1445 Collection

Slingsby T. 51 Dart 17R BSL
Slingsby T.51 Dart 17R BSL (msn 1445, BGA 1197, civil reg G-DBSL), at a regional gliding competition in the 1980s. Date: circa 1980

Slingsby T. 51 Dart 17 BSL
Slingsby T.51 Dart 17 BSL (msn 1445, BGA 1197, civil reg G-DBSL), framed by the prodigious tail of ASW-17 266, at a regional gliding competition in the 1980s. Date: circa 1980

King Henry V of England boarding Trinity at Southampton
King Henry V of England boarding the Trinity at Southampton, 10 August 1415. The king in crown, helm and suit of armor. Knights in plate armor with comical helmets

A rare Swiss pavise of wood covered with gesso painted canvas of green scrolling foliage
1764822 A rare Swiss pavise of wood covered with gesso painted canvas of green scrolling foliage design and the shields of arms of Habsburg, the League of St George, and the town of Winterthur

The Marriage of Henry VI of England and Margaret of Anjou in 1445
LSE997172 The Marriage of Henry VI of England and Margaret of Anjou in 1445, 1793 (coloured engraving) by French School, (18th century); Private Collection; (add.info)

Homme d Arme des Compagnies d Ordonnance, 1445 (coloured engraving)
2794115 Homme d Arme des Compagnies d Ordonnance, 1445 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Homme d Arme des Compagnies d Ordonnance)

Sir Hertong von Clux, 1421-c 1445 (chromolitho)
2811876 Sir Hertong von Clux, 1421-c 1445 (chromolitho) by Hope, William St John (1854-1919); Private Collection; (add.info.: Sir Hertong von Clux, 1421-c 1445)

Altarpiece of St. Mary Magdalene, detail, colored painting in tempera on wood. Representing various scenes of the life of Mary Magdalene, from the church of Santa Maria Magdalena de Perella

Death of Santa Maria Magdalena, detail of the altarpiece, colored painting in tempera on wood, representing various scenes of the life of Mary Magdalene

Altarpiece of Santa Maria Magdalena, colored painting in tempera on wood, representing various scenes of the life of Mary Magdalene, from the church of Santa Maria Magdalena of Perella

Saint John Baptist Landscape 1445 Attributed
Saint John the Baptist in a Landscape, c. 1445. Attributed to Petrus Christus (Netherlandish, c. 1410-1475/76). Oil on panel; unframed: 40.2 x 12.5 cm (15 13/16 x 4 15/16 in.); painted surface

Andreas Janos Lascaris
ANDREAS JANOS LASCARIS Greek scholar

Johann Geiler
JOHANN GEILER von Kaysersberg Swiss-born Catholic divine Date: 1445 - 1510

Warwick / Henry Beauchamp
HENRY BEAUCHAMP DUKE of WARWICK Date: 1425 - 1445

Drawings Prints, Print, Four Fathers Church, Artist, Israhel van Meckenem, Master ES
Drawings and Prints, Print, The Four Fathers of the Church, Artist, After, Israhel van Meckenem, Master ES, German, Meckenem ca. 1440/45-1503 Bocholt, German, active ca

Luca Signorelli, Italian (1445-1450-1523), Two Nude Figures [verso], c. 1500, black chalk on tan laid paper

Luca Signorelli, The Marriage of the Virgin, Italian, 1445-1450-1523, c. 1490-1491, tempera on panel

Domenico Veneziano, Italian (c. 1410-1461), Saint John in the Desert, c. 1445-1450, tempera on panel

Fra Filippo Lippi and Workshop, Italian (c. 1406-1469), The Nativity, probably c. 1445, oil and tempera (?) on panel

Fra Carnevale, Italian (active c. 1445-1484), The Annunciation, c. 1445-1450, tempera on panel

Pesellino, Italian (c. 1422-1457), The Crucifixion with Saint Jerome and Saint Francis, c. 1445-1450, tempera on panel

Israhel van Meckenem after Martin Schongauer (German, c. 1445 - 1503), Virgin and Child in a Courtyard, engraving

