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Johanna le Gillon, Wife of Hieronymus van Beverningk, 1670 (oil on canvas)
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Johanna le Gillon, Wife of Hieronymus van Beverningk, 1670 (oil on canvas)
5673094 Johanna le Gillon, Wife of Hieronymus van Beverningk, 1670 (oil on canvas) by Baen, Jan de (1633-1702); 156.1x121.1 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Johanna le Gillon, wife of Hieronymus van Beverningk (at XOS 5673092)); Dutch, out of copyright
Media ID 22337366
© Bridgeman Images
Curtain Drapery Dutch Republic Golden Age Lute Silk States General Stringed Theorbo
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EDITORS COMMENTS
This portrait, titled "Johanna le Gillon, Wife of Hieronymus van Beverningk" transports us back to the Dutch Golden Age in the 17th century. Painted by Jan de Baen, a renowned artist of that era, this oil on canvas print captures the essence of elegance and grace. The subject of this painting is Johanna le Gillon, a woman who exudes beauty and sophistication. Dressed in luxurious silk garments adorned with intricate patterns, she sits gracefully against a backdrop of richly colored drapery. Her eyes gaze directly at the viewer with an air of confidence and poise. In her hands rests a lute, a stringed musical instrument commonly associated with femininity during that time period. The delicate touch she displays while holding it suggests not only her artistic sensibilities but also her refined taste in music. As we admire this masterpiece from the Rijksmuseum in Amsterdam, we are transported into Johanna's world—a world where artistry and culture flourished amidst political turmoil. This portrait serves as a testament to the prominence and influence held by women during the Dutch Republic's heyday. Jan de Baen's attention to detail is evident throughout every brushstroke—capturing not just physical likeness but also conveying emotions and personality. Through his skillful rendering, he immortalizes Johanna le Gillon as an emblematic figure representing both beauty and intellect. This remarkable artwork reminds us of the enduring power that portraiture holds—to
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