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1524 Collection

In 1524, the vibrant city of Tenochtitlan, known today as Mexico City, was a bustling metropolis at the time of the Spanish Conquest

Background image1524 Collection: TENOCHTITLAN (MEXICO CITY). Mexico City at the time of the Spanish Conquest

TENOCHTITLAN (MEXICO CITY). Mexico City at the time of the Spanish Conquest: colored woodcut from the Latin edition of Cortes Second Letter, Nuremberg, 1524

Background image1524 Collection: Pedro de Alvarado y Contreras (ca. 1485 or ca. 1495-1541). S

Pedro de Alvarado y Contreras (ca. 1485 or ca. 1495-1541). Spanish conquistador and governor of Guatemala. Utatlan battle, 1524. 18th century engraving. Colored

Background image1524 Collection: Initial. Missal

Initial. Missal
Missal. Initial detail. Friar near death. Latin. Codex 9. 1524. Printing Rosenbach (Barcelona, Spain). Chapter Archive of Tortosa. Catalonia. Spain

Background image1524 Collection: Consolidated PBY-5A Catalina N423RS

Consolidated PBY-5A Catalina N423RS (msn 1524 / t181 / 1694, ex BuAer 48423), at Duxford. Date: 1999

Background image1524 Collection: Verrazzano at Newport Harbour

Verrazzano at Newport Harbour
Giovanni da Verrazzano, Italian explorer, arriving in 1524 at Newport Harbour, Rhode Island. This was part of his first American expedition mapping and exploring the North American coast for Italy

Background image1524 Collection: Les femmes au siege de Marseille (colour litho)

Les femmes au siege de Marseille (colour litho)
3095660 Les femmes au siege de Marseille (colour litho) by Robida, Albert (1848-1926); Private Collection; (add.info.: Les femmes au siege de Marseille)

Background image1524 Collection: John Stows Monument

John Stows Monument
John Stows monument in St Andrew Undershaft with arms of the Worshipful Company of Merchant Taylors and Latin inscription: Either act by writing or write by reading

Background image1524 Collection: Portrait man 1524 oil oak wood 55. 1 x 38. 8 cm

Portrait man 1524 oil oak wood 55. 1 x 38. 8 cm
Portrait of a man, 1524, oil on oak wood, 55.1 x 38.8 cm, inscription on the dagger handle: DRVC LIDEN HI SMACT THE IVNO NET VENVS SCICHT GERAECHT (Violent suffering tastes that the Junos)

Background image1524 Collection: Portrait young man 1524 oil lime wood 49. 5 x 38 cm

Portrait young man 1524 oil lime wood 49. 5 x 38 cm
Portrait of a young man, 1524, oil on lime wood, 49.5 x 38 cm, inscribed on top of a small inscription, signed and dated: AETATIS SVAE 27, M.D.XXIIII HF. Monogrammist H F, 16. Jh

Background image1524 Collection: Willibald Pirkheimer 1470-1530 Portrait Anonymous copy

Willibald Pirkheimer 1470-1530 Portrait Anonymous copy
Willibald Pirkheimer (1470-1530), Portrait of Willibald Pirkheimer. Anonymous copy to the original portrait by Durer. Albrecht Durer (copy after), 1524 - 1600, panel, oil paint (paint)

Background image1524 Collection: Portrait Pieter Salina half-length standing kneeling

Portrait Pieter Salina half-length standing kneeling
Portrait of Pieter Salina, half-length, standing or kneeling to the right, at a table on which he is holding a book with both hands. Top right the family crest. Maybe a copy by Cornelis Engelsz

Background image1524 Collection: Dying Cleopatra dying Egyptian queen Cleopatra

Dying Cleopatra dying Egyptian queen Cleopatra
The Dying Cleopatra, The dying Egyptian queen Cleopatra. Cleopatra lies naked in the foreground in a landscape with the viper in her right hand near her chest. Jan van Scorel (attributed to), c

Background image1524 Collection: Judgment Paris right shepherd Paris apple hand

Judgment Paris right shepherd Paris apple hand
The Judgment of Paris, The Judgment of Paris. On the right the shepherd Paris with an apple in his hand, on the left the three goddesses Hera, Athena and Aphrodite

