1425 Collection

Wyclif / Fox Martyrs / Burnt
JOHN WYCLIF In 1425 his body is exhumed and burnt at Lutterworth by the ecclesiastical establishment and his ashes cast into the river

Bristol 1425 double decker bus, regn. WNO483, of Eastern National (ENOC) Date: circa 1958

Saint Sebastian and Crucifixion. c. 1417-25 (tempera on wood)
CUL4934150 Saint Sebastian and Crucifixion. c.1417-25 (tempera on wood) by Mates, Joan or Juan (c.1370-1431); 243x99 cm; (add.info.: By MATES, Joan (14th century-15th century). Barcelona

England of Old 1425. Depicting soldiers in armour of the day. Artist: Meta C Whishaw Date: 1914

St. Botolphs church, Boston, Lincolnshire, better known as Boston Stump, with the River Witham in the foreground. Building began in 1309 and the tower was built 1425 - 1520. Date: 14th - 16th century

Empress Kunigunde Emperor Heinrich II front MAOEnster choir
Empress Kunigunde and Emperor Heinrich II in front of the Munster choir (left wing), Madonna with child, angels playing music and St

Bust Saint Mary formerly entitled Madonna Madonna
Bust of Saint Mary (formerly entitled Madonna), Madonna. Bust of Mary, turned slightly to the left, against a golden background. With integrated list

Virgin Child Maria sitting couch Christ child
Virgin and Child, Maria sitting on a couch with the Christ child on her lap. With integrated list. Pseudo-Ambrodigio di Baldese (attributed to), 1400 - 1425, panel

Crucifixion Saints Cosmas Damian Christ cross
Crucifixion with Saints Cosmas and Damian, Crucifixion with Saints Cosmas and Damian. Christ on the cross, on the left John, Mary, Mary Magdalene and St. Cosmas, on the right Pilate, soldiers and St

Trinity Virgin Saints John Evangelist Stephen
The Trinity with the Virgin, Saints John the Evangelist, Stephen and Lawrence and a Donor; The Peter Hemmel von Andlau Workshop (German, about 1420)

German Nobles C. 1425
Man: sleeveless, fur-lined & trimmed loose fitting garment, hose, piked shoes (cracowes) & a dagged cap. Woman: long mantle with a dagged border. Date: circa 1425

Florentine Costume C15Th
Fur-lined and edged houppelande or gown with funnel sleeves & a hood; fur- trimmed huke worn over a doublet. Both wear hose, piked shoes (cracowes) & caps. Date: circa 1425

Peter Schoffer
PETER SCHOFFER German printer Date: 1425 - 1503

Tapestry of Pastrana. Afonso V of Portugal
Tapestry of Pastrana. end 15th c. Disembarkation in Asilah of 1470. Detail of the King Afonso V of Portugal. Flemish art. Tapestry. SPAIN. CASTILE-LA MANCHA. GUADALAJARA. Pastrana

VAN EYCK, Hubert and Jan. Ghent Altarpiece
EYCK, Hubert van (1370-1426). The Ghent Altarpiece or Adoration of the Mystic Lamb. 1425-1432. BELGIUM. Ghent. Saint Bavo Cathedral. Eve, from the right wing of the Ghent Altarpiece

Pastrana Tapestries, 1471 c Disembarkation in Asilah
The Pastrana tapestries: Disembarkation in Asilah. ca. 1471 - 1475. Cloth number 1 of the series on the conquest of Asilah and Tangier in 1471 by Alfonso V of Portugal. Detail of Portuguese troops

The Annunciation, 1425-1428. Predella depicting The Birth
Fra Angelico (1387-1455). Italian Renaissance painter. The Annunciation, 1425-1428. Predella depicting The Birth of the Christ Child. Prado Museum. Madrid. Spain

Lorenzo Ghiberti (1378-1455). Gates of Paradise. Baptistery
Lorenzo Ghiberti (1378-1455). Italian artist. Gates of Paradise. Baptistery. Detail door. Meeting of Solomon and Queen of Sheba. 1425-52. Florence. Italy

Masaccio (1401-1428). Resurrection of the Son of Theophilus
Masaccio (1401-1428). Painter of the Quattrocento period of the Italian Renaissance. Resurrection of the Son of Theophilus. 1425. Fresco in the Brancacci Chapel in Santa Maria del Camine, Florence

Florentine Women C. 1425
Women of Florence wear softly flowing clothes & more natural hairstyles & headdresses than women of northern Europe. N.B chemise drawn through slashes in the sleeves & fret hair-net Date: circa 1425

German Ladies 1425
Kirtles with trains worn with a houppelande with funnel sleeves which hang in loose folds or a short gown with fitted bodice & a dagged ? mantle & girdle. Date: 1425

French Nobles of C15Th
Fur-lined and edged houppelandes or gowns with hanging sleeves worn over doublets, a pouch or bag suspended from a belt & hats with burlets. Date: circa 1425

Mens Costume of C15Th
Various social classes from farmer to judge: hose, hood with tabs, pouch suspended from belt, piked pattens & shoes (cracowes), houppelande (gown) with hanging sleeves. Date: 1425

Warwick / Henry Beauchamp
HENRY BEAUCHAMP DUKE of WARWICK Date: 1425 - 1445

Vasily I, Russian Royal
VASILY I DMITRIYEVICH, (sometimes called Vasily II) Grand Prince of Moscow (1389- 1425), son of Dmitri Donskoy Date: 1371 - 1425

