1512 1515 Collection

Der Weisskunig Storming Nantes 1512-1515 Hans Burgkmair
Der Weisskunig: The Storming of Nantes, 1512-1515. Hans Burgkmair (German, 1473-1531). Woodcut; sheet: 23.2 x 19.7 cm (9 1/8 x 7 3/4 in.); image: 21.7 x 19.7 cm (8 9/16 x 7 3/4 in.)

Der Weisskunig White King Siege Padua 1512-1515
Der Weisskunig: Der Weisskunig (The White King): The Siege of Padua, 1512-1515. Hans Burgkmair (German, 1473-1531). Woodcut

Chateau de Chaumont Set 1512-1515 France Lyon
Chateau de Chaumont Set, 1512-1515. France, Lyon(?), early 16th century. Silk and wool; tapestry weave; average: 321.8 x 452 cm (126 11/16 x 177 15/16 in.)

Youth Chateau de Chaumont Set 1512-1515 France
Youth (From Chateau de Chaumont Set), 1512-1515. France, Lyon(?), early 16th century. Silk and wool; tapestry weave; overall: 321.8 x 452 cm (126 11/16 x 177 15/16 in.)

Time Chateau de Chaumont Set 1512-1515 France
Time (From Chateau de Chaumont Set), 1512-1515. France, Lyon(?), early 16th century. Silk and wool; tapestry weave; overall: 326.6 x 434.1 cm (128 9/16 x 170 7/8 in.)

Triumph Eternity Chateau de Chaumont Set 1512-1515
The Triumph of Eternity (From Chateau de Chaumont Set), 1512-1515. France, Lyon(?), early 16th century. Silk and wool; tapestry weave; overall: 319.3 x 377.6 cm (125 11/16 x 148 11/16 in.)

French early 16th century, Obliterate the Trace of the Pot in the Ashes, c
French early 16th century, " Obliterate the Trace of the Pot in the Ashes", c. 1512-1515, pen and brown ink with watercolor, heightened with gold on laid paper

French early 16th century, Do Not Break the Crown, c. 1512-1515, pen
French early 16th century, " Do Not Break the Crown" [fol. 43 recto], c. 1512-1515, pen and black ink on laid paper

French early 16th century, Do Not Poke the Fire with a Sword, c. 1512-1515
French early 16th century, " Do Not Poke the Fire with a Sword", c. 1512-1515, pen and gray ink on laid paper

French early 16th century, Do Not Eat Your Heart out, c. 1512-1515, pen
French early 16th century, " Do Not Eat Your Heart out", c. 1512-1515, pen and brown ink with watercolor on laid paper

French early 16th century, Friendship Is Equality;A Friend Is Another Self"
French early 16th century, " Friendship Is Equality; A Friend Is Another Self" [fol. 10 recto], c. 1512-1515, pen and brown ink with brown wash on laid paper

French early 16th century, The Statue of Opportunity and the Passer-by, c. 1512-1515, pen and brown ink with watercolor on laid paper

French early 16th century, Do Not Sit on the Grain Measure [fol. 12 recto], c
French early 16th century, " Do Not Sit on the Grain Measure" [fol. 12 recto], c. 1512-1515, pen and brown ink on laid paper

French early 16th century, Do Not Give Your Right Hand to All and Sundry [fol
French early 16th century, " Do Not Give Your Right Hand to All and Sundry" [fol. 13 recto], c. 1512-1515, pen and brown ink on laid paper

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"Exploring the Artistic Journey: 1512-1515" Step back in time to the early 16th century, where history and art intertwine. From Der Weisskunig storming Nantes in 1512-1515 to Hans Burgkmair's captivating illustrations, this period was filled with remarkable events and artistic masterpieces. One such masterpiece is Der Weisskunig White King Siege Padua, a depiction of an intense battle that took place during those years. The artist's skillful brushstrokes bring the scene to life, immersing us in the chaos and bravery of that moment. Travel further into France, where Chateau de Chaumont became a setting for various intriguing stories. Set between 1512-1515, it witnessed both youthfulness and passing time. The walls whispered tales of triumphs and eternity as they stood witness to countless events unfolding within its grand halls. As we delve deeper into French art from this era, Albrecht Altdorfer's Knight in Armour with Bread and Wine catches our attention. This painting portrays strength combined with simple pleasures—a reminder that even amidst battles, one can find solace in small moments of joy. The French artists of that time also left behind thought-provoking messages through their work. "Obliterate the Trace of the Pot in the Ashes" urges us not to dwell on past mistakes but instead focus on moving forward towards brighter futures. Intriguingly titled pieces like "Do Not Break the Crown, " "Do Not Poke the Fire with a Sword, " and "Do Not Eat Your Heart out" invite contemplation about human nature—reminders not to succumb to destructive behaviors but rather seek harmony within ourselves and others. Lastly, we encounter a profound message encapsulated by an unknown French artist: "Friendship Is Equality; A Friend Is Another Self. " In these words lies timeless wisdom, reminding us of the importance of genuine connections and treating others as equals.