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Presentation of the Mares to the Holy Father, caricature of the introduction of Adelaide
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Presentation of the Mares to the Holy Father, caricature of the introduction of Adelaide
XIR218294 Presentation of the Mares to the Holy Father, caricature of the introduction of Adelaide (1732-1800) and Victoire de France (1733-99) to the Pope, 17th April 1791 (coloured engraving) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris, France; (add.info.: Presentation des Hacquenees au Saint Pere; Cardinal Francois Joachim de Pierre de Bernis (1715-94); ); French, out of copyright
Media ID 12761406
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Ancien Regime Anticlerical Critical Criticism Exiles Hackney Refugees Ugly Saint Pere
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EDITORS COMMENTS
The vibrant and intriguing print titled "Presentation of the Mares to the Holy Father" captures a significant historical moment with a touch of satire. Created by an anonymous French artist in the 18th century, this coloured engraving depicts the introduction of Adelaide and Victoire de France, daughters of Louis XV, to Pope Pius VI on April 17th, 1791. In this caricature-like portrayal, we see Cardinal François Joachim de Pierre de Bernis presenting two rather unattractive mares instead of noble ladies. The composition cleverly combines elements of political commentary and humor as it mocks both religious figures and royalty during the Ancien Régime. The horses themselves symbolize hackney or trotting horses known as "haquenees" representing critical views towards societal norms. This satirical piece reflects anti-clerical sentiments prevalent at that time while also criticizing royal authority. Furthermore, within this artwork lies a deeper narrative - that of refugees and exiles seeking refuge from their troubled lives. It serves as a reminder that even those born into privilege can face adversity and displacement. Preserved in Musee Carnavalet in Paris, France, this out-of-copyright masterpiece continues to captivate viewers with its intricate details and layered symbolism. Its timeless relevance reminds us that art has always been a powerful tool for social critique throughout history.
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