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The Rakes Levee, plate II, from A Rakes Progress (engraving)
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The Rakes Levee, plate II, from A Rakes Progress (engraving)
XJF397621 The Rakes Levee, plate II, from A Rakes Progress (engraving) by Hogarth, William (1697-1764); Private Collection; (add.info.: Tom Rakewell at his morning levee, attended by members of various professions, including the garden designer Charles Bridgeman (1690-1738) and a composer at a piano, said to represent George Frederic Handel (1685-1759); ); English, out of copyright
Media ID 12874012
© www.bridgemanart.com
Designers Drawing Room Entourage Fame Fencing Fortune High Society Jockey Morality Tale Prosperity Rake Swordsman
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EDITORS COMMENTS
The Rakes Levee, plate II, from A Rakes Progress (engraving) captures the essence of 18th-century high society with its satirical and moralistic undertones. In this print by William Hogarth, we witness Tom Rakewell at his morning levee, surrounded by a diverse entourage of individuals representing various professions. The scene is filled with intricate details that offer a glimpse into the extravagant lifestyle of the rake. From the elegant garden designer Charles Bridgeman to the renowned composer George Frederic Handel at a piano, each character adds depth and complexity to this composition. Hogarth's masterful use of satire shines through as he exposes the vices and follies prevalent in Georgian society. The male protagonist embodies recklessness and indulgence, symbolizing fame, fortune, and prosperity gone awry. This engraving serves as both a cautionary tale and an insightful commentary on morality. It invites viewers to reflect upon their own choices while immersing themselves in an opulent drawing room setting. As you gaze upon this remarkable piece of artistry, allow yourself to be transported back in time to an era where social status was everything. Let your imagination wander through this second scene from A Rakes Progress and discover hidden narratives within its rich tapestry.
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