Fraud Blocker Skip to main content

1518 Collection (page 4)

In the year 1518, a multitude of artistic and historical events unfolded, leaving an indelible mark on the cultural landscape

Background image1518 Collection: Etienne Delaune, The Backplate of a Suit of Parade Armor, French, 1518-1519-1583, c

Etienne Delaune, The Backplate of a Suit of Parade Armor, French, 1518-1519-1583, c. 1557, pen and black ink with gray wash and faint traces of black chalk on laid paper

Background image1518 Collection: Jacopo Tintoretto, Summer, Italian, 1518-1594, c. 1555, oil on canvas

Jacopo Tintoretto, Summer, Italian, 1518-1594, c. 1555, oil on canvas

Background image1518 Collection: Hans Liefrinck I after Pieter Bruegel the Elder (Flemish, probably 1518 - 1573)

Hans Liefrinck I after Pieter Bruegel the Elder (Flemish, probably 1518 - 1573), The Fat Kitchen, in or after 1563, engraving

Background image1518 Collection: Jacopo Tintoretto (Italian, 1518 - 1594), Figures and Legs, 1575-1580, black chalk

Jacopo Tintoretto (Italian, 1518 - 1594), Figures and Legs, 1575-1580, black chalk on laid paper

Background image1518 Collection: Daniel Hopfer I (German, c. 1470 - 1536), Triumphal Altar with Stages in the Life

Daniel Hopfer I (German, c. 1470 - 1536), Triumphal Altar with Stages in the Life of Christ, 1518, etching on 2 joined sheets of laid paper

Background image1518 Collection: Joos van Cleve, Joris Vezeleer, Netherlandish, active 1505-1508 - 1540-1541, probably

Joos van Cleve, Joris Vezeleer, Netherlandish, active 1505-1508 - 1540-1541, probably 1518, oil on panel

Background image1518 Collection: Henry II, 1518-59, king of France, Anonymous, 1700 - 1799, Portrait miniature

Henry II, 1518-59, king of France, Anonymous, 1700 - 1799, Portrait miniature

Background image1518 Collection: Portrait of Jan Gerritsz van Egmond, died 1523, Bailiff of Nieuwburg, workshop of

Portrait of Jan Gerritsz van Egmond, died 1523, Bailiff of Nieuwburg, workshop of Jacob Cornelisz van Oostsanen, c. 1518

Background image1518 Collection: Portrait of Joris Vezeleer, copy after Joos van Cleve, after c. 1518

Portrait of Joris Vezeleer, copy after Joos van Cleve, after c. 1518

Background image1518 Collection: Willem VI, Jacoba van Beieren, Filips de Goede and Karel de Stoute

Willem VI, Jacoba van Beieren, Filips de Goede and Karel de Stoute. Jacob Cornelisz van Oostsanen, 1518

Background image1518 Collection: Saint Francis (recto), Dead Christ (verso)

Saint Francis (recto), Dead Christ (verso); Pontormo (Jacopo Carucci), Italian (Florentine), 1494 - 1557; about 1517 - 1518; Black chalk (recto); black chalk with some white chalk heightening (verso)

Background image1518 Collection: Study of a Nude Boy, Partial Figure Study (recto), Study of a S

Study of a Nude Boy, Partial Figure Study (recto), Study of a Seated Man (verso); Pontormo (Jacopo Carucci), Italian (Florentine), 1494 - 1557; Italy, Europe; 1518; Red and white chalk (recto); red

Background image1518 Collection: Portrait of Anton Rem

Portrait of Anton Rem; Hans Schwarz, German, about 1492 - after 1521; about 1518; Black chalk; 23.8 x 18.8 cm (9 3/8 x 7 3/8 in.)

Background image1518 Collection: Jacopo Tintoretto, Susanna, Italian, 1518-1594, c. 1575, oil on canvas

Jacopo Tintoretto, Susanna, Italian, 1518-1594, c. 1575, oil on canvas

Background image1518 Collection: Jacopo Tintoretto, The Worship of the Golden Calf, Italian, 1518-1594, c

Jacopo Tintoretto, The Worship of the Golden Calf, Italian, 1518-1594, c. 1560, oil on canvas

Background image1518 Collection: Jacopo Tintoretto, Doge Alvise Mocenigo and Family before the Madonna and Child, Italian

Jacopo Tintoretto, Doge Alvise Mocenigo and Family before the Madonna and Child, Italian, 1518-1594, probably 1573, oil on canvas

