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Christ crowned with thorns, after 1521 (oil on panel)

Christ crowned with thorns, after 1521 (oil on panel)


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Christ crowned with thorns, after 1521 (oil on panel)

993552 Christ crowned with thorns, after 1521 (oil on panel) by Giampietrino, Giovanni Pietro Rizzoli (fl.c.1495-1521); 64.7x50.8 cm; Private Collection; Photo © Christies Images

Media ID 25159320

© Christie's Images / Bridgeman Images

Barred Crown Of Thorns Crowned Grief Grieving Man Of Sorrows Mouring Mournful Passion Sorrow Sorrows Wounds Emotions Mourning


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> Fine Art Finder > Artists > Giovanni Pietro Rizzoli Giampietrino

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EDITORS COMMENTS
This print showcases Giampietrino's masterpiece, "Christ crowned with thorns" painted in the early 16th century. The oil on panel artwork measures 64.7x50.8 cm and is held in a private collection. In this poignant portrayal of Christ's suffering, we witness the profound emotions etched on his face as he wears the crown of thorns upon his head. His eyes reflect both pain and resilience, while wounds from his crucifixion are visible on his forehead. The composition features a saintly figure standing near a barred window, symbolizing confinement and isolation. A female figure, possibly the Virgin Mary, gazes at her son with deep sorrow and grief evident in her expression. This depiction emphasizes their unbreakable bond amidst immense suffering. Giampietrino skillfully captures the essence of Christ's passion through meticulous brushwork and attention to detail typical of Renaissance artistry. The artist conveys an overwhelming sense of mourning by rendering each character with mournful expressions that resonate deeply within viewers' hearts. This painting serves as a powerful reminder of Christ's sacrifice for humanity's redemption—a testament to love transcending all boundaries. It evokes contemplation about our own sorrows and challenges us to find solace in faith during times of adversity. Bridgeman Images has flawlessly reproduced this remarkable artwork through their expertise in fine art photography, allowing us to appreciate its beauty even if we cannot view it firsthand.

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