Background image1524 Collection: Memorial Panel Eight Male Portraits Willem Jelysz van Soutelande

Memorial Panel Eight Male Portraits Willem Jelysz van Soutelande
Memorial Panel with Eight Male Portraits, probably Willem Jelysz van Soutelande and Family, with Saint James the Greater and the Van Soutelande Family Crest, inner left wing of an altarpiece

Background image1524 Collection: Memorial Panel Nine Female Portraits Kathrijn Willemdsdr van der Graft

Memorial Panel Nine Female Portraits Kathrijn Willemdsdr van der Graft
Memorial Panel with Nine Female Portraits, probably Kathrijn Willemdsdr van der Graft and Family, with Saint Mary Magdalene and the Van Soutelande Family and Van der Graft-Van Soutelande Crests

Background image1524 Collection: Lazio Rieti Casperia S. Giovanni Battista Italy

Lazio Rieti Casperia S. Giovanni Battista Italy
Lazio Rieti Casperia S. Giovanni Battista, this is my Italy, the italian country of visual history, Medieval Architecture

Background image1524 Collection: Christ Carrying Cross Attributed Marco d Oggiono

Christ Carrying Cross Attributed Marco d Oggiono
Christ Carrying the Cross; Attributed to Marco d Oggiono (Italian, about 1467 - 1524); about 1495 - 1500; Oil on panel; 36.8 × 27.3 cm (14 1, 2 × 10 3, 4 in.)

Background image1524 Collection: Mythological Scene Dosso Dossi Giovanni di Niccolo

Mythological Scene Dosso Dossi Giovanni di Niccolo
Mythological Scene; Dosso Dossi (Giovanni di Niccolo de Lutero) (Italian (Ferrarese), about 1490 - 1542); Italy; about 1524; Oil on canvas; 163.8 × 145.4 cm (64 1, 2 × 57 1, 4 in.)

Background image1524 Collection: Charity Studies Entablatures recto Frieze Putti

Charity Studies Entablatures recto Frieze Putti
Charity and Studies of Entablatures (recto); Frieze of Putti (verso); Paolo Farinati (Italian, 1524 - 1606); Italy; about 1580; Pen and brown ink, brown wash

Background image1524 Collection: Plate Arms Vigeri Family 1524 Maestro Giorgio Andreoli

Plate Arms Vigeri Family 1524 Maestro Giorgio Andreoli
Plate with the Arms of the Vigeri Family, 1524. Maestro Giorgio Andreoli (Italian, 1465-70-aft 1553). Tin-glazed earthenware with gold and red lustre (maiolica); diameter: 39.4 cm (15 1/2 in.)

Background image1524 Collection: Mercenaries Woman Death Tree 1524 Urs I Graf

Mercenaries Woman Death Tree 1524 Urs I Graf
Mercenaries and A Woman with Death in a Tree, 1524. Urs I Graf (Swiss, c. 1485-1527/29). Woodcut

Background image1524 Collection: Frederick Wise Elector Saxony 1524 Albrecht Dürer

Frederick Wise Elector Saxony 1524 Albrecht Dürer
Frederick the Wise, Elector of Saxony, 1524. Albrecht Durer (German, 1471-1528). Engraving

Background image1524 Collection: Willibald Pirkheimer 1524 Albrecht Dürer

Willibald Pirkheimer 1524 Albrecht Dürer
Willibald Pirkheimer, 1524. Albrecht Durer (German, 1471-1528). Engraving

Background image1524 Collection: Leaf Psalter Prayerbook Calendar Page Peasant

Leaf Psalter Prayerbook Calendar Page Peasant
Leaf from a Psalter and Prayerbook: Calendar Page with Peasant (recto) and Calendar Page with Labors (verso) (3 of 3 Excised Leaves), c. 1524. Germany, Hildesheim (?), 16th century

Background image1524 Collection: Leaf Psalter Prayerbook Calendar Page Labors

Leaf Psalter Prayerbook Calendar Page Labors
Leaf from a Psalter and Prayerbook: Calendar Page with Labors (verso), c. 1524. Germany, Hildesheim (?), 16th century. Ink

Background image1524 Collection: Leaf Psalter Prayerbook Ornamental Border Flowers

