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Captured At Last
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Captured At Last
circa 1838: Fagin sits alone in the condemned cell after his capture by the police in Charles Dickens Oliver Twist. Original Artwork: Engraving by George Cruikshank. (Photo by Hulton Archive/Getty Images)
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Hulton Archive
Media ID 11772144
1830 1839 Anxiety Captured Cell Charles Dickens England Black Facial Hair Fear Furniture George Cruikshank Human Interest Literature Portrait Male Facial Prison Remote Single Terror Topics Fagin Oliver Twist Orig Twist
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Captured At Last - A Glimpse into Fagin's Desolation
EDITORS COMMENTS
. In this black and white portrait, we are transported back to the grim world of Charles Dickens' Oliver Twist. The print captures a powerful moment in time, as Fagin sits alone in his condemned cell after being apprehended by the relentless police force. The image, originally an engraving by George Cruikshank, portrays Fagin with a face etched with anxiety and fear. His facial hair adds to his sinister appearance, while the sparse furniture and solitary bed emphasize his isolation within the cold confines of his prison cell. This evocative artwork not only reflects the themes of law and imprisonment prevalent in 19th century England but also delves deep into human psychology. Fagin's posture suggests both resignation and terror as he contemplates his uncertain fate. As we gaze upon this haunting portrayal, we cannot help but be drawn into Fagin's world - a remote corner where literature meets reality. The archival quality of this print ensures that it will continue to captivate audiences for generations to come. With its rich historical context and artistic merit, this image serves as a testament to Charles Dickens' enduring legacy. It reminds us of the power of literature to shed light on societal issues while offering profound insights into the complexities of human nature. Overall, "Captured At Last" is an arresting piece that invites viewers to contemplate themes such as justice, morality, and redemption through
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