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Frontispice of "Opinioni dei cantori antichi e moderni ossiano osservazioni

Frontispice of 'Opinioni dei cantori antichi e moderni ossiano osservazioni


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Frontispice of "Opinioni dei cantori antichi e moderni ossiano osservazioni

GIA4763801 Frontispice of " Opinioni dei cantori antichi e moderni ossiano osservazioni sopra il canto figurato" by Pier Francesco Tosi (1653 - 1732), Italian castrate, composer and theorist. 1723 by Unknown artist, (18th century); Private Collection; (add.info.: Frontispice of " Opinioni dei cantori antichi e moderni ossiano osservazioni sopra il canto figurato" by Pier Francesco Tosi (1653 - 1732), Italian castrate, composer and theorist. 1723); eGiancarlo Costa; out of copyright

Media ID 22826642

© Giancarlo Costa / Bridgeman Images

Birdsong Castrato Frontispiece


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EDITORS COMMENTS
The frontispiece of "Opinioni dei cantori antichi e moderni ossiano osservazioni sopra il canto figurato" is a captivating print that captures the essence of 18th-century music and opera. Created by an unknown artist in the 18th century, this engraving showcases the talent and influence of Pier Francesco Tosi, an Italian castrate, composer, and theorist. In this beautifully detailed artwork, we see a scene filled with symbolism and elegance. The central figure is Tosi himself, portrayed with grace and authority. Surrounding him are various elements that represent his expertise in music theory and composition. Birds symbolize the ethereal nature of birdsong while also alluding to Tosi's ability to reach incredible vocal heights as a castrato. The French influence is evident in the style of engraving used for this piece. It adds a touch of sophistication to the overall composition. The attention to detail is remarkable, from the intricate patterns on Tosi's clothing to the delicate feathers on each bird. This frontispiece not only serves as an introduction to Tosi's book but also stands as a testament to his significant contributions to Italian opera during the 18th century. It encapsulates his passion for music and highlights his role as both performer and scholar. Today, this print remains part of a private collection but continues to inspire admiration for its artistic merit and historical significance within musical circles worldwide.

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