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1450 1516 Collection

In the year 1450, a new era of artistic expression began to unfold. It was a time when creativity knew no bounds and imagination ran wild on canvas

Background image1450 1516 Collection: The Temptation of Saint Anthony (Triptych). Detail, c. 1500. Creator: Bosch, Hieronymus (c)

The Temptation of Saint Anthony (Triptych). Detail, c. 1500. Creator: Bosch, Hieronymus (c. 1450-1516)
The Temptation of Saint Anthony (Triptych). Detail, c. 1500. Found in the collection of the Museu Nacional de Arte Antiga, Lisbon

Background image1450 1516 Collection: The Temptation of Saint Anthony (Triptych). Detail, c. 1500. Creator: Bosch, Hieronymus (c)

The Temptation of Saint Anthony (Triptych). Detail, c. 1500. Creator: Bosch, Hieronymus (c. 1450-1516)
The Temptation of Saint Anthony (Triptych). Detail, c. 1500. Found in the collection of the Museu Nacional de Arte Antiga, Lisbon

Background image1450 1516 Collection: The Temptation of Saint Anthony (Triptych), c. 1500. Creator: Bosch, Hieronymus (c. 1450-1516)

The Temptation of Saint Anthony (Triptych), c. 1500. Creator: Bosch, Hieronymus (c. 1450-1516)
The Temptation of Saint Anthony (Triptych), c. 1500. Found in the collection of the Museu Nacional de Arte Antiga, Lisbon

Background image1450 1516 Collection: The Tree Man, c. 1505 (brown ink on paper)

The Tree Man, c. 1505 (brown ink on paper)
7425490 The Tree Man, c. 1505 (brown ink on paper) by Bosch, Hieronymus (c.1450-1516); Albertina Museum, Vienna, Austria; Photo © Fine Art Images

Background image1450 1516 Collection: The Paradise, The creation of Adam and Eve (Left panel of The Garden of Earthly Delights)

The Paradise, The creation of Adam and Eve (Left panel of The Garden of Earthly Delights), 1503-1504 (oil on panel)
JLJ4596516 The Paradise, The creation of Adam and Eve (Left panel of The Garden of Earthly Delights), 1503-1504 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid

Background image1450 1516 Collection: The Garden of Earthly Delights. Central panel: the lovers savoring the fruits

The Garden of Earthly Delights. Central panel: the lovers savoring the fruits, 1503-1504 (oil on panel)
JLJ4651306 The Garden of Earthly Delights. Central panel: the lovers savoring the fruits, 1503-1504 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid

Background image1450 1516 Collection: The Garden of Earthly Delights, 1503-1504 (oil on panel)

The Garden of Earthly Delights, 1503-1504 (oil on panel)
JLJ4651305 The Garden of Earthly Delights, 1503-1504 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid, Spain; (add.info.: The Garden of Earthly Delights)

Background image1450 1516 Collection: Temptation of St Anthony, 1500-1700 (pen and brown ink and wash with some grey wash on paper)

Temptation of St Anthony, 1500-1700 (pen and brown ink and wash with some grey wash on paper)
7308224 Temptation of St Anthony, 1500-1700 (pen and brown ink and wash with some grey wash on paper) by Bosch, Hieronymus (c.1450-1516); 16.3x18.4 cm; Ashmolean Museum, University of Oxford

Background image1450 1516 Collection: The Christ holding his Cross, The way to Calvary, 1490

The Christ holding his Cross, The way to Calvary, 1490
AIS5384864 The Christ holding his Cross, The way to Calvary, 1490 by Bosch, Hieronymus (c.1450-1516); Kunsthistorisches Museum, Vienna, Austria; © Iberfoto

Background image1450 1516 Collection: Anger. Detail of The Seven Deadly Sins and the Four Last Things (oil on panel, 1475-1480)

Anger. Detail of The Seven Deadly Sins and the Four Last Things (oil on panel, 1475-1480)
LRI4602859 Anger. Detail of The Seven Deadly Sins and the Four Last Things (oil on panel, 1475-1480) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid

Background image1450 1516 Collection: The Extraction of the Stone of Madness (Cutting the Stone or The Cure of Folly) - Painting

The Extraction of the Stone of Madness (Cutting the Stone or The Cure of Folly) - Painting, 1475-1480
LRI4602862 The Extraction of the Stone of Madness (Cutting the Stone or The Cure of Folly) - Painting, 1475-1480 by Bosch, Hieronymus (c.1450-1516); Prado, Madrid