Leaf Psalter Prayerbook Ornamental Border Flowers
Leaf from a Psalter and Prayerbook: Ornamental Border with Flowers and Squirrel (verso), c. 1524. North Germany, Hildesheim (?), 16th century

Background image1524 Collection: Leaf Psalter Prayerbook Initial E Ornamental Border Containing

Leaf Psalter Prayerbook Initial E Ornamental Border Containing
Leaf from a Psalter and Prayerbook: Initial E with Ornamental Border Containing a Seated Satyr and a Bird Eating Grapes (recto), c. 1524. North Germany, Hildesheim (?), 16th century

Background image1524 Collection: Mexico. Francisco Fray Martin de Valencia received by Hernan

Mexico. Francisco Fray Martin de Valencia received by Hernan
Mexico. Evangelization. 16th C. Francisco Fray Martin de Valencia received by Hernan Cortes, May 12, 1524. Engraving. 1850. Color

Background image1524 Collection: Michael Teuber

Michael Teuber
MICHAEL TEUBER German jurist, practising at Wittenberg. Date: 1524 - ?

Background image1524 Collection: GERMANY: PEASANTS WAR. Peasants fighting monks and the Pope. Woodcut, German, 1524

GERMANY: PEASANTS WAR. Peasants fighting monks and the Pope. Woodcut, German, 1524

Background image1524 Collection: Isabela of Aragon

Isabela of Aragon
ISABELA (Isabella) of ARAGON duchessa di Milano, wife (1) of Gian Galeazzo II duke of Milan, and (2) allegedly of Leonardo da Vinci for whom she modelled as La Gioconda

Background image1524 Collection: Leaf Psalter Prayerbook Ornamental Border Pea Vines

Leaf Psalter Prayerbook Ornamental Border Pea Vines
Leaf from a Psalter and Prayerbook: Ornamental Border with Pea Vines and a Girl Kneading Bread (recto) and Ornamental Boarder with Carnations, a Thistle

Background image1524 Collection: Moctezuma II (1467-1520), Hernan Cortes (1485-1547), Pedro d

Moctezuma II (1467-1520), Hernan Cortes (1485-1547), Pedro d
Conquerors and conquered. Moctezuma II (1467-1520), Hernan Cortes (1485-1547), Pedro de Alvarado (1485-1541), Gonzalo de Sandoval (1497-1527) and Olid (1488-1524). Italian engraving, 19th century

Background image1524 Collection: Turkey. Istanbul. Ortakapi Gate (Middle Gate)

Turkey. Istanbul. Ortakapi Gate (Middle Gate). Access to Topkapi Palace. Built in 1524 by Suleiman the Magnificent



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In 1524, the vibrant city of Tenochtitlan, known today as Mexico City, was a bustling metropolis at the time of the Spanish Conquest. Pedro de Alvarado y Contreras, a prominent figure during this period, played a significant role in shaping its history. Meanwhile, across the Atlantic Ocean in Portugal, Luis Vaz de Camoes was born. Little did he know that his literary works would leave an indelible mark on Portuguese literature. Amidst these historical events, an exquisite initial Missal was created with intricate details and artistic finesse. This illuminated manuscript served as a testament to the craftsmanship of its time. Taking to the skies in 1524 was the Consolidated PBY-5A Catalina N423RS aircraft. Its wings gracefully glided through clouds and carried passengers to their destinations with ease. Meanwhile in Mexico, Francisco Fray Martin de Valencia received a warm welcome from Hernan Cortes. Their meeting marked an important chapter in Mexican history. Artistic expressions flourished during this era as Francesco Mazzola captured mythical scenes through his masterpiece "Myth of Diana and Actaeon. " Wingless angels adorned his canvas while Ceres attended events surrounded by hunting dogs and cherubs. The mythological theme continued with figures of hunters and nymphs depicted by Mazzola's skilled hand. Each stroke brought life to these characters from ancient tales. Amongst them all stood cherubs - delicate beings whose presence added charm and innocence to Mazzola's artwork. As we reflect upon 1524, we are reminded of how history intertwines with artistry and exploration, and is through these moments that we gain insight into our past and appreciate the beauty that transcends time itself.