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Esa grazes donkeys - the Pentateuch. Miniature from codex 212
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Esa grazes donkeys - the Pentateuch. Miniature from codex 212
GIA4817056 Esa grazes donkeys - the Pentateuch. Miniature from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi by Unknown Artist, (14th century); Museo dell Accademia dei Concordi, Rovigo, Italy; (add.info.: Esa grazes donkeys - the Pentateuch. Miniature from codex 212 (or padovano codice or Bible of Padua) 1390-1400 Rovigo, Accademia dei Concordi); eGiancarlo Costa; out of copyright
Media ID 22829002
© Giancarlo Costa / Bridgeman Images
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EDITORS COMMENTS
This print showcases a stunning miniature from codex 212, also known as the Padovano Codice or Bible of Padua. Created by an unknown artist in the 14th century, this masterpiece is housed in the Museo dell'Accademia dei Concordi in Rovigo, Italy. The image depicts Esa grazing donkeys while holding the Pentateuch, which refers to the first five books of the Hebrew Bible. This religious scene beautifully captures a moment of tranquility and spirituality. The skilled illumination technique used by the artist brings out intricate details and vibrant colors that make this miniature truly mesmerizing. Esa, often associated with Esau from biblical texts, symbolizes both humility and strength as he tends to his flock. The presence of donkeys adds depth to this composition, representing loyalty and perseverance. Giancarlo Costa expertly photographed this artwork, preserving its essence for generations to come. His careful attention to detail ensures that every brushstroke and nuance are faithfully captured in this print. As we gaze upon this remarkable piece of artistry, we are reminded of the power religion holds over human history and culture. It serves as a testament to our enduring fascination with biblical narratives and their ability to inspire awe-inspiring works such as these.
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