Background image1450 1516 Collection: Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of)

Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of the Magi altarpiece), c
1448877 Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of the Magi altarpiece), c.1510 (panel) (detail of 71398) by Bosch, Hieronymus (c.1450-1516); Prado

Background image1450 1516 Collection: Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of)

Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of the Magi altarpiece), c
1448876 Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of the Magi altarpiece), c.1510 (panel) (detail of 71398) by Bosch, Hieronymus (c.1450-1516); Prado

Background image1450 1516 Collection: Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of)

Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of the Magi altarpiece), c
1448878 Detail of The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of the Magi altarpiece), c.1510 (panel) (detail of 71398) by Bosch, Hieronymus (c.1450-1516); Prado

Background image1450 1516 Collection: Christ carrying the Cross - Peinture de Hieronymus (Jerome, Jheronimus) Bosch (c)

Christ carrying the Cross - Peinture de Hieronymus (Jerome, Jheronimus) Bosch (c)
FIA5397725 Christ carrying the Cross - Peinture de Hieronymus (Jerome, Jheronimus) Bosch (c. 1450-1516) - 1515-1516 - Oil on wood - 76, 7x83, 5 - Museum voor Schone Kunsten, Ghent by Bosch

Background image1450 1516 Collection: Triptych of temptations, detail. Left side: the flight and fall of Saint Anthony the Great

Triptych of temptations, detail. Left side: the flight and fall of Saint Anthony the Great
LRI4662761 Triptych of temptations, detail. Left side: the flight and fall of Saint Anthony the Great (or Saint Anthony the Hermit or Saint Anthony the Abbe)

Background image1450 1516 Collection: The hay tryptic: infernal constructions. Right interior panel

The hay tryptic: infernal constructions. Right interior panel. Painting on wood by Hieronymus Van Aeken (Aken)
LRI4602842 The hay tryptic: infernal constructions. Right interior panel. Painting on wood by Hieronymus Van Aeken (Aken) dit Jerome Bosch (1450-1516) 1500-1502 Dim

Background image1450 1516 Collection: 102-0002834 / 1 The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of)

102-0002834 / 1 The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of the Magi altarpiece)
IND71398 102-0002834/1 The Legend of the Mass of St. Gregory, (closed outside panels of the Adoration of the Magi altarpiece), c.1510 (panel) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid

Background image1450 1516 Collection: Tryptic of the Last Judgement, central panel, c. 1504 (painting on wood)

Tryptic of the Last Judgement, central panel, c. 1504 (painting on wood)
LRI4651230 Tryptic of the Last Judgement, central panel, c.1504 (painting on wood) by Bosch, Hieronymus (c.1450-1516); 127x163 cm; Gemaldegalerie der Bildenden Kunste, Vienna

Background image1450 1516 Collection: Portrait of Hieronymus Bosch, c. ÔÇë1450-1516, 1817 (etching)

Portrait of Hieronymus Bosch, c. ÔÇë1450-1516, 1817 (etching)
7236189 Portrait of Hieronymus Bosch, c.ÔÇë1450-1516, 1817 (etching) by Girtin, James (John) (c.1780-after 1820); Private Collection; (add.info.: Portrait of Hieronymus Bosch, c.ÔÇë1450-1516)

Background image1450 1516 Collection: Portrait of Hieronymus Bosch, 1572 (engraving)

Portrait of Hieronymus Bosch, 1572 (engraving)
6620786 Portrait of Hieronymus Bosch, 1572 (engraving) by Bosch, Hieronymus (c.1450-1516) (after); 18.6A--12.2 cm; Rijksmuseum, Amsterdam, The Netherlands; Netherlandish, out of copyright

Background image1450 1516 Collection: The Temptation of Saint Anthony. Triptych, reverse: The Capture of Christ, 1500-1501

The Temptation of Saint Anthony. Triptych, reverse: The Capture of Christ, 1500-1501. Found in the Collection of the Museu Nacional de Arte Antiga, Lisbon

Background image1450 1516 Collection: The garden of delices. Detail of the central part of the triptych

The garden of delices. Detail of the central part of the triptych
JEB4962846 The garden of delices. Detail of the central part of the triptych, 1503-1504 (oil on canvas) by Bosch, Hieronymus (c.1450-1516); 220x195 cm; Prado, Madrid

