Giovanni Francesco Barbieri), French, baptized Chartres, 1588-1647 Paris

Vocation Saint Aloysius Luigi Gonzaga ca 1650
Artokoloro

Drawings Prints, Print, blessed soul, lifted, heaven, Michelangelos Last Judgment
Drawings and Prints, Print, A blessed soul lifted to heaven, after Michelangelos The Last Judgment fresco in the Sistine Chapel, Artist, After, Cherubino Alberti (Zaccaria Mattia)

Drawings Prints, Print, Two Plank Hedges, Verscheyden Landtschapjes, Various Landscapes
Drawings and Prints, Print, Two Plank Hedges, from Verscheyden Landtschapjes (Various Landscapes), Plate 6, Artist, Publisher, Willem Pietersz. Buytewech, Claes Jansz

Fiori di Ricami Nuovamente Posti Luce 1591 Woodcut
Artokoloro

Prima parte de fiori 1591 Woodcut Overall 6 11 / 16 x 9 1 / 16
Artokoloro

Saint Jerome Wilderness ca 1591 Etching Engraving
Artokoloro

1591, De Bry and Le Moyne Map of Florida and Cuba, topography, cartography, geography
1591, De Bry and Le Moyne Map of Florida and Cuba

Jusepe de Ribera (Spanish, 1591-1652), Drunken Silenus, 1628, etching and engraving

Jost Amman, Swiss (1539-1591), Apollo, c. 1580, pen and black ink on laid paper

Jost Amman, Swiss (1539-1591), The Jester, 1586, pen and black ink

Gerard Seghers, The Repentant Magdalen, Flemish, 1591-1651, c. 1627-1630, oil on canvas

Giovanni Francesco Barbieri, called Guercino, Italian (1591-1666), Self-Portrait before a Painting of " Amor Fedele", 1655, oil on canvas

Jusepe de Ribera, The Martyrdom of Saint Bartholomew, Spanish, 1591 - 1652, 1624, etching and engraving

Jost Amman, Gaspar de Coligny, Swiss, 1539 - 1591, 1573

Gerard de Jode after Hans Bol (Flemish, 1509 or 1517 - 1591), Tobias Returns Home with His Bride, etching and engraving

Peter Maes after Heinrich Aldegrever (Netherlandish, 1560 - active 1591), Hercules and Antaeus, 1577, engraving

Jost Amman, after Wenzel Jamnitzer I (Swiss, 1539 - 1591), Earth, 1568, etching on laid paper [proof without text]

Jusepe de Ribera (Spanish, 1591 - 1652), The Poet, c. 1620-1621, etching and engraving

Circle of Jusepe de Ribera (Spanish, 1591 - 1652), Battle between a Centaur and a Triton, etching on laid paper

Crispen van den Broecke (Netherlandish, 1524 - 1591), Christ before Caiaphas, pen and brown ink with blue wash, indented with stylus

Jost Amman (Swiss, 1539 - 1591), Head of a Bearded Man, 1572, brush and black ink with white wash on blue prepared paper

Antonio Abondio (Italian, 1538 - 1591), Caterina Riva, c. 1560, lead

Cherubino Alberti after Michelangelo, Saint John the Baptist, Italian, 1553 - 1615, 1591, etching

Oleum olivarum, the invention of the olive oil press, engraving circa 1591, by Stradanus or Stratesis, 1523-1605 a Flemish artist working in 16th century Florence, Italy

Taking the ramp at Zutphen, Netherlands, 1591, workshop of Frans Hogenberg, 1591 - 1593

Flight into Egypt, Pieter Perret, 1591

Veneration of Mary with the Christ Child with St. Catherine of Alexandria and Barbara H, Raphael Sadeler (I), 1591

Portrait by Jan van Suren, Hendrick Goltzius, 1588 - 1590

Domenico Cunego (Italian, 1727-1803) after Guercino (aka Giovanni Francesco Barbieri, Italian, 1591-1666). Prodigal Son (Filius Prodigus), 1770. Engraving on laid paper

Francesco Bartolozzi (Italian, 1727-1815) after Guercino (Italian, 1591 - 1666). Madonna and Child Adored by Three Monks, 1764. From Raccolta di alcuni disegni del Barbieri detto Il Guercino

