1350 Collection

Nefertiti / Brunton
queen NEFERTITI wife of Pharaoh AKHENATEN (Amenhotep IV) daughter of the vizier Ay and mother of six

Gothic Architecture (engraving)
3650034 Gothic Architecture (engraving) by English School, (19th century); Private Collection; (add.info.: Gothic Architecture)

The Entry into Jerusalem (right-hand page). Addis Ababa manuscript. Ethiopia. Before 1350
ENTRY INTO JERUSALEM. The Entry into Jerusalem (right-hand page). Addis Ababa manuscript. Ethiopia. Before 1350

14th Century 1350 Black Death Blood Continent
14th, Century, 1350, Black, Death, blood, continent, death, disease, epidemic, epidemy, Europe, european, figure, handkerchief, History, hit, ill, interior, medicine, medieval, Medieval, Museum

The Black Death. 14th century. Figure of a woman hit by
The Black Death. 14th century. Epidemic that ravaged the European continent. Figure of a woman hit by plague. Medieval Museum. Stockholm. Sweden. Date:

Crucifix. C. 1350. Elmelunde Church, Denmark
Crucifix with Christ as a tormented corpse. C. 1350. Wood. From Elmelunde Church, island of Mon (Denmark). National Museum. Copenhagen. Denmark

The Seven Stars Inn, Manchester, 1906 (coloured photo)
XJF466265 The Seven Stars Inn, Manchester, 1906 (coloured photo) by English Photographer, (20th century); Private Collection; (add.info)

Very large historiated initial S, showing Saint Stephen, c. 1350-1400 (coloured inks and gold leaf on vellum)
986165 Very large historiated initial S, showing Saint Stephen, c.1350-1400 (coloured inks and gold leaf on vellum) by Gherarducci

Victoria And Albert Museum: Reliquary, in rock crystal and silver gilt, Italian, about 1350 (engraving)
6011311 Victoria And Albert Museum: Reliquary, in rock crystal and silver gilt, Italian, about 1350 (engraving) by English School, (19th century); Private Collection; (add.info.: Reliquary)

Jean le Bon, 51e roi, monte sur le trone en 1350, mort en 1364 (coloured engraving)
2799571 Jean le Bon, 51e roi, monte sur le trone en 1350, mort en 1364 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Jean le Bon, 51e roi)

Monumental Slabs (colour litho)
2796424 Monumental Slabs (colour litho) by English School, (19th century); Private Collection; (add.info.: Monumental Slabs)

Heraldry, Shields and Crest (colour litho)
2796421 Heraldry, Shields and Crest (colour litho) by English School, (19th century); Private Collection; (add.info.: Heraldry, Shields and Crest)

Jean dit le Bon, 51e roi de France, monte sur le trone en 1350, mort en 1364 (coloured engraving)
2799667 Jean dit le Bon, 51e roi de France, monte sur le trone en 1350, mort en 1364 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Jean dit le Bon)

Philippe 6 de Valois, 50e roi de France, monte sur le trone en 1328, mort en 1350 (coloured engraving)
2799665 Philippe 6 de Valois, 50e roi de France, monte sur le trone en 1328, mort en 1350 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Philippe 6 de Valois)

Chevalier, 1300 a 1350 (coloured engraving)
2794110 Chevalier, 1300 a 1350 (coloured engraving) by French School, (19th century); Private Collection; (add.info.: Chevalier, 1300 a 1350.); © Look and Learn

Incised slab, c 1350 (engraving)
3621181 Incised slab, c 1350 (engraving) by Shaw, Henry (1800-73); Private Collection; (add.info.: Incised slab, c 1350. Illustration for Dresses and Decorations (Henry G Bohn)

COMBAT DE TRENTE (battle of Thirty) wherein 30 Englishmen engaged 30 Frenchman in hand- to-hand combat at Ploermel, Bretagne Date: 1350

St. Victor and St. Corona, c. 1350, by Master for Palazzo Ven
Master of Palazzo Venezia Madonna (1340-1360). Italian painter. Saint Victor and Saint Corona, c.1350. Part of the St. Victor altarpiece at Siena Cathedral. Tempera on panel. National Museum of Art

German Costume Late C14
Man: Gipon (doublet) with side vents, girdle & dagger, hood, piked shoes, hose. Woman: ornamental fillet, loose garment with a low neckline like a surcoat but without vents. Date: circa 1350

14th Century Soldier
A French soldier of the 100 Years War, carrying the oriflamme or standard : his page holds his armoured horse

Willem V makes covenant nobles cities Willem V makes
Willem V makes a covenant with the nobles and cities Willem V makes a covenant with the nobles and cities (title on object), Count Willem V makes a covenant with the nobles and cities

Saint John Evangelist surrounded Seven Angels
Saint John the Evangelist surrounded by Seven Angels; or Cologne, Germany; about 1340 - 1350; Tempera colors, gold leaf, and ink on parchment; Leaf: 45.4 x 30.5 cm (17 7, 8 x 12 in.)