Background image1450 1516 Collection: Saint Christopher, 1490 (oil on panel)

Saint Christopher, 1490 (oil on panel)
FIA4712795 Saint Christopher, 1490 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Museum Boijmans Van Beuningen, Rotterdam, Netherlands; Photo eFine Art Images; Netherlandish, out of copyright

Background image1450 1516 Collection: Triptych of the Martyrdom of Saint Liberata (right panel), c. 1500

Triptych of the Martyrdom of Saint Liberata (right panel), c. 1500. Found in the Collection of Palazzo Ducale, Venice

Background image1450 1516 Collection: Triptych of the Martyrdom of Saint Liberata (central panel), c. 1500

Triptych of the Martyrdom of Saint Liberata (central panel), c. 1500. Found in the Collection of Palazzo Ducale, Venice

Background image1450 1516 Collection: Triptych of the Martyrdom of Saint Liberata, c. 1500

Triptych of the Martyrdom of Saint Liberata, c. 1500. Found in the Collection of Palazzo Ducale, Venice

Background image1450 1516 Collection: Triptych of the Martyrdom of Saint Liberata (left panel), c. 1500

Triptych of the Martyrdom of Saint Liberata (left panel), c. 1500. Found in the Collection of Palazzo Ducale, Venice

Background image1450 1516 Collection: The Ship of Fools, ca 1490-1510

The Ship of Fools, ca 1490-1510. Found in the Collection of Muse e du Louvre, Paris

Background image1450 1516 Collection: Saint Jerome in the Wilderness, c. 1490

Saint Jerome in the Wilderness, c. 1490. Found in the Collection of Museum voor Schone Kunsten, Ghent

Background image1450 1516 Collection: Four Visions of the Hereafter (Reverse), ca. 1505-1510

Four Visions of the Hereafter (Reverse), ca. 1505-1510. Found in the Collection of Palazzo Grimani, Venice

Background image1450 1516 Collection: Child with Pinwheel and Toddler Chair. (Reverse of Christ Carrying the Cross), c. 1490

Child with Pinwheel and Toddler Chair. (Reverse of Christ Carrying the Cross), c. 1490. Found in the Collection of Art History Museum, Vienne

Background image1450 1516 Collection: Temptation St Anthony n. d Etching Prints after Hieronymus Bosch

Temptation St Anthony n. d Etching Prints after Hieronymus Bosch
Artokoloro

Background image1450 1516 Collection: Christ Way Calvary ca 1560 Engraving Prints After Hieronymus Bosch

Christ Way Calvary ca 1560 Engraving Prints After Hieronymus Bosch
Artokoloro



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In the year 1450, a new era of artistic expression began to unfold. It was a time when creativity knew no bounds and imagination ran wild on canvas. One such masterpiece that emerged during this period was "The Paradise, " an awe-inspiring depiction of heavenly bliss. But it wasn't just paradise that captivated the minds of artists; they delved into the depths of human existence as well. In "The Creation of Adam and Eve, " we witness the birth of humanity, painted with meticulous detail and vibrant colors. The left panel of "The Garden of Earthly Delights" reveals a world where lovers indulge in the pleasures offered by nature's bountiful fruits. However, not all was divine beauty and earthly delights in these artworks. Hieronymus Bosch dared to explore darker realms within his masterpieces. In "The Hell, " he unleashed nightmarish creatures upon sinners, evoking fear and introspection. Bosch's most famous work, "The Garden of Earthly Delights, " is an enigmatic triptych that continues to perplex art enthusiasts even today. Its central panel showcases lustful encounters amidst surreal landscapes while also hinting at impending doom. "The Temptation of St Anthony" further explores Bosch's fascination with grotesque imagery as he portrays demons tormenting a saintly figure through intricate pen strokes on paper. Moving away from Bosch's works but still within the realm of religious themes, we encounter another striking piece - "Tryptic Of The Last Judgement. " This three-panel painting depicts scenes from hell where monstrous beings inflict unimaginable suffering upon sinners guilty of various vices like gluttony and avarice. Finally, there is "The Christ Holding His Cross: The Way to Calvary. " Painted around 1490, this artwork captures Jesus' journey towards crucifixion with profound emotion and spiritual intensity. These artworks from 1450-1516 encapsulate the diverse range of themes and styles prevalent during this period.