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Cloviss baptism in Reims on 25 December 496. Painting by Pierre Puget (1620 - 1694)

Cloviss baptism in Reims on 25 December 496. Painting by Pierre Puget (1620 - 1694)


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Cloviss baptism in Reims on 25 December 496. Painting by Pierre Puget (1620 - 1694)

JLJ4598825 Cloviss baptism in Reims on 25 December 496. Painting by Pierre Puget (1620 - 1694), 1653. Marseille, Musee Des Beaux Arts by Puget, Pierre (1620-94); Musee des Beaux-Arts, Marseille, France; (add.info.: Cloviss baptism in Reims on 25 December 496. Painting by Pierre Puget (1620 - 1694), 1653. Marseille, Musee Des Beaux Arts); Photo ePhoto Josse; French, out of copyright

Media ID 23710756

© Josse / Bridgeman Images

5th 5th 5th V Vth Th Century B And Xe9 Baptism Benediction Benitier Christendom Clothilde Eveque Franc People Merovingian Nitier Queen 475 545 Religious Conversion Saint Remi 437 530 Sainte Clotilde


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> Arts > Artists > P > Pierre Puget

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> Europe > France > Reims

> Europe > France > Royalty

> Fine Art Finder > Artists > Pierre Puget

> North America > Saint Pierre and Miquelon > Saint-Pierre


EDITORS COMMENTS
The print captures a significant moment in history - Clovis's baptism in Reims on 25 December 496. Painted by Pierre Puget in 1653, the artwork is housed at the Musee des Beaux-Arts in Marseille, France. The painting depicts the holy event with great detail and emotion. In this masterpiece, we see Clovis, the King of the Franks during the Merovingian era, being baptized by an eveque (bishop) while surrounded by clergy members and his queen, Sainte Clothilde. The scene exudes a sense of religious fervor as Clovis undergoes his religious conversion to Christianity. Pierre Puget skillfully portrays each figure with intricate brushstrokes and vibrant colors that bring life to this historical event. The composition beautifully captures both the solemnity of the occasion and the joyous celebration that followed. This painting serves as a testament to France's deep-rooted Christian heritage and its significance within French society during medieval times. It symbolizes not only Clovis's personal spiritual journey but also marks a pivotal moment in French history when Christianity became firmly established as part of their cultural identity. As we gaze upon this remarkable piece of art, we are reminded of how religion has shaped societies throughout history and continues to be an integral part of our collective human experience.

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