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Taste, or Burlington Gate, 1732 (engraving)

Taste, or Burlington Gate, 1732 (engraving)


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Taste, or Burlington Gate, 1732 (engraving)

XJF400607 Taste, or Burlington Gate, 1732 (engraving) by Hogarth, William (1697-1764); Private Collection; (add.info.: satire on Alexander Popes Epistle to Burlington in which he praises Lord Burlingtons architectural taste; the gate of Burlington House, Piccadilly, surmounted by statues of William Kent, Raphael and Michelangelo, being whitewashed by a plasterer; ); English, out of copyright

Media ID 12874768

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EDITORS COMMENTS
This print showcases William Hogarth's "Taste, or Burlington Gate" from 1732. The engraving, now part of a private collection, is a satirical masterpiece that humorously depicts Alexander Pope's praise for Lord Burlington's architectural taste. The image portrays the gate of Burlington House in Piccadilly, adorned with statues of renowned artists William Kent, Raphael, and Michelangelo. However, what catches the eye is the unexpected scene unfolding before us: a plasterer diligently whitewashing the gate while standing on a precarious scaffold. The composition exudes an air of mischief as it captures this laborious task turning into an unintentional comedy. One cannot help but wonder if this scene was inspired by a real-life incident involving an unfortunate carriage accident or simply serves as playful commentary on architecture and its practitioners. Hogarth masterfully combines satire with intricate details to create a thought-provoking visual narrative. The contrast between the grandeur of Lord Burlington's taste and the comical mishap taking place adds depth to this artwork. As we gaze upon this historical gem captured by Fine Art Finder at www. bridgemanart. com, we are reminded that art has always been used as a medium for social commentary and entertainment alike. This enchanting print invites us to reflect on our own perceptions of taste while delighting in Hogarth's witty portrayal of everyday life in 18th-century England.

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