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A young boy attacked by a group of wild pigs (wild boars)
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A young boy attacked by a group of wild pigs (wild boars)
GIA4774460 A young boy attacked by a group of wild pigs (wild boars). Ex voto of the 16th century of the sanctuary of the Madonna del Monte near Cesena (ForlAi). by Unknown Artist, (16th century); Private Collection; (add.info.: A young boy attacked by a group of wild pigs (wild boars). Ex voto of the 16th century of the sanctuary of the Madonna del Monte near Cesena (ForlAi).); eGiancarlo Costa; out of copyright
Media ID 22289532
© Giancarlo Costa / Bridgeman Images
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EDITORS COMMENTS
In this 16th-century ex voto painting, we witness a harrowing scene as a young boy finds himself under attack by a group of wild boars. The artist, unknown but undoubtedly skilled, has masterfully captured the intensity and chaos of the moment. The composition centers around the terrified child, his face etched with fear and desperation. His tattered clothing and dirt-streaked body indicate that he was caught off guard in an unsuspecting encounter with these powerful creatures. Surrounding him are the menacing wild pigs, their bristly fur and sharp tusks adding to their ferocity. This artwork is housed within the sanctuary of Madonna del Monte near Cesena (ForlAi), serving as an ex voto - a votive offering expressing gratitude or seeking divine intervention. It serves as a testament to both human vulnerability and faith in times of danger. The vibrant colors and meticulous brushwork bring life to this biblical-inspired scene. As viewers, we are reminded of our own mortality and the unpredictable nature of our surroundings. Yet amidst this turmoil, there is hope symbolized by the presence of Virgin Mary in the background. Giancarlo Costa's photograph expertly captures every detail of this historical masterpiece for us to admire today. It allows us to delve into centuries-old artistry while contemplating themes that remain relevant even now: resilience in adversity and unwavering belief in something greater than ourselves.
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