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Midday, from a series on the four hours of the day, 1771 (oil on canvas)

Midday, from a series on the four hours of the day, 1771 (oil on canvas)


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Midday, from a series on the four hours of the day, 1771 (oil on canvas)

XIR176673 Midday, from a series on the four hours of the day, 1771 (oil on canvas) by Watteau, Louis Joseph (Watteau de Lille) (1731-98); 108x65 cm; Musee des Beaux-Arts, Valenciennes, France; (add.info.: Les Quatre heures de la journee; ); French, out of copyright

Media ID 12743449

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Brook Fields Flock Labourers Lunch Time Midi Pause Peasants Plain Rake Refreshing Rest Spring Stream Thirsty


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Midday, from a series on the four hours of the day, 1771

EDITORS COMMENTS
is a captivating oil on canvas painting by Louis Joseph Watteau de Lille. This exquisite artwork, measuring 108x65 cm, can be found at the Musee des Beaux-Arts in Valenciennes, France. In this scene, Watteau beautifully captures the essence of rural life during midday. The painting depicts hardworking peasants taking a well-deserved break from their laborious tasks in the fields. The sun shines brightly overhead as they rest and enjoy their meal amidst nature's beauty. A group of shepherds can be seen nearby with their flock grazing peacefully in a lush green plain. A brook glistens under the radiant sunlight, offering refreshment to both man and beast alike. Thirsty workers quench their parched throats by drinking from its crystal-clear waters. The composition exudes tranquility and serenity as these humble laborers pause to replenish themselves during lunchtime. Their tired bodies find respite while rakes lie idle momentarily before being picked up again for more work ahead. Watteau's attention to detail brings this idyllic countryside scene to life; every stroke of his brush captures not only the physicality but also the spirit of these hardworking individuals who rely on agriculture for sustenance. This remarkable print serves as a reminder of simpler times when people were deeply connected to nature and relied upon it for survival. It invites us

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