1480 1490 Collection

Censer 1480-1490 Martin Schongauer German 1450-1491
A Censer, c. 1480-1490. Martin Schongauer (German, c.1450-1491). Engraving; sheet: 26.3 x 21 cm (10 3/8 x 8 1/4 in.)

German 15th Century, Saint Bartholomew, 1480-1490, woodcut, hand-colored in blue, red lake, green, yellow, white, orange, and silver or gold

German 15th Century, Saint Peter, 1480-1490, woodcut, hand-colored in orange-red lake, green, yellow, blue, gold, and orange

German 15th Century, Saint John on the Island of Patmos, 1480-1490, woodcut in brown, hand-colored in red lake, yellow, blue, green, tan, gold, and red-orange

German 15th Century, The Voyage of Saint Ursula, 1480-1490, woodcut in brown, hand-colored in red lake, green, blue, yellow, tan, gold, and orange

German 15th Century, Beheading of Saint Catherine, 1480-1490, woodcut, hand-colored in orange, yellow, blue-green, blue, and rose

German 15th Century, The Lamentation, c. 1480-1490, woodcut in dark brown, hand-colored in red-lake, blue, green, yellow, tan, gold, and orange

German 15th Century, Martyrdom of Saint Barbara, 1480-1490, woodcut in brown, hand-colored in red lake, green, blue, yellow, gold, and orange

German 15th Century, The Martyrdom of Saint Barbara, c. 1480-1490, woodcut in lt. brown, hand-colored in red lake, green, blue, yellow, rose, gold, and orange

German 15th Century, A Monk with an Angel, 1480-1490, woodcut, hand-colored in red, olive-gray, light green, olive, blue, yellow, and pink

German 15th Century, Madonna and Child Seated on a Grassy Bank with Angels, 1480-1490, woodcut in dark brown, hand-colored in light red lake, dark blue, green, brown, gold, and orange

German 15th Century, Ecce Homo, c. 1480-1490, woodcut, hand-colored in green, brown, lt. yellow, blue, red, and gold

Israhel van Meckenem after Martin Schongauer (German, c. 1445 - 1503), Saint Lawrence, c. 1480-1490, engraving

Israhel van Meckenem after Master of the Housebook (German, c. 1445 - 1503), Saint Christopher, c. 1480-1490, engraving

Master bg (German, active c. 1470-1490), Arms of Rohrbach and Holzhausen, c. 1480-1490, engraving

Master WH after Martin Schongauer (German, active fourth quarter 15th century), The Apostle Simon, c. 1480-1490, engraving

German 15th Century, Saint Maurice, c. 1480-1490, engraving, hand-colored

Master i. e. (German, active c. 1480-1500), Saint John the Evangelist, c. 1480-1490
Master i.e. (German, active c. 1480-1500), Saint John the Evangelist, c. 1480-1490, engraving

German 15th Century, The Marriage of the Virgin, 1480-1490, woodcut, hand-colored in red lake, rose, blue, green, yellow, black, gold, and orange

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"Exploring the Artistic Treasures of 1480-1490: A Glimpse into German Renaissance" Step back in time to the late 15th century, where Martin Schongauer, a renowned German artist, left an indelible mark on art history. His censer from 1480-1490 stands as a testament to his mastery and attention to detail. In this era, woodcuts emerged as a popular medium for artistic expression. Saint Bartholomew, hand-colored in serene blue hues, showcases the delicate craftsmanship of the German artists during this period. Similarly, Saint Peter comes alive with vibrant orange-red lake tones that captivate viewers' eyes. The Voyage of Saint Ursula takes us on an enchanting journey through its brown-toned woodcut. This masterpiece is further enhanced by meticulous hand-coloring that adds depth and richness to every scene depicted. Witness the dramatic Beheading of Saint Catherine captured in a hauntingly beautiful woodcut from 1480-1490. The intricate details and skillful coloring bring forth both sorrow and awe-inspiring reverence for these religious narratives. The Lamentation transports us to moments of grief and reflection with its dark brown woodcut technique subtly highlighted by careful hand-coloring. It serves as a poignant reminder of human suffering amidst divine grace. Delve deeper into martyrdom with The Martyrdom of Saint Barbara - another stunning example showcasing the technical prowess prevalent during this period. Its earthy brown tones combined with delicate brushstrokes create an atmosphere filled with solemnity and devotion. A Monk with an Angel offers solace through its red-hued woodcut depicting spiritual guidance within monastic life—a testament to faith's importance during these transformative years. Israhel van Meckenem's Coat of Arms with Lion represents heraldry's significance during this era—an emblematic symbol reflecting social status or family lineage intricately etched onto metal plates.