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Joseph Caillaux (1863-1944) French minister of Finances after trial in 1914 (his wife was accused of mururder of Figaro paper director GastonCalmette)

Joseph Caillaux (1863-1944) French minister of Finances after trial in 1914 (his wife was accused of mururder of Figaro paper director GastonCalmette)


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Joseph Caillaux (1863-1944) French minister of Finances after trial in 1914 (his wife was accused of mururder of Figaro paper director GastonCalmette)

1756294 Joseph Caillaux (1863-1944) French minister of Finances after trial in 1914 (his wife was accused of mururder of Figaro paper director GastonCalmette); (add.info.: Joseph Caillaux (1863-1944) French minister of Finances after trial in 1914 (his wife was accused of mururder of Figaro paper director GastonCalmette)); Photo: Tallandier

Media ID 38090790

© Photo: Tallandier / Bridgeman Images

3e 3rd Iiie Iiird Republique Republic Affair Affaire Affaire Criminelle Criminal Case Bargain Chapeau Melon Bowler Hat Derby Hat Concern Homme Politique Politician Justice Proces Trial Paris France Snip


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EDITORS COMMENTS
This print captures the somber moment of French minister of Finances, Joseph Caillaux, after his trial in 1914. The trial was a result of his wife being accused of the murder of Figaro paper director Gaston Calmette, a scandal that shook the nation during the Third Republic. In this image, we see Caillaux wearing a chapeau melon bowler hat, exuding an air of concern and contemplation as he navigates through the turbulent waters of justice and public scrutiny. The historical significance of this affair is palpable in his expression, reflecting the weight of political power and personal tragedy intertwined in one dramatic event. As a prominent homme politique politician during a crucial period in French history, Caillaux's presence in this photograph speaks volumes about the complexities and challenges faced by those in positions of authority. This snapshot captures not just a moment in time but also serves as a reminder of how even the most powerful individuals can be brought to their knees by scandal and controversy. Overall, this print is a poignant reminder of the fragility of reputation and legacy, showcasing Joseph Caillaux at a crossroads between ambition and downfall during one of France's most notorious criminal cases.

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