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The Kingdoms Monster Uncloaked from Heaven, c. 1640-43 (woodcut) (b / w photo)

The Kingdoms Monster Uncloaked from Heaven, c. 1640-43 (woodcut) (b  /  w photo)


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The Kingdoms Monster Uncloaked from Heaven, c. 1640-43 (woodcut) (b / w photo)

XJF106630 The Kingdoms Monster Uncloaked from Heaven, c.1640-43 (woodcut) (b/w photo) by English School, (17th century); Private Collection; English, out of copyright

Media ID 12699851

© www.bridgemanart.com

Anti Catholic Broadsheet Civil War Conspirator Demon Devil Hanging Kingdom Papist Parliament Plotter Propaganda Malignant Popish


The Kingdom's Monster Uncloaked from Heaven - A Powerful Depiction of Political Propaganda

EDITORS COMMENTS
. This photograph showcases a rare woodcut print titled "The Kingdom's Monster Uncloaked from Heaven" created by an anonymous English artist in the 17th century. The image, now part of a private collection, serves as a powerful example of political propaganda during a tumultuous period. The woodcut portrays various symbolic elements that were prevalent during this time, including references to the Popish Plot and the ongoing conflict between Parliament and the Church. The central figure represents a monstrous creature, embodying traits associated with popish conspirators, papists, malignants, and plotters. Its demonic appearance reflects the anti-Catholic sentiment that prevailed during this era. Surrounding the monster are scenes depicting key events such as civil war battles and city fires. These images serve to further emphasize the perceived threat posed by Catholicism to both kingdom and church. This broadsheet was undoubtedly circulated widely as part of an effort to shape public opinion against Catholics. By utilizing vivid imagery and evoking fear through depictions of hanging figures and devil-like creatures, it aimed to rally support for Protestant causes. As we examine this remarkable piece today, we gain insight into how art was used as a potent tool for spreading political messages during times of social unrest. It stands not only as an artistic achievement but also as a testament to the power of visual communication in shaping historical narratives.

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