Background image1518 Collection: Jacopo Tintoretto, Portrait of a Man as Saint George, Italian, 1518-1594, 1540-1550

Jacopo Tintoretto, Portrait of a Man as Saint George, Italian, 1518-1594, 1540-1550, oil on canvas

Background image1518 Collection: Niklaus Manuel I, The Wise Virgin, Swiss, c. 1484-1530, 1518, woodcut

Niklaus Manuel I, The Wise Virgin, Swiss, c. 1484-1530, 1518, woodcut

Background image1518 Collection: LUTHER ANNIVERSARY, 1518. German broadside, 1518, commemorating the first anniversary

LUTHER ANNIVERSARY, 1518. German broadside, 1518, commemorating the first anniversary of the nailing of Martin Luthers 95 Theses on the door of All Saints Church at Wittenberg, Germany

Background image1518 Collection: THE VIEW OF UTOPIA. Woodcut, probably by Ambrosius Holbein, from Sir Thomas Mores Utopia

THE VIEW OF UTOPIA. Woodcut, probably by Ambrosius Holbein, from Sir Thomas Mores Utopia, Basel, Switzerland, 1518

Background image1518 Collection: PRINTERs DEVICE, 1518. Device used by Ludovicus Hornken, Cologne, Germany, 1518

PRINTERs DEVICE, 1518. Device used by Ludovicus Hornken, Cologne, Germany, 1518

Background image1518 Collection: HENRY VIII (1491-1547). King of England, 1509-1547

HENRY VIII (1491-1547). King of England, 1509-1547. Letter from King Henry VIII of England to Thomas Cardinal Wolsey, thanking him for his devotion to the Kings business and ending

Background image1518 Collection: L Homme Phlebotomique. Woodcut from Godards Heures, Paris, France, 1518

L Homme Phlebotomique. Woodcut from Godards Heures, Paris, France, 1518
BLOODLETTING, 1518. L Homme Phlebotomique. Woodcut from Godards Heures, Paris, France, 1518

Background image1518 Collection: portrait of Maximilian I, Holy Roman Emperor, dated 1518, is by Albrecht Durer (1471

portrait of Maximilian I, Holy Roman Emperor, dated 1518, is by Albrecht Durer (1471 - 1528

Background image1518 Collection: Plan of the island of Utopia. From Thomas Moores work depicting an ideal state

Plan of the island of Utopia. From Thomas Moores work depicting an ideal state where reason ruled, Utopia 1518 (Ist edition 1516) Woodcut

Background image1518 Collection: Headpiece from Thomas Moores work depicting an ideal state where reason ruled

Headpiece from Thomas Moores work depicting an ideal state where reason ruled, Utopia 1518 (Ist edition 1516) showing More in discussion with Raphael Hythlodaeus (Hythloday)

Background image1518 Collection: Saint Louis (Louis IX of France) disembarking at Carthage during his second (the

Saint Louis (Louis IX of France) disembarking at Carthage during his second (the Eighth) crusade 1270. Woodcut from Passaiges d oultremer 1518

Background image1518 Collection: Portrait of Jan III Sobieski, c. 1685 Jan Sobieski (1518 - 1564) King of Poland

Portrait of Jan III Sobieski, c. 1685 Jan Sobieski (1518 - 1564) King of Poland and Grand Duke of Lithuania (1699 - 1699)

Background image1518 Collection: Ambrosius Holbein (c. 1494 - c. 1519) German, Swiss artist. Portrait of a young man, 1518

Ambrosius Holbein (c. 1494 - c. 1519) German, Swiss artist. Portrait of a young man, 1518

Background image1518 Collection: Johannes Stoeffler or Stofler (1452-1531) German mathematician, astronomer, astrologer

Johannes Stoeffler or Stofler (1452-1531) German mathematician, astronomer, astrologer, instrument maker and teacher. Professor of mathematics and astronomy at Tubingen from 1507. Died of plague

Background image1518 Collection: Tintoretto, Jacopo Robusti, Called

Tintoretto, Jacopo Robusti, Called
TINTORETTO, Jacopo Robusti, called Il (1518-1594). The Entrance of Philip II in Mantua. Francesco Gonzaga gave the

Background image1518 Collection: Lion Doorknocker

Lion Doorknocker
LINCOLNs INN gateway was built in 1518 and bears the arms of Sir Thomas Lovell. The INN itself dates from the early 1300s : One of the lion doorknockers. Date: 1930s

