Plate 1 Collection

Map of the Battle of Trafalgar, 21 October 1805, plate 1, illustration, 1848 Alexander Keith Johnston (1848). Atlas to Alison's History of Europe. Edinburgh: William Blackwood and Sons. p. 80

Terra Nova mollusc report, artwork C016 / 6160
Terra Nova mollusc report, artwork. Plate 1 of Volume II of the British Antarctic Terra Nova Natural History reports

Ursa Major constellation, 1829 C016 / 4387
Ursa Major constellation

Zamia pungens
Plate 1. Watercolour and bodycolour on paper, 1839 by Augusta Innes Withers (c.1791/2-1876). Held in the Library and Archives Date: 1839

Plate 1 from Histoire naturelle? (1789)
Plate 1 Histoire Naturelle ou Mineralogie Complete, from Histoire naturelle: ou, Exposition des morceaux, les mieux choisis pour servir? (1789) by by Swebach Desfontaines

Plate 1 from Specimens of British Minerals? vol. 1 by P. Ras
Plate 1 entitled Woodlike-tin ores from Specimens of British minerals, selected from the cabinet of P. Rashleigh, of Menabilly, in the County of Cornwall (1797) by Philip Rashleigh

Methods for manufacturing paper tubes
DGA3938476 Methods for manufacturing paper tubes, copperplate engraving by Gaetano M Alfano

Map of city of Dunkirk and its fortifications over course of centuries
DGA3070156 Map of city of Dunkirk and its fortifications over course of centuries, engraving by Giacomo Bassaglia

Visions Daughters Albion Plate 1 Frontispiece
Visions of the Daughters of Albion, Plate 1, Frontispiece, William Blake, 1757-1827, British, 1793, Relief etching printed in green with pen and black ink and watercolor on moderately thick

Huntsman opening the kennel door to let out the hounds before going hare hunting
6337426 Huntsman opening the kennel door to let out the hounds before going hare hunting by Howitt

An Earthenware Workshop, illustration from the Encyclopedie
CHT202899 An Earthenware Workshop, illustration from the Encyclopedie by Denis Diderot (1713-84) engraved by Robert Benard (b)

Top, View of old Vatican quarter in 2nd century; bottom
2571728 Top, View of old Vatican quarter in 2nd century; bottom, plan of old Vatican quarter in 2nd century, engraving from Vatican and St Peter's Basilica, 1882

Figures on rocks, above them a sun appears in a break of heavy clouds
XYC309865 Figures on rocks, above them a sun appears in a break of heavy clouds, from Visions of the Daughters of Albion, 1793 (relief etching with w/c) by Blake

Plan of St Peter's Basilica and Vatican in 15th century and new Basilica and Belvedere courtyard
2571732 Plan of St Peter's Basilica and Vatican in 15th century and new Basilica and Belvedere courtyard, engraving from Vatican and St Peter's Basilica, 1882

Floor plan of whole of Vatican quarter
2571821 Floor plan of whole of Vatican quarter, Perspective view from top, engraving from The Vatican and St Peter's Basilica, 1882, by Paul Marie Letarouilly (1795-1855), Volume I

Chemistry equipment, early 19th century C013 / 5268
Chemical equipment. Early 19th-century artwork depicting a variety of devices and instruments used in chemistry experiments

Chest anatomy, 19th Century illustration

The Fellow Prentices at their Looms Representing Industry and Idleness, 1747 (wash
XJF696737 The Fellow Prentices at their Looms Representing Industry and Idleness, 1747 (wash, pen and ink and graphite on paper) by Hogarth, William (1697-1764); British Museum, London

Frontispiece to Jerusalem (Bentley Copy E) 1804-20 (etching with pen, w / c
XYC144695 Frontispiece to Jerusalem (Bentley Copy E) 1804-20 (etching with pen, w/c and gold on paper) by Blake, William (1757-1827); 22x16 cm; Yale Center for British Art, Paul Mellon Collection

Fungus (Lycoperdon coliforme) C016 / 5988
Fungus (Lycoperdon coliforme). Plate 1 from Drawings of Submerged Algae (1800) by Mary Dawson Turner. Held in the Botany Library at the Natural History Museum, London, UK

Hookes telescopes, 17th century
Hookes telescopes. 17th-century engraving with labelled diagrams showing telescope equipment and mechanisms described by English scientist Robert Hooke (1635-1703)

Dolphins, artwork C016 / 6185
Dolphins, artwork. Plate one from Edward Wilsons Terra Nova Expedition (officially the British Antarctic Expedition 1910) sketch book showing three dolphins

Northern constellations, 18th century
Northern constellations. 18th-century map of constellations and stars of the northern celestial hemisphere. The constellations are represented by artworks of their mythical namesakes

Paeonia moutan, 19th-century artwork
Chinese peony (Paeonia lactiflora), 19th-century artwork. This artwork is from the John Reeves Collection of botanical and zoological drawings from Canton, China

Northern gannet, 19th century artwork C013 / 6289
Northern gannet (Morus bassanus). Plate 1 from Watercolour drawings of British Animals (1831-1841) by William MacGillivray

Wild boar, 19th century artwork C013 / 6236
Wild boar (Sus scrofa). Plate 1 entitled Wild Boar and Sow from The Breeds of the Domestic Animals of the British Islands, Vol. 2, by David Low (1842)

Alchemical symbols, 18th century C013 / 5275
Alchemical symbols. 18th-century listing of characters and symbols used by alchemists to represent chemicals, elements, and other objects and processes

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EDITORS COMMENTS

"Plate 1: A Glimpse into the Natural World and Historical Marvels" This captivating plate, Plate 1 from Histoire naturelle? (1789), offers a fascinating glimpse into various realms of knowledge. The intricate illustration showcases Zamia pungens, a striking plant species known for its unique foliage patterns. Its presence on this plate invites us to explore the wonders of botany. Moving beyond the realm of flora, we encounter Ursa Major constellation in 1829 C016 / 4387. This celestial artwork transports us to the vastness of space, where stars form magnificent constellations that have captivated humanity for centuries. In another corner of this diverse collection lies Plate 1 from Specimens of British Minerals? vol. 1 by P. Ras. Here, we delve into the world beneath our feet as minerals reveal their stunning colors and textures—a testament to Earth's geological marvels. Shifting gears once more, "Negroes in the Bilge, " engraved by Deroi around c. 1835, presents an important historical depiction highlighting social dynamics during that era—an invitation to reflect on our shared past and strive for progress towards equality. The enchanting Plan of St Peter's Basilica takes center stage next—founded in 1506 under Julius II and completed in 1612 under Paul V—this architectural masterpiece has stood as a symbol of faith and human achievement throughout history. A lively scene unfolds with "Huntsman opening the kennel door. " This evocative image captures anticipation before a hare hunt—a reminder of ancient traditions interwoven with nature's beauty. An Earthenware Workshop brings us closer to everyday life through an illustration from Encyclopedie?. It immerses us within bustling workshops where skilled artisans craft functional artistry using clay—a celebration of human creativity across cultures.