Sculpture Collection (page 7)

2,391 items

Sculpture Collection: The pulpit in the Church of Sant Andrea, c. 1298-1301 (marble)

The pulpit in the Church of Sant Andrea, c. 1298-1301 (marble)
466948 The pulpit in the Church of Sant Andrea, c.1298-1301 (marble) by Pisano, Giovanni (c.1245-p.1314); Sant Andrea, Pistoia, Italy; Photo eNicol Orsi Battaglini; Italian, out of copyright

Cupid (bronze)
466436 Cupid (bronze) by Falconet, Etienne-Maurice (1716-91); 83.8 x 40.6 x 53.3 cm; Corcoran Collection, National Gallery of Art, Washington D.C. USA; William A

Sculpture Collection: Madame Pajou, nee Angelique Roumier, 1777 (terracotta)

Madame Pajou, nee Angelique Roumier, 1777 (terracotta)
AGN403455 Madame Pajou, nee Angelique Roumier, 1777 (terracotta) by Pajou, Augustin (1730-1809); Private Collection; Photo eAgnew s, London; French, out of copyright

Sculpture Collection: Portrait of Nicolas Boileau, known as Boileau-Despreaux (stone)

Portrait of Nicolas Boileau, known as Boileau-Despreaux (stone)
XIR382396 Portrait of Nicolas Boileau, known as Boileau-Despreaux (stone) by Caffieri, Jean-Jacques (1725-92); Bibliotheque Sainte-Genevieve, Paris

Sculpture Collection: Detail of Charity, from the tomb of Urban VIII (marble)

Detail of Charity, from the tomb of Urban VIII (marble)
XJL379456 Detail of Charity, from the tomb of Urban VIII (marble) by Bernini, Gian Lorenzo (1598-1680); St. Peter s, Vatican City; (add.info.: Pope Urban VIII (1568-1644); ); Italian, out of copyright

Sculpture Collection: Venus with Cupid removing a thorn from her foot, 1825 (marble)

Venus with Cupid removing a thorn from her foot, 1825 (marble)
CTS379069 Venus with Cupid removing a thorn from her foot, 1825 (marble) by Tenerani, Pietro (1789-1869); eThe Devonshire Collections

Sculpture Collection: Cathedral, interior, choir screen, Marriage at Cana, Entry of Christ into Jerusalem, c

Cathedral, interior, choir screen, Marriage at Cana, Entry of Christ into Jerusalem, c. 1340-51 (polychrome stone)
ALI382741 Cathedral, interior, choir screen, Marriage at Cana, Entry of Christ into Jerusalem, c.1340-51 (polychrome stone) by Ravy, Jean (1318-44) & Jean Le Boutellier (1270-1370); Notre Dame

Sculpture Collection: Cathedral, interior, choir screen, the Last Supper, c. 1340-51 (polychrome stone)

Cathedral, interior, choir screen, the Last Supper, c. 1340-51 (polychrome stone)
ALI382738 Cathedral, interior, choir screen, the Last Supper, c.1340-51 (polychrome stone) by Ravy, Jean (1318-44) & Jean Le Boutellier (1270-1370); Notre Dame, Paris, France; (add.info.: cathedrale)

Sculpture Collection: Cathedral, interior, choir screen, Last Supper, Jesus Christ washing the feet of the apostles

Cathedral, interior, choir screen, Last Supper, Jesus Christ washing the feet of the apostles
ALI382737 Cathedral, interior, choir screen, Last Supper, Jesus Christ washing the feet of the apostles, Christ in the Garden of Olives, c.1340-51 (polychrome stone) by Ravy

Sculpture Collection: The Arderne Tomb, St. Peters Church, Elford, Staffordshire, England

The Arderne Tomb, St. Peters Church, Elford, Staffordshire, England
779743 The Arderne Tomb, St. Peters Church, Elford, Staffordshire, England, 1848-9 (hand coloured engraving) (see also 741543 & 779744) by Richardson, Edward M

Sculpture Collection: Detail of Endymion statue (marble)

Detail of Endymion statue (marble)
482178 Detail of Endymion statue (marble) by Canova, Antonio (1757-1822); eThe Devonshire Collections, Chatsworth; (add.info)

Sculpture Collection: Letitia Ramolino Bonaparte, c. 1804-07 (marble)

Letitia Ramolino Bonaparte, c. 1804-07 (marble)
482173 Letitia Ramolino Bonaparte, c.1804-07 (marble) by Canova, Antonio (1757-1822); eThe Devonshire Collections, Chatsworth; (add.info)

Sculpture Collection: Letitia Ramolino Bonaparte, c. 1805 (marble)

Letitia Ramolino Bonaparte, c. 1805 (marble)
482172 Letitia Ramolino Bonaparte, c.1805 (marble) by Canova, Antonio (1757-1822); eThe Devonshire Collections, Chatsworth; (add.info)