Background image1518 Collection: Antoine De Bourbon

Antoine De Bourbon
ANTOINE DE BOURBON duc de Vendome, married Jeanne d Albret de Navarre and thus became king of Navarre, father of Henri IV. Date: 1518 - 1562

Background image1518 Collection: ADORATION OF THE CHILD. Wood, 1518-20, by Correggio

ADORATION OF THE CHILD. Wood, 1518-20, by Correggio

Background image1518 Collection: EXPL2A-00077

EXPL2A-00077
Cortes scuttling his ships to cut off any chance of his mens retreat after landing in Mexico, 1518. Printed color lithograph of a 19th-century illustration

Background image1518 Collection: Montezuma & Dream 1518

Montezuma & Dream 1518
Montezuma is told of a labourers dream which predicts the calamaties to come

Background image1518 Collection: Spanish Cross Sierra

Spanish Cross Sierra
After landing in Mexico the Conquistadors cross the Sierra

Background image1518 Collection: LINCOLNs INN GATE / 1939

LINCOLNs INN GATE / 1939
LINCOLNs INN gateway was built in 1518 and bears the arms of Sir Thomas Lovell. The INN itself dates from the early 1300s

Background image1518 Collection: Tintoretto / Marcenay / Self

Tintoretto / Marcenay / Self
TINTORETTO alias JACOPO ROBUSTI Italian painter

Background image1518 Collection: Gian Giac. Trivulzio

Gian Giac. Trivulzio
GIAN GIACOMO TRIVULZIO Italian soldier in French service

Background image1518 Collection: Paule De Viguier / Page

Paule De Viguier / Page
PAULE DE VIGUIER LA BELLE Lady of Toulouse, so beautiful that the city fathers passed a law requiring her to go out once a day

Background image1518 Collection: Cortes Receives Tribute

Cortes Receives Tribute
Cortes receives tribute from the Aztecs after the initial Spanish victory

Background image1518 Collection: C16 Music Academy

C16 Music Academy
The academy of Franchino Gaforio (1451 - 1522) showing his theory of harmony linking music and geometry; his banner translates as Harmony is discordant concord

Background image1518 Collection: Mores Utopia

Mores Utopia
The imaginary island of UTOPIA, as described by Sir Thomas More

Background image1518 Collection: Food and Drink / Cooking

Food and Drink / Cooking
Woodcut from 1518, showing an interior of a kitchen

Background image1518 Collection: 16th Century Kitchen

16th Century Kitchen
Interior of a 16th Century kitchen

Background image1518 Collection: Conrad Wolffhart

Conrad Wolffhart
CONRAD WOLFFHART Swiss churchman and philologist, known as LYCOSTHENES, whose encyclopedic book on prodigies is a classic of its kind

Background image1518 Collection: Joan of Arc on Banner

Joan of Arc on Banner
JOAN OF ARC Portrayed on a banner reputedly presented to the city of Orleans by Francois I in around 1518



All Professionally Made to Order for Quick Shipping

In the year 1518, a multitude of artistic and historical events unfolded, leaving an indelible mark on the cultural landscape. Renowned painter Tintoretto, born Jacopo Robusti in 1518, would later become one of the most influential figures in Venetian art during the Renaissance. Meanwhile, Sir Thomas More's groundbreaking work "Utopia" was published that same year. Its vivid depiction of an ideal society captivated readers with its colored woodcut illustrations showcasing The View of Utopia. This third edition also featured British Coats of Arms and Eliz Ctess Shrewsbury's contribution. The religious realm experienced significant developments as well. Martin Luther and Cajetan engaged in a pivotal debate that would shape the course of Christianity forever. In Amsterdam, Jacob Cornelisz van Oostsanen depicted The Host Miracle - a profound event that captured the imagination and devotion of believers. Diego Velazquez de Cuellar left his mark on history through his remarkable achievements as both a conquistador and explorer during this transformative period. His legacy continues to inspire generations to come. The theatrical arts flourished too; Titus Maccius Plautus' play "The Host, " performed in 1518, showcased vibrant colors that brought its narrative to life on stage. Similarly, Terence's engraving from ancient times was given new vibrancy through coloring techniques. Lastly, Raphael's masterpiece La belle jardiniere or Madonna and Child exemplified his exceptional talent as an artist during this era characterized by great creativity and innovation. All these diverse events from 1518 remind us how this particular year became a melting pot for artistic expression across various mediums – painting, literature, theater – each contributing their own unique brushstroke to humanity's collective canvas.