1535 Collection

British Coats of Arms
Royal coats of arms of Britain Henry VIII 1518, 1535; Elizabeth I 1576, 1578; Charles I; William & Mary 1689 Anne 1713; George I 1725; George II 1749; George III 1785

ANNE BOLEYN (1507-1536). Second wife of King Henry VIII of England. Drawing by Hans Holbein the Younger, c1535

More (Holbein) Colour
SIR THOMAS MORE English writer and statesman

More (Holbein)
SIR THOMAS MORE English writer and statesman, depicted holding a letter

Sir Thomas More
SIR THOMAS MORE English statesman and author and his household

Lady of the court of King Francis I, France, 1535. In turban with gold mesh, blue gown with slashed sleeves, gold embroidery. Dame de la Cour de la Francois I

Baptism of Jesus, painting by unknown Spanish artist attributed to Juan de Juanes
DGA624753 Baptism of Jesus, painting by unknown Spanish artist attributed to Juan de Juanes, preserved within Valencia cathedral, Spain, 1535; (add.info.: Baptism of Jesus, 1535)

Hawker Siddeley HS.748 G-ARAY
Hawker Siddeley HS.748-101 G-ARAY (msn 1535). Date: 1964

Portrait of Sir Nicholas Poyntz (1510-1556) at the age of 25, 1535. Private Collection

Lamentation of Christ with a Donor, c. 1535, by Jan van Scor
Jan van Scorel (1495-1562). Dutch painter. Lamentation of Christ with a Donor, c. 1535. Centraal Museum. Utrecht. Netherlands

Instruments of Mathematical Precision for executing Portraits (engraving)
1094669 Instruments of Mathematical Precision for executing Portraits (engraving) by French School

Ancient Iron and Bronze Work (engraving)
2812340 Ancient Iron and Bronze Work (engraving) by English School, (19th century); Private Collection; (add.info.: Ancient Iron and Bronze Work)

Cartiers Ship at the Mouth of the St. Charles River

Township of Hochelaga Visited by Cartier
A terrain map of the town of Hochelaga visited by Jacques Cartier in 1535, a circular collection of buildings surrounded by a wooden palisade on either side. At the bottom, French and St

Cartier Visits Hochelaga
A man bends on one knee with his hands outstretched, with various French soldiers standing is armour behind him

Cartiers Departure from St. Malo
Jacques Cartier departs from St. Malo France, to sail for the Iroquoian capital Stadacona, with two Iroquoian captives he had taken during his previous expedition. Date: 1535

Sir Thomas More, b 1480, d 1535 (engraving)
978646 Sir Thomas More, b 1480, d 1535 (engraving) by English School, (19th century); Private Collection; (add.info.: Sir Thomas More, b 1480, d 1535)

LUTHER & PLAGUE VICTIMS LUTHER & PLAGUE VICTIMS
He tends victims of the Plague Date: 1535

Portrait of a Young Woman. Creator: Netherlandish Painter (ca. 1535)
Portrait of a Young Woman. (ca. 1535)

Charity, 1535. Creator: Cranach, Lucas, the Elder (1472-1553)
Charity, 1535. Found in the Collection of Nivaagaards Malerisamling

Renaissance. Triptych with the Crucifixion by Jan van Scorel (1495-1562) and workshop, around 1535. Museum Catharijneconvent. Utrecht. Netherlands

Account of Pizarros conquest of Peru, 1535
Title page of Xeres account of the conquest of Peru, 1535. Document

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In the year 1535, a significant chapter unfolded in history, marked by both triumph and tragedy. Anne Boleyn, the second wife of King Henry VIII of England, held court as one of the most influential figures during this time. Her captivating presence and intriguing story continue to captivate us even today. As we delve into the art world of 1535, British Coats of Arms proudly adorned shields and banners across the land. The vibrant colors brought forth by Holbein's masterful brushstrokes breathed life into portraits that still mesmerize us centuries later. Speaking of Holbein, his genius extended beyond capturing royal visages. His masterpiece "Lamentation of Christ with a Donor" showcased his ability to evoke deep emotions through paint on canvas. Another striking work from this era was "David with the Head of Goliath, " depicting biblical heroism amidst turmoil. The Renaissance spirit thrived in 1535 as Jan van Scorel's "Triptych with Crucifixion" exemplified artistic excellence fused with religious devotion. This triptych transported viewers to a realm where faith met beauty seamlessly. Beyond artistry, scientific precision also flourished during this period. Pedro Conde Fuentes' mathematical instruments revolutionized portraiture execution techniques, allowing for greater accuracy and detail in capturing human likeness. Meanwhile, George Braun's monumental work "Civitatis Orbis Terrarum" unveiled an astonishing atlas showcasing cities worldwide like never before seen. This groundbreaking publication expanded horizons both literally and figuratively. In summary, 1535 encapsulated an era filled with remarkable individuals who left indelible marks on history through their talents and contributions. From Anne Boleyn's tragic fate to Holbein's vivid palette; from van Scorel's divine inspiration to Fuentes' precise innovation – each aspect intertwines within this tapestry that defines our understanding of that momentous year.