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How did he hop, skip, bellow and roar, illustration after George Cruikshank
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How did he hop, skip, bellow and roar, illustration after George Cruikshank
KW366279 How did he hop, skip, bellow and roar, illustration after George Cruikshank for the poem The Lay of St. Medard, from The Ingoldsby Legends or Mirth and Marvels, by Thomas Ingoldsby, published in 1865 (litho) by English School, (19th century); Private Collection; Ken Welsh; English, out of copyright
Media ID 12867288
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Creature Devil Fairytale Folklore Ghoul Hurt Pyramid In Pain Monster
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In this print, we are transported into the fantastical world of George Cruikshank's imagination. The illustration, inspired by Thomas Ingoldsby's poem "The Lay of St. Medard" showcases a scene filled with mystery and intrigue. At the center of the image stands a wounded male figure, his face contorted in pain as he watches intently. Surrounding him is an eerie pyramid-like structure, seemingly constructed from his own agony. It is here that our attention is drawn to a devilish creature - part monster, part ghoul - who hops and skips around the injured man. The artist skillfully captures the essence of folklore and fairytales in this piece. We can almost hear the bellowing roars echoing through the air as this otherworldly being torments its victim. The composition evokes a sense of unease and tension, leaving us wondering about their connection and what lies ahead for them both. This print serves as a reminder of how art has the power to transport us to different realms and ignite our imagination. Through intricate details and masterful lithography techniques, it invites us to delve deeper into its narrative while contemplating themes such as pain, suffering, and supernatural forces at play. As we admire this mesmerizing artwork from English School's 19th-century collection, we are reminded once again that fine art has no boundaries or limitations when it comes to storytelling – it transcends time and captivates audiences across generations.
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