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View of Knoxville from Keiths Hills, November 1863 (engraving)
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View of Knoxville from Keiths Hills, November 1863 (engraving)
959352 View of Knoxville from Keiths Hills, November 1863 (engraving) by American School, (19th century) (after); Private Collection; (add.info.: View of Knoxville from Keiths Hills, November 1863. Illustration for Harpers Pictorial History of the Civil War (McDonnell Bros, 1886). Digitally cleaned image.); © Look and Learn
Media ID 23534332
© Look and Learn / Bridgeman Images
American Civil War Cumberland Gap Knoxville
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EDITORS COMMENTS
This engraving, titled "View of Knoxville from Keiths Hills, November 1863" takes us back to a significant moment in American history. Created by the American School in the 19th century and now part of a private collection, this print offers a glimpse into the past. The image showcases an expansive view of Knoxville during the tumultuous period of the American Civil War. The artist skillfully captures the essence of this city nestled amidst nature's beauty. From Keiths Hills, we witness a panoramic vista that stretches far beyond our sight. As we delve deeper into this artwork, we can almost feel ourselves transported to that fateful month in 1863. The Cumberland Gap looms majestically on one side, symbolizing both opportunity and challenge for those involved in this conflict. Meanwhile, Keiths Hills provide an elevated perspective that allows us to appreciate the strategic importance of Knoxville during these troubled times. Originally published as an illustration for Harper's Pictorial History of the Civil War in 1886, this digitally cleaned image preserves its historical significance while offering us a clearer vision than ever before. Through Bridgeman Images' Fine Art Finder platform and Look and Learn's collaboration with them, we are fortunate enough to experience this remarkable piece firsthand. It serves as a reminder not only of America's rich heritage but also of how art can transport us through time and connect us with pivotal moments in history.
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