Angel Presents Christ Burial Garment Virgin Garment
An Angel Presents Christs Burial Garment to the Virgin; The Virgin Shows the Garment to Saint John; Bavaria, Germany; about 1330 - 1350; Pen and black ink, tempera colors

Combat Lance Fiore Furlan dei Liberi da Premariacco
Combat with Lance; Fiore Furlan dei Liberi da Premariacco (Italian, about 1340, 1350 - before 1450); Venice, Italy; about 1410; Tempera colors, gold leaf, silver leaf

Virgin Child Angels 1405 Spinello Aretino Italian
Virgin and Child with Angels, 1405. Spinello Aretino (Italian, 1350/52-1410). Tempera and gold on wood panel; framed: 156.5 x 70.5 x 12.5 cm (61 5/8 x 27 3/4 x 4 15/16 in.); unframed

Lion Gate. S. Xiv Bc. Greece. Peloponnese. Arcadia
Lion Gate. s.XIV BC. GREECE. PELOPONNESE. ARCADIA. Mycenae. Gate of the second stage (1350-1330 BC) located in the north of the wall with lions over the lintel. Mycenaean art. Architecture

ARETINO, Spinello di Luca Spinelli, called (1350-1410). Pope Alexander III Receives an Ambassador. 1407. ITALY. Siena. Public Palace. Detail of the soldiers of the ambassadors entourage. Gothic art

EVE SPINNING, c1350. Eve spinning with a distaff, with two children in her lap and two in a cradle, which she rocks with her feet. Fresco, c1350, from the church at Kirkerup near Roskilde, Denmark

JOHN II (1319-1364). John the Good. King of France, 1350-1364. Oil on wood panel, c1350, the earliest known royal portrait in Europe

Various Shoes / Shaw / 1350
A selection of Piked shoes with long uppers and buckled ankle straps possibly ornamented with embroidery or punched outs designs

Dmitry Donskoy (1350-1389). Colored engraving
Dmitry Donskoy (1350-1389). Grand Prince of Moscow. Engraving. Colored

Amarna Letters. 14th century BC. Clay tablets with cuneiform script, mostly written in Akkadian. Designate a file of correspondence, mostly diplomatic

Siege of Gibraltar. Archers. 1350. Colored engraving, 1852

Bartolus of Sasso Ferrato
BARTOLUS OF SASSO FERRATO (1314 - 1357) Italian jurist. Date: circa 1350

Military / Dress / 14th Cent
Armour, helmets and weapons Date: 1350 to 1460

Lion Gate. s. XIV BC. GREECE. Mycenae. Gate of the
Lion Gate. s.XIV BC. GREECE. Mycenae. Gate of the second stage (1350-1330 BC) located in the north of the wall. Lions over the lintel. Detail. Mycenaean art. Architecture

ARETINO. The Four Evangelists
ARETINO, Spinello di Luca Spinelli, called (1350-1410). The Four Evangelists. 1387. Decoration of the sacristys ceiling. Renaissance art. Trecento. Sienese school. Fresco. ITALY. TUSCANY. Florence

John 3rd Earl Salisbury
JOHN MONTACUTE, third earl of SALISBURY Date: 1350 - 1400

Triptych with the Virgin and Child, and Saints Mary Magdalene and Ansanus, Andrea di Cione Orcagna, 1350

Madonna of Humility; Guariento di Arpo, Italian, active 1338 - 1367/1370; Italy, Europe; about 1345 - 1350; Tempera and gold leaf on panel; Panel (with engaged frame): 33 x 17.1 cm (13 x 6 3/4 in.)

David with Musical Instruments; Master of Jean de Mandeville, French, active 1350 - 1370; Paris, France, Europe; about 1360 - 1370; Tempera colors, gold

David Pointing to his Eye; Master of Jean de Mandeville, French, active 1350 - 1370; Paris, France, Europe; about 1360 - 1370; Tempera colors, gold

Christ in Majesty and the Four Evangelists with their Symbols; Master of Jean de Mandeville, French, active 1350 - 1370; Paris, France, Europe; about 1360 - 1370; Tempera colors, gold

The Expulsion from Paradise; Master of Jean de Mandeville, French, active 1350 - 1370; Paris, France, Europe; about 1360 - 1370; Tempera colors, gold

The Creation of Birds and Fishes; Master of Jean de Mandeville, French, active 1350 - 1370; Paris, France, Europe; about 1360 - 1370; Tempera colors, gold

The Fool and a Demon; Master of Jean de Mandeville, French, active 1350 - 1370; Paris, France, Europe; about 1360 - 1370; Tempera colors, gold

Joseph Cast into the Well; Master of Jean de Mandeville, French, active 1350 - 1370; Paris, France, Europe; about 1360 - 1370; Tempera colors, gold

The Birth of Esau and Jacob; Master of Jean de Mandeville, French, active 1350 - 1370; Paris, France, Europe; about 1360 - 1370; Tempera colors, gold

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"Exploring the Rich History of 1350: From Nefertiti to Gothic Architecture" Step back in time to the year 1350, where history unveils fascinating tales from various corners of the world. In Ethiopia, the Addis Ababa manuscript captures our attention with its ancient wisdom and intricate illustrations, dating back before this significant year. Meanwhile, Gothic Architecture enchants us with its grandeur and precision, as seen in engravings that showcase masterpieces like "The Entry into Jerusalem. " However, not all stories from it can filled with beauty and splendor. The Black Death looms over Europe during this period, leaving a blood-stained continent grappling with devastation. Figures depicting women struck by this merciless plague serve as haunting reminders of humanity's vulnerability. Yet amidst these dark times emerge glimpses of faith and hope. A crucifix found in Elmelunde Church in Denmark stands as a testament to unwavering devotion even amid adversity—a symbol that resonates across centuries. Traveling further back through time takes us to ancient Egypt's 18th Dynasty around 1300 BC or perhaps even earlier at 1350 BC. Here we encounter captivating reliefs portraying funeral scenes—an insight into how rituals surrounding death were honored during those distant eras. As we shift our focus towards artistry, St. Victor and St. Corona come alive through a masterpiece created by the Master for Palazzo Ven around c. 1350—an exquisite representation of religious devotion captured on canvas. Venturing beyond borders brings us closer to German culture late in the fourteenth century—where costumes reflect an era rich in tradition and identity—a visual gateway into medieval life. Lastly, let's journey forward several centuries to Manchester in 1906 when The Seven Stars Inn stood proudly colored within a photograph—a snapshot capturing urban life at that momentous time.