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Babel and Bethel: or, the Pope in his Colours, 1679 (engraving)
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Babel and Bethel: or, the Pope in his Colours, 1679 (engraving)
XJF322563 Babel and Bethel: or, the Pope in his Colours, 1679 (engraving) by English School, (17th century); British Museum, London, UK; (add.info.: on the left depiction of the Pope and behind him, London in flames, Protestants dying by sword, poison and stake; monarchs trampled on by the papal feet; on the right is Charles II (1630-85); the Church of England kneels before the king, who holds out his protective sceptre; print produced during the period of religious hysteria produced by Titus Oates (1649-1705) and the allegations of the Popish Plot; ); English, out of copyright
Media ID 12850296
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Anti Catholic Hatred Papist Propaganda Protestant Protestantism Roman Catholicism Catholics
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EDITORS COMMENTS
The engraving titled "Babel and Bethel: or, the Pope in his Colours" is a powerful depiction of religious tension during the 17th century. In this image, created by an anonymous English artist, we see a stark contrast between two opposing forces. On the left side of the print, we witness a chilling portrayal of the Pope surrounded by chaos and destruction. London is engulfed in flames while Protestants suffer brutal deaths at the hands of their Catholic oppressors. Monarchs are depicted as being subservient to papal authority, trampled upon by the Pope's feet. This part of the image represents anti-Catholic propaganda fueled by fear and hatred. In stark contrast on the right side stands Charles II, holding out his protective scepter towards kneeling members of the Church of England. The king symbolizes Protestantism and offers protection against Catholic persecution. This scene reflects support for Protestantism amidst religious hysteria brought about by Titus Oates' allegations surrounding the Popish Plot. Created during a time when tensions between Catholics and Protestants were high, this engraving serves as a visual representation of deep-rooted animosity towards Roman Catholicism within English society. This historical artwork captures not only political and religious sentiments but also highlights how art was used as a tool for propaganda during that era. It provides us with valuable insight into one aspect of British history where religion played a significant role in shaping public opinion and societal divisions.
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