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Scenography by Leon Bakst (1866-1924), Russian painter and decorator for the third act of

Scenography by Leon Bakst (1866-1924), Russian painter and decorator for the third act of


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Scenography by Leon Bakst (1866-1924), Russian painter and decorator for the third act of

GIA4794671 Scenography by Leon Bakst (1866-1924), Russian painter and decorator for the third act of " The Martyrdom of Saint Sebastian" by Claude Debussy (1862-1918), libretto by Gabriele D Annunzio. 20th century. by Bakst, Leon (1866-1924); Private Collection; eGiancarlo Costa; Russian, out of copyright

Media ID 22828032

© Giancarlo Costa / Bridgeman Images

Backdrop French French French French Leon Bakst Russian Russian Russian Russian


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EDITORS COMMENTS
This print showcases the stunning scenography by Leon Bakst for the third act of "The Martyrdom of Saint Sebastian" an opera composed by Claude Debussy with a libretto by Gabriele D'Annunzio. Bakst, a renowned Russian painter and decorator, brings his artistic brilliance to life in this 20th-century masterpiece. The image captures the intricate details of Bakst's backdrop, which transports viewers into a world filled with drama and emotion. The skillful use of light and shadow creates a sense of depth, adding to the overall intensity of the scene. Every brushstroke seems purposeful as it contributes to the overall narrative. Bakst's collaboration with Debussy and D'Annunzio is evident in every aspect of this composition. The fusion of French and Russian influences results in a visually striking piece that transcends cultural boundaries. As we gaze upon this remarkable artwork, we are reminded not only of Bakst's talent but also his ability to evoke powerful emotions through visual storytelling. This print serves as a testament to his enduring legacy as one of Russia's most celebrated artists. Displayed proudly in private collections around the world, this engraving offers us a glimpse into an era where theater and opera were at their peak. It invites us to immerse ourselves in its beauty while appreciating the genius behind its creation – both from Bakst himself and those who have preserved it for future generations like Giancarlo Costa.

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