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Jesus and Sam, from a Majma al-tawarikh, c. 1425 (opaque watercolor
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Jesus and Sam, from a Majma al-tawarikh, c. 1425 (opaque watercolor
5932620 Jesus and Sam, from a Majma al-tawarikh, c.1425 (opaque watercolor, ink and gold on paper) by Persian School, (15th century); 42.9 x 33.3 cm; Freer Gallery of Art, Smithsonian Institution, USA; (add.info.: Detached folio from a Majma al-tawarikh (Compendium of history) by Hafiz-i Abru (d.1430)); Freer Gallery of Art, Smithsonian Institution; Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler; Persian, out of copyright
Media ID 23265428
© Freer Gallery of Art, Smithsonian Institution Purchase--Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler / Bridgeman Images
Afghanistan Amir Epic Henri Vever Collection Herat Iran Islamic Art Naskh Script Persia Persian Timurid Timurid Period 1378 1506
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EDITORS COMMENTS
This print showcases the exquisite artwork of "Jesus and Sam" from a Majma al-tawarikh, dating back to approximately 1425. Created by the Persian School in the 15th century, this masterpiece measures 42.9 x 33.3 cm and is currently housed at the Freer Gallery of Art, Smithsonian Institution in the USA. The image depicts a detached folio from Hafiz-i Abru's Majma al-tawarikh (Compendium of history). This particular piece was acquired through various means including purchase with Smithsonian Unrestricted Trust Funds, Smithsonian Collections Acquisition Program, and Dr. Arthur M. Sackler's contribution. With its opaque watercolor technique combined with ink and gold on paper, this artwork represents an extraordinary example of Persian illumination during the Timurid period (1378-1506). The painting portrays Jesus Christ alongside Sam, possibly referring to biblical figures or historical characters. The fine details and intricate naskh script used in this manuscript reflect both religious significance and cultural heritage within Islamic art traditions prevalent in Persia (modern-day Iran) during that era. It serves as a testament to the artistic prowess achieved under Timurid patronage. This remarkable piece not only captures our attention but also offers insight into the rich history of Afghanistan and Herat as well as their connections to Persian culture. Its presence within Henri Vever's collection further emphasizes its importance among collectors worldwide who appreciate exceptional works like these for their spiritual depth
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