1503 Collection (page 4)

Israhel van Meckenem after Martin Schongauer (German, c. 1445 - 1503), Virgin and Child in a Courtyard, engraving

Israhel van Meckenem after Martin Schongauer (German, c. 1445 - 1503), Saint Lawrence, c. 1480-1490, engraving

Israhel van Meckenem after Master of the Housebook (German, c. 1445 - 1503), Saint Christopher, c. 1480-1490, engraving

Parmigianino (Italian, 1503 - 1540), Lucretia, probably c. 1539, watercolor heightened with white over black chalk

Parmigianino (Italian, 1503 - 1540), Jael and Cisera?, c. 1524-1527, red chalk on thin laid paper

The virgin, child and St. John, Parmigianino, 1503-1540, Date Created between ca.1520 and 1700, chiaroscuro woodcut, color, 5 cm x 2 cm

The holy family with St. Margaret and a bishop, Trento, Antonio da, approximately 1508-approximately 1550, artist, Vicentino, Giuseppe Niccolo, approximately 1510-, Parmigianino, 1503-1540

The sacrifice of Abraham, between ca. 1520 and 1700, Parmigianino, 1503-1540

The Virgin in an oval, between ca. 1520 and 1700, Parmigianino, 1503-1540

Diana hunting the stag, between 1530 and 1550. Trento, Antonio da, approximately 1508-approximately 1550, artist, Parmigianino, 1503-1540

The sacrifice, between ca. 1520 and 1700, Parmigianino, 1503-1540

The philosopher Diogenes and the allegory of astronomy, between 1530 and 1550. Trento, Antonio da, approximately 1508-approximately 1550, artist, Parmigianino, 1503-1540

The philosopher, between 1530 and 1550. Trento, Antonio da, approximately 1508-approximately 1550, artist. Parmigianino, 1503-1540

St. John, Trento, Antonio da, approximately 1508-approximately 1550, artist, Parmigianino, 1503-1540. chiaroscuro woodcut, Print showing Saint John carrying a goblet

Jason returning with the golden fleece / a [monogram of Andrea Andreani, approximately 1560-1623] in Mantoua 160, Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540

Temperance / a [monogram of Andrea Andreani], between 1540 and 1560. Vicentino, Giuseppe Niccolo, approximately 1510-, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

The adoration of the Magi / a [monogram of Andrea Andreani] MDCV. Vicentino, Giuseppe Niccolo, approximately 1510-, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

Circe, dating from between 1500 and 1530, Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540. Andreani, Andrea, approximately 1560-1623

Nymphs bathing / a [monogram of Andrea Andreani], between 1500 and 1530, printed 1605. Carpi, Ugo da, 1480-approximately 1532, artist, Parmigianino, 1503-1540

St. Cecilia / a [monogram of Andrea Andreani], between 1530 and 1550. Trento, Antonio da, approximately 1508-approximately 1550, artist, Parmigianino, 1503-1540

Mauro Oddi (Italian, 1639-1702) after Parmigianino (aka Francesco Mazzola, Italian, 1503 - 1540). Adoration of the Shepherds, 1664. Etching

Antonio da Trento (Italian, ca. 1510 - ca. 1550) after Parmigianino (aka Francesco Mazzola, Italian, 1503 - 1540). Holy Family in an Oval (The Virgin and Child with the Infant St. John), ca

Andrea Andreani (Italian, 1558 / 1559a'1629) after Parmigianino (Italian, 1503 - 1540)
Andrea Andreani (Italian, 1558/1559a'1629) after Parmigianino (Italian, 1503 - 1540). Circe Offering Drink to Ulysses Companions, ca. 1602

Studies of the Madonna and Child (recto), Studies of the Madonna and Child and of an Architectural Detail (verso); Parmigianino (Francesco Mazzola), Italian, 1503 - 1540; Italy

Figure Study; Parmigianino (Francesco Mazzola), Italian, 1503 - 1540; 1526 - 1527; Pen and brown ink, brown wash, with white gouache heightening; 21.6 x 24.3 cm (8 1/2 x 9 9/16 in.)

Study of the Good Thief; Albrecht Durer, German, 1471 - 1528; about 1503 - 1505; Pen and brown ink; 26.8 x 12.7 cm (10 9/16 x 5 in.)

Studies for the Christ Child with a Lamb (recto), Head of an Old Man, and Studies of Machinery (verso); Leonardo da Vinci, Italian, 1452 - 1519; Italy, Europe; about 1503 - 1506; Black chalk

Studies of Saints John the Baptist and Jerome, a Crucifix, and Various Heads (recto), Studies of the Christ Child, a Crucifix, and a Dog (verso); Parmigianino (Francesco Mazzola), Italian

Study of Jealousy; Agnolo Bronzino, Italian, 1503 - 1572; Italy, Europe; about 1545; Black chalk; 16.2 x 11.9 cm (6 3/8 x 4 11/16 in.)

Reclining Youth; Ascribed to Pontormo (Jacopo Carucci), Italian (Florentine), 1494 - 1557, ( Agnolo Bronzino ? ), Italian, 1503 - 1572; about 1525; Black chalk; 15.7 x 27.5 cm (6 3/16 x 10 13/16 in.)

Study of a mans right hand (recto), Studies of four heads and of a nude figure seen from the rear (verso); Agnolo Bronzino, Italian, 1503 - 1572; Italy

Two Studies for a Holy Family; Parmigianino (Francesco Mazzola), Italian, 1503 - 1540; Italy, Europe; 1526; Pen and brown ink, brush with brown wash, over red chalk

Agnolo Bronzino, The Holy Family, Italian, 1503-1572, c. 1527-1528, oil on panel

Alvise Vivarini, Portrait of a Man, Italian, 1442-1453-1503-1505, c. 1495, oil on panel

Alvise Vivarini, Saint Jerome Reading, Italian, 1442-1453-1503-1505, c. 1476, tempera on panel

Parmigianino (Italian, 1503-1540), The Entombment, c. 1530, etching and drypoint [second version]

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In the year 1503, a world of artistic brilliance and historical events unfolded. Ludwig Van Beethoven was born, destined to become one of the greatest composers in history. Meanwhile, on the opulent Titanic, passengers indulged in knowledge within its luxurious reading room. Across Europe, Thomas Wyatt and Holbein left their mark with their artistic prowess. In France, Michel de Notre Dame - known as Nostradamus - began his journey towards becoming a renowned seer. Raphael's masterpiece "The Mond Crucifixion" graced the art scene while Charles V ruled over vast territories during this time of 16th-century astronomy discoveries. Amidst these cultural achievements, tragedy struck when lifeboats were desperately launched from the ill-fated Titanic. In another corner of Europe, whispers spread about a pope and son being poisoned while Pope Alex VI received rewards for his service. Agnolo Bronzino immortalized Eleonora di Toledo through his captivating brushstrokes in an oil painting that would stand the test of time. And amidst all these happenings, Nostradamus diligently wrote down prophecies that would captivate generations to come. The year 1503 serves as a reminder that history is not just dates but a tapestry woven by remarkable individuals and extraordinary events.