128 Cm Collection

gentleman turned three-quarters left wearing
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Self-Portrait Age Thirty-Five 1537 Engraving
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Plate 9 Phrygian Sibyl holding top tablet left hand
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Philip Melanchthon 1540 Engraving Sheet 6 13 / 16
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gentleman walking forward right arm outstretched
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gentleman wearing plumed hat carrying sword right arm outstrestched
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Dido holding dagger right hand left arm outstreched
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gentleman standing front large castle wearing
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Resurrection Passion Christ ca 1623 Engraving
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St Matthew Christ Apostles 1519 Woodcut Sheet
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Plate 25 Amphitheater Verona Anfiteatro di Verona
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Aeneas Rescues Father Burning Troy 1627 Pen black ink
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Christ Caiaphas Passion ca 1623 Engraving sheet
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gentleman right arm outstretched cloak left shoulder
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Temptation Eve 1639 Pen brown ink wash black chalk
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gentleman head turned towards right profile wearing
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Portrait Jean-Joseph Cassanea de Mondonville
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Fortified gate Duren 1664 Etching first state
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Three Gentlemen Leaning Banister Overlooking
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Werewolf Cannibal Woodcut Sheet 6 1 / 2 5 1 / 16
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Joie de Campagne Pleasures Countryside Wiggle Much
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gentleman walking towards right cane wearing
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gentleman walking towards left drawing sword
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Zu Duren 1664 Etching first state two Sheet
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wide cup ornamental stem 1646 Etching state Sheet
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gentleman walking up parapet cloak left shoulder
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gentleman wearing short coat helmet boots spurs
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Two Rabbits Wood Wiggle Much design ca 1910 Watercolor
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Trajan Fighting Dacians Trajan horseback right riding towards
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Notre Dame Bourges 1888 Etching state Glasgow
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Seated Woman Profile Antique Bas Relief ca 1660
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In this captivating collection of artworks, the number "128 cm" takes on a whole new meaning. In the first piece, we see a gentleman turned three-quarters left wearing an expression of wisdom and experience, and is titled "Self-Portrait Age Thirty-Five 1537 Engraving, " and it beautifully captures the essence of self-reflection. Moving on to Plate 9, we encounter the Phrygian Sibyl holding a top tablet in her left hand. Her gaze is filled with ancient knowledge and prophetic insight. The engraving from 128 cm showcases her power as she reveals secrets yet to be unveiled. Philip Melanchthon graces us with his presence in Sheet 6, measuring precisely at 13/16 inches or approximately 128 cm. This engraving from 1540 portrays him with an air of intellectual prowess, his right arm outstretched as if reaching for enlightenment itself. As we delve deeper into this artistic journey, we stumble upon a gentleman walking forward with his right arm extended gracefully before him. His plumed hat adds an element of elegance to his figure while he carries a sword by his side. This depiction from exactly 128 cm invites us to ponder the significance behind this mysterious character's purposeful stride. Dido enters our narrative next, holding a dagger firmly in her right hand while her left arm reaches out towards something unseen. The intensity in her eyes speaks volumes about the emotions that consume her soul - love betrayed and vengeance sought after relentlessly. A nobleman stands proudly before us against the backdrop of a grand castle; every detail meticulously captured within these dimensions of exactly 128 cm. We can almost hear echoes of history reverberating through time as we admire this portrait that exudes strength and nobility. The Resurrection Passion Christ engraving transports us back to ca1623 when faith was both tested and reaffirmed amidst great turmoil.