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The Allies in China, Zouaves chasing their Dinner at Shan-hai-Quan (litho)
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The Allies in China, Zouaves chasing their Dinner at Shan-hai-Quan (litho)
1040054 The Allies in China, Zouaves chasing their Dinner at Shan-hai-Quan (litho) by Maud, William T. (1865-1903); Private Collection; (add.info.: The Allies in China, Zouaves chasing their Dinner at Shan-hai-Quan. Illustration for The Graphic, 29 December 1900.); Look and Learn / Illustrated Papers Collection
Media ID 22633706
© Look and Learn / Illustrated Papers Collection / Bridgeman Images
Allies Chasing Dinner Pigs Shan Zouaves Chineses Quan
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EDITORS COMMENTS
In this lithograph, titled "The Allies in China, Zouaves chasing their Dinner at Shan-hai-Quan" we are transported to a moment of lively pursuit and cultural exchange. Created by William T. Maud in 1900, this print captures a fascinating scene from the historical period when the Allies were stationed in China. The image depicts a group of Zouave soldiers energetically chasing after their dinner - a herd of pigs - through the streets of Shan-hai-Quan. The vibrant colors and intricate details bring to life the bustling atmosphere of this Chinese city. Amidst the chaos, we witness an intriguing fusion between Western military forces and traditional Chinese culture. The Zouaves, known for their distinctive uniforms inspired by North African fashion, appear determined as they navigate through narrow alleyways with agility reminiscent of local hunters. "The Allies in China" serves as both an artistic representation and a historical document. It offers us a glimpse into the complex dynamics that unfolded during this tumultuous time: foreign troops occupying Chinese territory while simultaneously engaging with local customs and traditions. This lithograph is part of Bridgeman Images' Fine Art Finder collection, which showcases remarkable works from around the world. Through its vivid imagery and rich narrative context, "The Allies in China" invites viewers to reflect on themes such as cross-cultural encounters, power dynamics, and colonialism within the realm of art history.
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