Sculpture Collection: Laura, 1817 (marble)

Laura, 1817 (marble)
482170 Laura, 1817 (marble) by Canova, Antonio (1757-1822); eThe Devonshire Collections, Chatsworth; Reproduced by permission of Chatsworth Settlement Trustees; Italian, out of copyright

Sculpture Collection: Tomb of Carlo Marsuppini, c. 1453-55 (marble)

Tomb of Carlo Marsuppini, c. 1453-55 (marble)
XIR444213 Tomb of Carlo Marsuppini, c.1453-55 (marble) by Desiderio da Settignano (1428-64); Santa Croce, Florence, Italy; (add.info)

Sculpture Collection: Detail of Bust of a Gentleman (bronze) (detail of 430599)

Detail of Bust of a Gentleman (bronze) (detail of 430599)
XIR434175 Detail of Bust of a Gentleman (bronze) (detail of 430599) by Donatello, (c.1386-1466); Museo Nazionale del Bargello, Florence, Tuscany

Sculpture Collection: Angel Musician (bas-relief)

Angel Musician (bas-relief)
XIR440634 Angel Musician (bas-relief) by French School, (15th century); Musee des Augustins, Toulouse, France; (add.info.: Angel musician; ); French, out of copyright

Sculpture Collection: Immaculate Conception, c. 1665

Immaculate Conception, c. 1665
ALI414903 Immaculate Conception, c.1665 by Puget, Pierre (1620-94); Oratorio di San Filippo Neri, Genoa, Italy; (add.info.: Immaculee Conception; b/w photo; black and white photograph; ); Alinari

Sculpture Collection: Monument to Cardinal Pietro Riario, in association with the studio of Mino da Fiesole (1430-84)

Monument to Cardinal Pietro Riario, in association with the studio of Mino da Fiesole (1430-84) detail of the effigy
ALI414898 Monument to Cardinal Pietro Riario, in association with the studio of Mino da Fiesole (1430-84) detail of the effigy, 1474-77 (marble) by Bregno

Sculpture Collection: Monument to Pope Innocent XI, c. 1697 (marble)

Monument to Pope Innocent XI, c. 1697 (marble)
ALI412189 Monument to Pope Innocent XI, c.1697 (marble) by Maratta or Maratti, Carlo (1625-1713); St. Peter s, Vatican City; (add.info)

Sculpture Collection: The Kiss of Judas, early 16th century (oakwood)

The Kiss of Judas, early 16th century (oakwood)
XBP391869 The Kiss of Judas, early 16th century (oakwood) by German School, (16th century); Private Collection; (add.info.: From the Lower Rhine; ); Photo eBoltin Picture Library; German

Sculpture Collection: Bust of Anne-Marie-Louise Thomas de Domangeville de Serilly, Comtesse de Pange

Bust of Anne-Marie-Louise Thomas de Domangeville de Serilly, Comtesse de Pange
2970888 Bust of Anne-Marie-Louise Thomas de Domangeville de Serilly, Comtesse de Pange, 1780 (marble) by Houdon, Jean-Antoine (1741-1828); height: 89.9 cm; The Art Institute of Chicago, IL

Sculpture Collection: Washington and Franklin (stereograph print)

Washington and Franklin (stereograph print)
2960426 Washington and Franklin (stereograph print) by American Photographer, (19th century); 10.8x17.8 cm; Free Library of Philadelphia; eFree Library of Philadelphia; American, out of copyright

Sculpture Collection: Annunciation, Detail from the Capital frieze, West Front

Annunciation, Detail from the Capital frieze, West Front
2962133 Annunciation, Detail from the Capital frieze, West Front, Chartres Cathedral (stone) by French School; French, out of copyright

Sculpture Collection: Horse and Rider, 1630 (silver & silver gilt)

Horse and Rider, 1630 (silver & silver gilt)
2969960 Horse and Rider, 1630 (silver & silver gilt) by Kienle, Hans Ludwig (1591-1653); height: 31.5 cm; The Art Institute of Chicago, IL, USA; Eloise W

Sculpture Collection: Kneeling Satyr, c. 1520 (bronze)

Kneeling Satyr, c. 1520 (bronze)
2919487 Kneeling Satyr, c.1520 (bronze) by Severo da Ravenna (fl.1496-1543); height: 23.4 cm; Cleveland Museum of Art, OH, USA; Purchase from the J. H. Wade Fund; Italian, out of copyright

Sculpture Collection: King Charles II, c. 1690 (bronzed & gilded brass)

King Charles II, c. 1690 (bronzed & gilded brass)
2632483 King Charles II, c.1690 (bronzed & gilded brass) by Gibbons, Grinling (1648-1721); height: 229 cm; Royal Hospital Chelsea, London

