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Bunkindo print of foreign ships in the port of Nagasaki, 1800-50 (woodblock print)
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Bunkindo print of foreign ships in the port of Nagasaki, 1800-50 (woodblock print)
XOS2909654 Bunkindo print of foreign ships in the port of Nagasaki, 1800-50 (woodblock print) by Japanese School, (19th century); 18.4x26.4 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: The Dutch East India Company (Vereenigde Oostindische Compagnie, VOC) trading company flourished in the 17th and 18th centuries with an Asian capital at Batavia, now Jakarta, in Java. As part of the sakoku self-imposed isolationist policy to constrain foreign traders, an isolated island outpost at Deshima, Nagasaki allowed limited trade with Japan. Originally built to house Portuguese traders, it became a Dutch trading post from 1641 to 1853.
); Japanese, out of copyright
Media ID 12813211
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Birds Eye Dutch Colonial Dutch Colony Dutch East India Company Dutch East Indies Dutch Empire Edo Period Gulf Junks Nagasaki Traders Trading Trading Post Vereenigde Oostindische Compagnie Woodblock Decima Dejima Deshima
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EDITORS COMMENTS
This woodblock print showcases a historical moment in the bustling port of Nagasaki during the early 19th century. The image, captured by an anonymous Japanese artist, offers a glimpse into the vibrant trade scene that once thrived in this coastal city. Foreign ships from various nations are depicted with intricate detail, highlighting the global reach of commerce at that time. Among them are vessels belonging to the Dutch East India Company (VOC), which played a significant role in shaping international trade during this era. This print serves as a testament to their presence and influence in Japan. The composition also sheds light on Deshima, an isolated island outpost where limited trading activities were permitted between foreign merchants and Japanese locals. Originally established for Portuguese traders but later taken over by the Dutch, Deshima became an important hub for cultural exchange and economic transactions. From a bird's-eye perspective, we witness junks navigating through calm waters while sailors engage in their daily routines along the coast. The attention to detail is remarkable; every ship seems alive with activity and purpose. This woodblock print not only captures a specific moment in history but also reflects broader themes such as colonialism, globalization, and cultural exchange. It stands as both an artistic masterpiece and a valuable historical document that invites us to explore the rich tapestry of Nagasaki's past.
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