Robert Gaguin - 2
ROBERT GAGUIN French historian Date: 1425 - 1501

EYCK, Hubert van (1370-1426). The Ghent Altarpiece or Adoration of the Mystic Lamb. 1425-1432. BELGIUM. Ghent. Saint Bavo Cathedral. Angel musicians. Upper left panel of the opened polyptych

Dish with representation of a deer. 1425. Traditional pottery with arabic influence. Mudejar art. Ceramics. SPAIN. MADRID (AUTONOMOUS COMMUNITY). Madrid. National Museum of Archaeology. Proc: SPAIN

Pastrana Tapestries, 1471 c Siege of Asilah
The Pastrana Tapestries: Siege of Asilah. ca. 1471 - 1475. Portuguese camp during the siege. Cloth number 2 of the series on the Conquest of Asilah and Tangier in 1471 by Alfonso V of Portugal

Alphonse V of Portugal
Alfonso V of Portugal, the African (1425-1481). King of Portugal (1438-1481). Detail in portraits of the kings of Portugal. Gothic art. Miniature Painting. SPAIN. MADRID (AUTONOMOUS COMMUNITY)

Afonso V of Portugal. Siege of Asilah, 1471
Alfonso V of Portugal, the African (1425-1481). King of Portugal (1438-1481). Detail of the King. Cloth number 2 of the series on the Conquest of Asilah and Tangier in 1471 by Alfonso V of Portugal

Giulio Pomponio Leto
GIULIO POMPONIO LETO Italian scholar Date: 1425 - 1498

Olivetan Master, Coronation of the Virgin with the Trinity and Saints, Italian, active c. 1425-c. 1450, c. 1440, miniature on vellum

French 15th Century, The Expectant Madonna with Saint Joseph, c. 1425-1450, tempera on European walnut

South German 15th Century, Christ Kneeling in Prayer, c. 1425, pen and dark brown ink with dark gray wash and white heightening on pink partially prepared paper

Florentine 15th Century, Madonna and Child, c. 1425, painted and gilded terracotta

Martyrdom of Saint Lawrence, with Two Benedictine Nuns, Jacobello del Fiore, c. 1425

Crucifixion with Saints Cosmas and Damian, Anonymous, 1425 - 1449

Cristofano Bertelli (Italian, born ca. 1525, active ca. 1550a'1600). Equestrian Portrait of Ottavio Farnese, ca. 1550-1560. Engraving. Sheet: 362 mm x 258 mm (14.25 in. x 10.16 in.)

Tile Floor; Unknown; Manises (probably), Valencia region, Spain, Europe; about 1425 - 1450; Tin-glazed earthenware; Object: 121.92 x 182.88cm (4 x 6 ft.)

Relief-Blue Jar with Rampant Lions; Unknown; Florence (probably), Tuscany, Italy, Europe; about 1425 - 1450; Tin-glazed earthenware; Object: H: 39.37 x Diam

The Flight into Egypt; Spitz Master, French, active about 1415 - 1425; Paris, France, Europe; about 1420; Tempera colors, gold, and ink on parchment; Leaf: 20.2 x 14.9 cm (7 15/16 x 5 7/8 in.)

The Deposition; Spitz Master, French, active about 1415 - 1425; Paris, France, Europe; about 1420; Tempera colors, gold, and ink on parchment; Leaf: 20.2 x 14.9 cm (7 15/16 x 5 7/8 in.)

The Four Evangelists; Spitz Master, French, active about 1415 - 1425; Paris, France, Europe; about 1420; Tempera colors, gold, and ink on parchment; Leaf: 20.2 x 14.9 cm (7 15/16 x 5 7/8 in.)

Saint Catherine Tended by Angels; Spitz Master, French, active about 1415 - 1425; Paris, France, Europe; about 1420; Tempera colors, gold

Gentile da Fabriano, The Crippled and Sick Cured at the Tomb of Saint Nicholas, Italian, c. 1370-1427, 1425, tempera on panel

Sperandio, Renaissance Building with Four Cupolas [reverse], Italian, c. 1425-1428 -c. 1504, c. 1466, bronze

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"1425: A Glimpse into the Rich Tapestry of History" Step back in time to the year 1425, where a myriad of captivating events and artistic masterpieces unfolded. Masaccio's breathtaking fresco, "Expulsion, " painted around this time, showcases his unparalleled talent and attention to detail. Meanwhile, religious turmoil erupted with the Wyclif/Fox Martyrs' tragic fate as they were burnt at the stake for their beliefs. In Bristol, a double-decker bus with registration number WNO483 hit the streets, offering a glimpse into transportation during this era. German nobles epitomized opulence and grandeur through their lavish lifestyles and extravagant attire. The renowned Florentine Costume of the 15th century took center stage as fashion became an expression of social status and cultural identity. Peter Schoffer made significant contributions to printing technology during this period, revolutionizing communication forever. The Tapestry of Pastrana depicted Afonso V of Portugal in all his regal glory while Van Eyck brothers' Ghent Altarpiece mesmerized viewers with its intricate details and vibrant colors. Traveling further in time to 1471, we witness the magnificent Pastrana Tapestries capturing moments like Disembarkation in Asilah – transporting us to distant lands filled with adventure. Artistic brilliance continued with Saint Sebastian's portrayal alongside Crucifixion by an unknown artist using tempera on wood technique. The Four Saints showcased on Quaratesi Polyptych reminded people of faith's enduring power - including Saint Mary Magdalene and Saint Nicholas of Bari. Lastly, let us not forget England's rich heritage that thrived during these times – tales from old enchanting generations with stories steeped in tradition and folklore. As we delve into these fragments from history’s tapestry that is 1425, we are transported across continents and centuries - a testament to the enduring power of art, culture, and human resilience.