Giovanni Ottoviani (Italian, 1735 - ca. 1808) after Guercino (aka Giovanni Francesco Barbieri) (Italian, 1591 - 1666). Angelica and Medora. Etching

Annibale Carracci (Italian, 1560 - 1609). St. Jerome in the Wilderness, ca. 1591. Etching. Plate: 255 mm x 188 mm (10.04 in. x 7.4 in.). Second state

Christ Preaching in the Temple; Guercino (Giovanni Francesco Barbieri), Italian (Bolognese), 1591 - 1666; Italy, Europe; about 1625 - 1627; Pen and brown ink

Landscape with a View of a Fortified Port; Guercino (Giovanni Francesco Barbieri), Italian (Bolognese), 1591 - 1666; Italy, Europe; about 1635; Pen and brown ink; 29 x 43.2 cm (11 7/16 x 17 in.)

A Standing Male Nude (recto), A Standing Male Nude (verso); Giovanni Battista Naldini, Italian, about 1537 - 1591; Italy, Europe; 1590; Black, red and white chalk

Raising of the Son of the Widow of Naim (recto), Madonna and Child with Saints (verso); Giovanni Battista Naldini, Italian, about 1537 - 1591; Italy, Europe; about 1570 - 1580; Pen and iron gall ink

An Officer of the Rank of Oberster Feldprofoss in the Imperial Army; Jost Amman, Swiss, 1539 - 1591; Switzerland, Europe; 1556; Pen and black ink

Study of a Seated Young Man; Guercino (Giovanni Francesco Barbieri), Italian (Bolognese), 1591 - 1666; Italy, Europe; about 1619; Black chalk dipped in gum

An Oriental Potentate Accompanied by His Halberd Bearer; Jusepe de Ribera, Spanish / Italian, 1591 - 1652; Spain, Europe; about 1625 - 1630; Point of the brush with carmine red ink (from cochineal)

Caricature of Two Men Seen in Profile; Guercino (Giovanni Francesco Barbieri), Italian (Bolognese), 1591 - 1666; about 1635; Pen and brown ink

Pope Gregory XV; Guercino (Giovanni Francesco Barbieri), Italian (Bolognese), 1591 - 1666; about 1622 - 1623; Oil on canvas; Unframed: 133.4 x 97.8 cm (52 1/2 x 38 1/2 in.)

Bowl; Unknown; Innsbruck, Austria, Europe; 1570 - 1591; Colorless (grayish-brown) glass with diamond-point engraving, gilding (including silver)

Basin with Deucalion and Pyrrha; Fontana Workshop, possibly Orazio Fontana, Italian, 1510 - 1571, or possibly Flaminio Fontana, Italian, active 1571 - 1591; Urbino, Italy

All Professionally Made to Order for Quick Shipping

In the year 1591, a series of intriguing events unfolded across different parts of the world. In North Berwick, Scotland, the infamous North Berwick Witches were accused and tried for their alleged involvement in witchcraft. Among them was Dr Fian, who met his fate in a chilling churchyard. Meanwhile, Saint John of the Cross, a Spanish mystic known for his profound spiritual writings, passed away during this eventful year. His legacy continues to inspire seekers of divine enlightenment to this day. Across the Atlantic Ocean in Florida, Native Americans thrived in their vibrant villages. A colored engraving by Theodore de Bry after Jacques Le Moyne de Morgues captures one such village scene from 1591. The depiction showcases these indigenous people skillfully curing fish and game on a barbecue – an art they had perfected over generations. Theodore de Bry's artistic talent also immortalized another aspect of Native American life: hunting crocodiles (or alligators). In yet another engraving from 1591 based on Jacques Le Moyne de Morgues' lost drawing, we witness Florida Native Americans fearlessly engaging with these formidable creatures. On a completely different note, Trinity College Dublin continued its pursuit of knowledge and education throughout this period. The institution stood as a beacon of intellectual growth amidst all these historical occurrences. Queen Elizabeth I found herself at Elvetham during this time – perhaps seeking solace or strategizing her next move within the walls of this grand estate. Ste Louise De Marillac left her mark on history as well. Her tireless efforts to serve society led to the establishment of various charitable organizations that continue to make positive impacts today. Lastly but not leastly (if that is even a word), Sir Richard Grenville commanded The Revenge during its epic battle against the Spanish fleet off Flores Island. This valiant act showcased courage and determination against overwhelming odds – an inspiring tale that echoes through time.