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Carting and Putting Sugar Hogsheads on Board, plate X from Ten Views in

Carting and Putting Sugar Hogsheads on Board, plate X from Ten Views in


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Carting and Putting Sugar Hogsheads on Board, plate X from Ten Views in

XYC284408 Carting and Putting Sugar Hogsheads on Board, plate X from Ten Views in the Island of Antigua, published by W. Clark, London, 1823 (coloured aquatint) by Clark, William (1808-83); 24.3x35.3 cm; Yale Center for British Art, Paul Mellon Collection, USA; English, out of copyright

Media ID 12789557

© www.bridgemanart.com

Barrels Cargo Caribbean Exotic Export Exporting Goods Grand Tour Loading Rowing Boat West Indian Horse And Carts


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EDITORS COMMENTS
This print, titled "Carting and Putting Sugar Hogsheads on Board" takes us back to the Island of Antigua in 1823. The scene showcases a bustling bay where the process of loading sugar hogsheads onto ships is taking place. With its vibrant colors and intricate details, this coloured aquatint by William Clark offers a glimpse into the grand tour experience of that era. The image captures the essence of Caribbean trade during this time, as horse-drawn carts transport barrels filled with precious cargo towards rowing boats waiting at the shore. The boats then ferry these goods out to larger ships anchored further offshore. This snapshot transports us to an exotic world where commerce and adventure intertwine. As we admire this artwork from the Yale Center for British Art's Paul Mellon Collection, we can't help but appreciate its historical significance. It serves as a visual reminder of Antigua's role in exporting sugar – a vital commodity during that period – while also showcasing the island's picturesque landscape. This print invites us to imagine ourselves amidst this lively scene, witnessing firsthand how goods were transported from land to sea centuries ago. It sparks our curiosity about what life was like for those involved in such endeavors and encourages us to explore more about West Indian history and culture.

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