King Charles II, c. 1690 (bronzed & gilded brass)
2632481 King Charles II, c.1690 (bronzed & gilded brass) by Gibbons, Grinling (1648-1721); height: 229 cm; Royal Hospital Chelsea, London

Sculpture Collection: Saint Andrew, 1740 (marble)

Saint Andrew, 1740 (marble)
3037612 Saint Andrew, 1740 (marble) by Bouchardon, Edme(1698-1762); Church of Saint-Sulpice, Paris, France; (add.info.: Saint Andrew, the statues of apostles of Saint-Sulpice by Bouchardon); French

Sculpture Collection: Saint James the Lesser, 1740 (marble)

Saint James the Lesser, 1740 (marble)
3037610 Saint James the Lesser, 1740 (marble) by Bouchardon, Edme(1698-1762); Church of Saint-Sulpice, Paris, France; (add.info.: Saint James the Minor)

Sculpture Collection: River God, 1755 (terracotta)

River God, 1755 (terracotta)
1272027 River God, 1755 (terracotta) by Caffieri, Jean-Jacques (1725-92); 23x37.5 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

Sculpture Collection: Portrait Bust of Lorenzo de Medici, late 15th century (terracotta, polychrome)

Portrait Bust of Lorenzo de Medici, late 15th century (terracotta, polychrome)
1217348 Portrait Bust of Lorenzo de Medici, late 15th century (terracotta, polychrome) by Florentine School (15th Century); Ashmolean Museum, University of Oxford, UK; (add.info.: Anonymous, Italian)

Sculpture Collection: Bust of Edward Salter aged six, 1748 (terracotta)

Bust of Edward Salter aged six, 1748 (terracotta)
1217900 Bust of Edward Salter aged six, 1748 (terracotta) by Rysbrack, John Michael (c.1684-1770); Ashmolean Museum, University of Oxford

Sculpture Collection: Memorial to Robert Pinke, West Wall, Ante-Chapel, 1648 (marble) (detail of 309361)

Memorial to Robert Pinke, West Wall, Ante-Chapel, 1648 (marble) (detail of 309361)
NCO309361 Memorial to Robert Pinke, West Wall, Ante-Chapel, 1648 (marble) (detail of 309361) by English School, (17th century); Courtesy of the Warden and Scholars of New College

Sculpture Collection: Capital depicting the glorification of St. Martin (stone)

Capital depicting the glorification of St. Martin (stone)
NUL311550 Capital depicting the glorification of St. Martin (stone) by French School, (11th century); Abbaye de Fleury, Saint-Benoit-sur-Loire, Loiret, France; French, out of copyright

Sculpture Collection: Capital depicting lions and faces (stone)

Capital depicting lions and faces (stone)
NUL311549 Capital depicting lions and faces (stone) by French School, (11th century); Abbaye de Fleury, Saint-Benoit-sur-Loire, Loiret, France; French, out of copyright

Sculpture Collection: Capital depicting the visitation (stone)

Capital depicting the visitation (stone)
NUL311543 Capital depicting the visitation (stone) by French School, (11th century); Abbaye de Fleury, Saint-Benoit-sur-Loire, Loiret, France; French, out of copyright

Sculpture Collection: Effigy of Eleanor of Aquitaine (photo)

Effigy of Eleanor of Aquitaine (photo)
NUL265622 Effigy of Eleanor of Aquitaine (photo) by French School, (13th century); Fontevrault Abbey, Fontevrault (Fontevraud), France; (add.info.: Eleanor of Aquitaine (1122-1204)

Sculpture Collection: Medallion depicting the Madonna with angels, c. 1746 (bronze)

Medallion depicting the Madonna with angels, c. 1746 (bronze)
BFM281559 Medallion depicting the Madonna with angels, c.1746 (bronze) by Gunther, Ignaz (Guenther) (1725-75); Bayerisches Nationalmuseum, Munich, Germany; Bildarchiv Foto Marburg

Sculpture Collection: Altar piece, left panel, detail, The carrying of the Cross (painted stone)

Altar piece, left panel, detail, The carrying of the Cross (painted stone)
CLG279629 Altar piece, left panel, detail, The carrying of the Cross (painted stone) by Richier, Ligier (c.1500-67); Eglise de Hattonchatel, France; (add.info.: retable, panneau gauche)

Sculpture Collection: Holy woman in a bonnet (painted stone)

Holy woman in a bonnet (painted stone)
CLG279619 Holy woman in a bonnet (painted stone) by Richier, Ligier (c.1500-67); Clermont en Argonne, France; (add.info.: Sainte femme au bonnet; ); eClement Guillaume; French, out of copyright

