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Constantine IV granting Bishop Reparatus privileges for the church of Ravenna, 671-77
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Constantine IV granting Bishop Reparatus privileges for the church of Ravenna, 671-77
XIR331770 Constantine IV granting Bishop Reparatus privileges for the church of Ravenna, 671-77 (mosaic) by Byzantine School, (6th century); Sant Apollinare in Classe, Ravenna, Italy; (add.info.: Tiberius, brother of Constantius Pogonatus (654-85) is on the left of the Emperor; Emperor from 668-85; ); out of copyright
Media ID 12852851
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Apse Autocephalous Byzantine Byzantium Courtiers East End Frescoes Mosaic Presenting Privilege Retinue Scroll Halo
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EDITORS COMMENTS
In this photo print, we are transported back in time to witness a significant moment in history. The scene depicts Constantine IV, the Emperor of Byzantium from 668-85, granting Bishop Reparatus privileges for the church of Ravenna. This remarkable mosaic artwork was created by the Byzantine School during the 6th century and can be found at Sant Apollinare in Classe, Ravenna, Italy. The composition showcases a regal setting with Constantine IV positioned at the center, adorned with a halo that signifies his divine authority. To his left stands Tiberius, brother of Constantius Pogonatus (654-85), symbolizing their close bond and shared power. The Emperor is seen presenting a scroll to Bishop Reparatus as an official document bestowing special rights upon the church. The intricate details of this mosaic highlight not only its artistic beauty but also provide insights into Byzantine architecture and interior design. The arches and frescoes surrounding the central figures create an atmosphere of grandeur and spirituality. At the east end of the apse lies further evidence of religious significance through additional depictions related to autokephalia - autonomy granted to churches within specific regions. This print serves as a window into ancient times when emperors held immense influence over ecclesiastical matters. It reminds us of how art has preserved historical events while allowing us to appreciate their cultural significance centuries later.
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