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Yes Sir, they had the cheek to reject this picture from the exhibition
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Yes Sir, they had the cheek to reject this picture from the exhibition
XJF441079 Yes Sir, they had the cheek to reject this picture from the exhibition...you can see for yourself how conscientiously I showed the crucifixion of my saint...not a nail is missing.. from Le Charivari, 14 February, 1851 (litho) by Daumier, Honore (1808-79); Private Collection; (add.info.: Oui, Monsieur, on a eu l indignite de me refuser ce tableau a l exposition.. ; satirical print from the series Tout ce qu on Voudra (All one could Wish for ), making fun of an artist upset by the refusal of his painting for a Salon; ); French, out of copyright
Media ID 12881911
© www.bridgemanart.com
Exposition Mockery Mocking Refusal Refuses Reject Rejection Salon
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EDITORS COMMENTS
Yes Sir, they had the cheek to reject this picture from the exhibition. In this satirical print by Honore Daumier, we witness the frustration of an artist whose painting was refused for a prestigious Salon in Paris. The image captures the essence of artistic rejection and serves as a biting commentary on the art world. Daumier meticulously portrays his saint's crucifixion, leaving no detail unnoticed. Every nail is accounted for, showcasing his dedication and skill as an artist. Yet, despite his conscientiousness, his work was deemed unworthy by those in charge. The artist's disappointment is palpable through his exaggerated facial expression and body language. He confronts us directly with a mix of indignation and disbelief at having been denied recognition for his laborious creation. This print belongs to Daumier's series titled 'Tout ce qu'on Voudra' or 'All one could Wish For, ' where he humorously mocks various aspects of society. Here, he targets both the arrogance of salon juries and their power over artists' careers. Through this powerful visual narrative, Daumier invites us to reflect on themes such as artistic freedom, subjective judgment in art institutions, and the resilience required to navigate rejection within creative fields.
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