1250s Collection

NOAHs DRUNKENESS (Genesis 9: 20-23). French manuscript illumination, c1250

Leszek II of Poland
1577996 Leszek II of Poland; (add.info.: Engraving of Leszek II of Poland, also known as, Leszek II the Black (1241-1288) named after his black hair

Kublai Kahn, Mongol Emperor of China (print)
1578145 Kublai Kahn, Mongol Emperor of China (print); (add.info.: Print of Kublai Kahn, Mongol Emperor of China (1216-1294). Dated 13th Century.); Universal History Archive/UIG.

DAY SIX OF CREATION. The sixth day of creation (Genesis 1: 24-31). French manuscript illumination, c1250

ADAM AND EVE. The Expulsion from Paradise (Genesis 3: 22-24): French manuscript illumination, c1250

DAY THREE OF CREATION (Genesis 1: 9-13). French manuscript illumination, c1250

SODOM & GOMORRAH. Lots wife is turned into a pillar of salt when she stops to watch the destruction of Sodom and Gomorrah, as Lot and his daughters continue to flee (Genesis 19: 26)

ADAM AND EVE. The Fall (Genesis 3: 1-6). French manuscript illumination, c1250

MEDIEVAL WARFARE, c1250. Sauls destruction of Nahash and the Ammonites (I Samuel 11: 11)
MEDIEVAL WARFARE, c1250. Sauls destruction of Nahash and the Ammonites (I Samuel 11:11), represented as an assault by medieval knights on a fortified town. French manuscript illumination, c1250

Suzuki Bandit 1250S

Palace of the Mongol Khans, Karakorum, Mongolia, China
A view of Karakorum, capital of the Mongol Empire, and the palace of the Mongol Khans, with the famous Silver Tree Fountain on the left

BOAZ SEES RUTH GLEANING in his field, top; Ruth eats with Boaz and the reapers, lower left: the barley stack of Boaz, lower right (Ruth 2: 4-231): French Old Testament manuscript illumination, c1250

LOT AND FAMILY. A left, Melchizedek blesses Abraham as Lot and his family look on (Genesis 14)
LOT AND FAMILY. A left, Melchizedek blesses Abraham as Lot and his family look on (Genesis 14: 19-20); at right, Lot offers his virgin daughters to the Sodomites (Genesis 19: 8)

SACRIFICE OF NOAH (Genesis 8: 20-9: 15). French manuscript illumination, c1250
SACRIFICE OF NOAH (Genesis 8:20-9:15). French manuscript illumination, c1250

ABRAHAM RESCUES LOT. Abraham and his companions rescue Lot (Genesis 14: 14-15). French manuscript illumination, c1250

NOAHs ARK. The building of the Ark (Genesis 6: 13-17). French manuscript illumination, c1250

CAIN AND ABEL. The Sacrifices of Cain and Abel; Cain slaying Abel (Genesis 4: 3-8). French manuscript illumination, c1250

DAY ONE OF CREATION (Genesis 1: 1-5). French manuscript illumination, c1250

DAY FIVE OF CREATION (Genesis 1: 20-23). French manuscript illumination, c1250

NOAHs ARK / THE FLOOD (Genesis 8: 6-11). French manuscript illumination, c1250
NOAHs ARK/THE FLOOD (Genesis 8: 6-11). French manuscript illumination, c1250

DAY TWO OF CREATION. (Genesis: 6-8). French manuscript illumination, c1250

ADAM AND EVE. The Curse (Genesis 3: 16-19). French manuscript illumination, c1250

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The 1250s were a time of great artistic expression and biblical storytelling. French manuscript illuminations from this era beautifully depicted various scenes from the Bible, capturing both its profound messages and human experiences. One such illumination portrays Noah's drunkenness, as described in Genesis 9:20-23. The artist skillfully captures the vulnerability and consequences of Noah's actions, reminding us of the complexities of human nature. In contrast to Noah's story, another illumination showcases the sixth day of creation (Genesis 1:24-31). The vibrant colors and intricate details bring to life God's divine act of bringing forth animals on Earth. It serves as a reminder that all creatures are part of God's grand design. The expulsion from Paradise is also vividly illustrated in an illumination depicting Adam and Eve (Genesis 3:22-24). Their sorrowful expressions convey their deep regret after succumbing to temptation. This scene reminds us of the fragility of humanity and our constant struggle between good and evil. Moving forward in time, we encounter a Suzuki Bandit 1250S - a modern marvel with its sleek design and powerful performance. This motorcycle represents progress and innovation during this period while contrasting with the religious themes prevalent in other illuminations. Returning to biblical narratives, another illumination depicts Day Three of Creation (Genesis 1:9-13), showcasing God separating land from water. The artist masterfully captures the majesty of creation through delicate brushstrokes, emphasizing God's omnipotence. A tragic tale unfolds when Lot's wife is turned into a pillar of salt for looking back at Sodom & Gomorrah. This haunting image serves as a warning against disobedience or attachment to worldly desires. Adam and Eve make another appearance in an illustration portraying their fall from grace (Genesis 3:1-6). The artist conveys their vulnerability amidst temptation, highlighting humanity's inclination towards sinfulness despite divine guidance.