Israhel van Meckenem after Martin Schongauer (German, c. 1445 - 1503), Saint Lawrence, c. 1480-1490, engraving

Israhel van Meckenem after Master of the Housebook (German, c. 1445 - 1503), Saint Christopher, c. 1480-1490, engraving

Still Life with Books in a Niche, Barthelemy d Eyck, 1442 - 1445

Initial D: The Virgin and Child; Guglielmo Giraldi, Italian, active 1445 - 1489; Ferrara, Italy, Emilia-Romagna, Europe; about 1469; Tempera colors, gold paint, gold leaf

Saint Catherine of Bologna; Guglielmo Giraldi, Italian, active 1445 - 1489; Ferrara, Italy, Emilia-Romagna, Europe; about 1469; Tempera colors, gold paint, gold leaf

Saint Ossanus; Guglielmo Giraldi, Italian, active 1445 - 1489; Ferrara, Italy, Emilia-Romagna, Europe; about 1469; Tempera colors, gold paint, gold leaf

Fra Filippo Lippi, Saint Benedict Orders Saint Maurus to the Rescue of Saint Placidus, Italian, c. 1406-1469, c. 1445-1450, tempera on panel

Sano di Pietro, The Crucifixion, Italian, 1405-1481, c. 1445-1450, tempera on panel

Giovanni d Alemagna, Saint Apollonia Destroys a Pagan Idol, German, active 1441-1450, c. 1442-1445, tempera on panel

Luca Signorelli, Madonna and Child with Saints and Angels, Italian, 1445-1450-1523, mid or late 1510s, oil on panel transferred to hardboard

Michele Giambono, Saint Peter, Italian, active 1420-1462, c. 1445-1450, tempera (?) on panel

Francesco di Lorenzo Rosselli after Fra Angelico (Italian, 1445-1513 or before), The Last Judgment, c. 1480-1490, engraving

Israhel van Meckenem after Hans Holbein the Elder (German, c. 1445-1503), The Presentation of the Virgin, c. 1490-1500, engraving

Israhel van Meckenem after Master E. S. (German, c. 1445-1503), Saint Philip, c. 1470-1480
Israhel van Meckenem after Master E.S. (German, c. 1445-1503), Saint Philip, c. 1470-1480, engraving

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In the year 1445, history unfolded with a myriad of captivating events and exquisite artworks. The Slingsby T. 51 Dart 17R BSL took to the skies, showcasing its remarkable capabilities as an aircraft. Meanwhile, the Altar panel depicting St. Francis entrusting his Rule to his devoted followers, the Minor Friars and Poor Clares, served as a testament to faith and devotion. Notably, King Henry V of England embarked on a momentous journey as he boarded Trinity at Southampton. This significant event marked a turning point in history for both England and its monarch. Artistic masterpieces also emerged during this era; one such gem was the Transfiguration Altarpiece's detail featuring Jesus engaging in conversation with the Samaritan woman—a profound depiction of compassion and understanding. A rare Swiss pavise adorned with gesso painted canvas boasting intricate green scrolling foliage showcased exceptional craftsmanship from this period. The union between Henry VI of England and Margaret of Anjou in 1445 brought together two powerful dynasties, forever altering their respective kingdoms' destinies. Even military figures left their mark on this chapter: Homme d Arme des Compagnies d Ordonnance stood tall in colored engravings while Sir Hertong von Clux made his presence known through chromolitho prints—both immortalized warriors who played crucial roles during these times. Religious art flourished too; detailed paintings like the Altarpiece of St. Mary Magdalene highlighted her significance within Christianity while capturing hearts with its vibrant tempera colors on wood canvases. Lastly, we witness poignant scenes from Santa Maria Magdalena's life depicted through altarpieces that portrayed her death—an emotional portrayal rendered meticulously using tempera paints on wooden surfaces—inviting viewers into moments filled with sorrow and reflection. The year 1445 encapsulated an array of extraordinary tales—from technological advancements to royal unions, from religious devotion to military valor, and from artistic brilliance to emotional depths.