Sculpture Collection: Effigies of Thomas Fitzalan, 5th Earl of Arundel and his wife, Beatrice

Effigies of Thomas Fitzalan, 5th Earl of Arundel and his wife, Beatrice
DON279138 Effigies of Thomas Fitzalan, 5th Earl of Arundel and his wife, Beatrice, in the Fitzalan Chapel (alabaster) by English School, (14th century); His Grace The Duke of Norfolk

Sculpture Collection: Sir Andrew Fountaine, c. 1747 (plaster)

Sir Andrew Fountaine, c. 1747 (plaster)
XYC283569 Sir Andrew Fountaine, c.1747 (plaster) by Roubilliac, Louis Francois (1695-1762); 60.3x48.3x24.8 cm; Yale Center for British Art, Paul Mellon Collection

Sculpture Collection: Bust of a man (black limestone & yellow marble) (see also 281573)

Bust of a man (black limestone & yellow marble) (see also 281573)
XYC281574 Bust of a man (black limestone & yellow marble) (see also 281573) by Harwood, Francis (fl.1748-83) (attr. to); 69.9x50.2 cm; Yale Center for British Art, Paul Mellon Collection

Sculpture Collection: Altar piece, left panel, detail, The carrying of the Cross, st. Veronica (painted stone)

Altar piece, left panel, detail, The carrying of the Cross, st. Veronica (painted stone)
CLG279628 Altar piece, left panel, detail, The carrying of the Cross, st. Veronica (painted stone) by Richier, Ligier (c.1500-67); Eglise de Hattonchatel, France; (add.info.: retable, panneau gauche)

Sculpture Collection: Christ on the Cross (painted wood)

Christ on the Cross (painted wood)
CLG279611 Christ on the Cross (painted wood) by Richier, Ligier (c.1500-67); Eglise Notre-Dame, Bar-Le-Duc, France; (add.info.: Christ en croix; ); eClement Guillaume; French, out of copyright

Sculpture Collection: Queen Esther (plaster)

Queen Esther (plaster)
ALI280887 Queen Esther (plaster) by Serpotta, Giacomo (1656-1732); Chiesa di Santa Cita, Palermo, Sicily; Alinari

Sculpture Collection: Cardinal Leopold de Medici (marble)

Cardinal Leopold de Medici (marble)
BAT274605 Cardinal Leopold de Medici (marble) by Foggini, Giovanni Battista (1652-1725); Galleria degli Uffizi, Florence, Tuscany

<
1..
2
3
4
5
6
7
8
9
10
..50
>

All Professionally Made to Order for Quick Shipping

Why Choose Us?

We are a leading provider of Art Prints and Photo Gifts since 2004, working in partnership with a range of Sporting Clubs, Charities, Museums and Picture Libraries. A large share of profits from any of their images will go directly towards supporting that charity or club. Our archive of images is carefully curated to bring you a wide range of subjects, including landscapes, wildlife, architecture, and more. We ship from our partner labs in the UK, USA, EU (Netherlands) and Australia.

How do I place an order?

Ordering is quick & easy - Just follow 5 Simple Steps:

Find your image: Use our search box or browse our online photo Collections to find the image you want.
Choose your print format: Select your desired product and add it to your cart.
Enter your details: If you're a returning customer, simply enter your email address and password, and we'll fill in your billing and shipping address details. All personal details are held securely and are fully GDPR compliant. As standard, we remove all Personally Identifiable Information after 12 months.
Pay for your purchase: We use state-of-the-art security for online shopping and do not have access to your card details.
Sit back and relax: We'll email you confirmation of your order and when it's dispatched. Registered customers can also track orders in the 'My Account' area.

How do I pay for an order?

You can pay for your order with most of the major credit and debit cards, or PayPal. For added security, major financial institutions process payment details separately and securely on our behalf. We do not have access to your online payment card details. Online payments are preferred however we do take phone orders. For UK customers only we accept cheques issued against a UK bank.

Is my data safe?

We take data security very seriously. We do not have access to your full card details and all payments are requested over a fully secure connection. Additionally, we fully comply with current European and GDPR legislation, and automatically remove all personal data after at most 12 months (unless you have an account with us and have signed in recently). We also have a strict opt-in policy and would never sell your personal details. Your data is only used to fulfill your order promptly and efficiently.

Is wall art ready to hang?

For quick and easy installation all wall art, including framed prints, canvas prints and metal prints are supplied with a ready to hang solution on the back. Generally, saw tooth hangers are applied as they allow wall art to hang flush against the wall. The serrated edge of the hanger prevents the frame from shifting or tilting when hung.

Are the photo prints fade resistant?

Yes, we use archival quality photo paper photographic paper for vivid reproduction Prints are an accurate representations of the original artwork, which is preserved for artistic character and authenticity. We guarantee they match previews shown on our web site