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Architectural details from the Aix Annunciation, c. 1445 (oil on panel) (detail of 26541)
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Architectural details from the Aix Annunciation, c. 1445 (oil on panel) (detail of 26541)
XIR415773 Architectural details from the Aix Annunciation, c.1445 (oil on panel) (detail of 26541) by Master of the Aix Annunciation, (fl.1442-45); Ste. Marie Madeleine, Aix-en-Provence, France; (add.info.: capitals; archivolt; voussure; voussures; arcature; acanthus; flamboyant; gothic; architecture; demon; devil; carved; carving; landscape; detail; medieval; sculpture; sculptural; ); French, out of copyright
Media ID 12877983
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EDITORS COMMENTS
This print showcases the exquisite architectural details from the Aix Annunciation, a masterpiece created by the enigmatic Master of the Aix Annunciation in 1445. The painting, executed with oil on panel, is housed in Ste. Marie Madeleine located in Aix-en-Provence, France. The photograph zooms in on a specific section of this remarkable artwork, highlighting its intricate and ornate features. One can marvel at the meticulously carved capitals that adorn the archivolt and voussures, showcasing an impressive display of Gothic architecture. The arcature adds depth and dimension to this composition while drawing attention to every delicate detail. Notably, amidst this grandeur lies a striking depiction of a demon or devil intricately carved into the stone surface. This unexpected element adds an intriguing touch to an otherwise serene scene. The landscape surrounding these architectural wonders further enhances their beauty and significance within medieval art history. Each sculptural element tells a story through its craftsmanship and symbolism. As we delve into this print captured by Fine Art Finder from www. bridgemanimages. com, we are transported back in time to appreciate not only the technical skill but also the artistic vision behind such masterpieces. This image serves as a testament to our enduring fascination with historical art forms and their ability to captivate us even centuries later.
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